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Mark SinkCloud Series, Denver 20162016
2016
$1,200
£896.21
€1,039.92
CA$1,662.01
A$1,863.10
CHF 971.56
MX$22,837.04
NOK 12,311.34
SEK 11,704.78
DKK 7,759.15
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About the Item
This is printed on canvas , series of three
Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon.
The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick-wood and salvaged materials like concrete and metal combining bare and rough surfaces with a clean and flat finish. Exposed brick walls, high arched ceilings supported by large iron bars and hidden walkways evoke the feeling of being in a warehouse - a contemporary ambience but a retro spirit of the industrial revolution.
The magical combination of something unfinished and yet complete drew Robin Rice to the Beacon Lofts. Blessed with an extraordinary eye and extensive experience as a gallerist and successful photographer, Ms Rice has chosen works to compliment the industrial design of the Lofts. Images like an abstract of steel car machinery or still lives of gears and metallic parts are just some examples of the dynamic and powerful pieces reminiscent of the Industrial revolution. The end result is something vintage yet entirely modern.
Color, cloud, sky, weather, blue, Denver , Colorado, Skyscape, landscape
- Creator:Mark Sink (1958, American)
- Creation Year:2016
- Dimensions:Height: 16 in (40.64 cm)Width: 16 in (40.64 cm)
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU112780473
Mark Sink, a Denver-based photographer, had a formative experience in the 1980s working alongside several influential artists in New York City. During this period, he collaborated with Robert Mapplethorpe, known for his bold and intimate portraits, whose work deeply influenced Sink's approach to human subjects. He also worked with Keith Haring, whose vibrant, socially engaged art inspired Sink’s exploration of color and dynamic space in photography. Additionally, Sink was exposed to the creative atmosphere of Andy Warhol's Factory, where he absorbed Warhol’s unique approach to celebrity culture and mass production, shaping his understanding of the art-world persona. Sink also collaborated with Cindy Sherman, whose conceptual photography focused on identity and self-representation, influencing Sink's own exploration of these themes in portraiture. Sink’s collaborations with these and other prominent artists like Jean-Michel Basquiat and Laurie Anderson provided him with a rich artistic foundation. Their innovative work encouraged Sink to experiment with different photographic techniques and to blend fine art, performance, and conceptual photography, a direction that would define much of his career. These experiences in New York City helped shape Sink’s artistic vision, which continues to push the boundaries of traditional photography while exploring identity, memory, and the human experience.
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Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1. One of a kind.
CURRENT EXHIBITION - runs through September 11th, 2016. Any framed photographs purchased during the show will be available after September 11th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In the hazy, warm New York summer, little is more refreshing than reclining on the beach in the mist of the icy ocean waves or enjoying a family trip to the country house. Each summer, Rice curates her favorite show, the Summertime Salon, which reminds us of this exact seasonal sentiment. The two, long walls of the gallery become mosaicked, top to bottom, side to side, in photographs that evoke all the preeminent feelings and memories of summer. Each year, the Summertime Salon matures and Rice’s annual masterpiece comes into fruition. This year is no exception. The show is a haven of what the Robin Rice Gallery stands for, a community of art and experience.
As the largest annual exhibition, the Summertime Salon is carefully pieced together, the results are staggering. The works of the 53 gallery artists come together communally, reinforcing the overall sense of unity that the show creates as a whole. In knowing the photographs so fluently, Rice strategically places them together in a way that will enhance the individual stories contained in each. Details from one image flow from into the next, elevating every photograph in a distinctly unique way.
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