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Massimo ListriReggia Venaria Reale III, Torino2007
2007
$15,000
£11,427.71
€13,176.60
CA$20,992.20
A$23,455.28
CHF 12,269.71
MX$287,636.94
NOK 156,783.64
SEK 148,672.43
DKK 98,344.07
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About the Item
MASSIMO LISTRI
Reggia Venaria Reale III, Torino, Italy, 2007
Italian Interiors Photograph
48 x 40 inches
120 x 100 cm
Edition of 5
60 x 48 inches
150 x 120 cm
Edition of 5
88.5 x 71 inches
225 x 180 cm
Edition of 5
Price for the work UNFRAMED. Ask us for options.
Massimo Listri is an Italian photographer best known for his large-scale images of majestic, empty interior spaces. In his photographs of castles, abandoned houses, libraries, cathedrals, and theaters, Listri often symmetrically composes the space in order to lead the eye into the framed pictorial space. In his balanced compositions, the artist captures a sense of awe while celebrating the intricacy of grand architecture. Born in 1953 in Florence, Italy, Listri began taking photographs at a young age. In 1981, he helped found FMR magazine and went on to publish his own work in numerous architectural books. The artist’s works have been exhibited in the Morgan Library and Museum in New York, the Museum of Modern Art in Bogota, the Vatican Museum in Rome, and the Buenos Aires Museum of Modern Art, among others. Listri lives and works in Florence, Italy.
- Creator:Massimo Listri (1954, Italian)
- Creation Year:2007
- Dimensions:Height: 60 in (152.4 cm)Width: 48 in (121.92 cm)Depth: 2 in (5.08 cm)
- More Editions & Sizes:48 x 40 in, Edition of 5Price: $12,50088.5 x 71 in, Edition of 5Price: $22,500
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New York City, NY
- Reference Number:1stDibs: LU101435439171
Massimo Listri
Massimo Listri travels his native Italy and the world with his camera, photographing grand interior spaces both iconic and unexpected.
Listri's landscape photography and large-scale color prints invite viewers into the settings he frames; these include ancient castles, villas, palaces, gardens, libraries, convents, monasteries, and universities. He has taken viewers into the ornate hallways of Versailles, as well as the treasure-laden galleries of the Vatican museums. From Brazil, Listri brought back images taken at art museums, a cathedral, and a theater designed by Oscar Niemeyer, among many other architecturally iconic sites.
Though Listri focuses on the grand, he has also homed in on details in an expressive series of closely framed photographs of sculpted faces. Captured frontally or in profile, these carved faces range from grotesque to idealized and serve to celebrate the power of the artist’s hand.
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