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Stefanie Schneider
Impregnable - Heavenly Falls

2016

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Hillview Motel (Stranger than Paradise) - analog, vintage, based on 3 Polaroids
By Stefanie Schneider
Located in Morongo Valley, CA
Hillview Motel (Stranger than Paradise) - triptych, 2003 Edition 6/10, 183x56cm installed, 58x56cm each, 3 analog C-Prints, hand-printed by the artist, based on the 3 original Pol...
Category

1990s Contemporary Portrait Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Gestures - 21st Century, Polaroid, Portrait, Contemporary, Self Portrait
By Stefanie Schneider
Located in Morongo Valley, CA
Gestures (Stranger than Paradise) - 1999 12 pieces, 48x46 cm each, Edition of 5 Analog C-Prints, hand-printed by the artist, Not mounted. based on 12 Polaroids, Artist inventory 6...
Category

Early 2000s Contemporary Color Photography

Materials

Metal

Lollipop I (Beachshoot) starring Radha Mitchell - framed, analog, Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Lollipop (Beachshoot) - 2005 80x80cm, Edition 1/5. Analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Under glass with a white wooden...
Category

Early 2000s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Max by the Pool (29 Palms, CA) analog, mounted
By Stefanie Schneider
Located in Morongo Valley, CA
Max by the Pool (29 Palms, CA) - 1999 Edition 7/10, 67x60cm including the white 'Polaroid' frame. Analog C-Print, hand-printed by the artist, based on the Polaroid, mounted on Al...
Category

1990s Contemporary Portrait Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Back Alley (Last Picture Show) - 21st Century, Polaroid, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Back Alley (Last Picture Show) - 2005 Edition 1/10, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory nu...
Category

Early 2000s Contemporary Color Photography

Materials

Metal

Back Alley II (The Last Picture Show) - 21st Century, Polaroid, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Back Alley II (The Last Picture Show) - 2005 Edition 1/10, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the original Polaroid. Art...
Category

Early 2000s Contemporary Color Photography

Materials

Metal

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Rare Vintage Color C Print Photograph African Maasai Warrior Chromogenic Photo
By Carol Beckwith
Located in Surfside, FL
Carol Beckwith, (American, b. 1945), Maasai Portrait Chromogenic print on paper, from Beckwith's book "Maasai" (1980), Hand signed in pencil, dated and titled with name of sitter in margins, 19" x 16" Sheet. Carol Beckwith (1945-) is an American photographer, author, and artist known for her photojournalism documenting the indigenous tribal cultures of Africa, most notably in partnership with the Australian photographer Angela Fisher. Between them, Beckwith and Fisher have published 14 books, and have had their photos appear in National Geographic, Natural History, African Arts, The Observer Magazine, Time, Life, Vogue, Marie Claire and Elle. They continue to exhibit and lecture at galleries and museums worldwide, including The American Museum of Natural History and The Explorers Club in New York City, The Smithsonian Institution in Washington, DC, and the Royal Geographical Society in London. They have also collaborated on four films about African traditions. Together they have received numerous accolades, including the United Nations Award for Excellence, the Royal Geographical Society's Cherry Kearton Medal, two Anisfield-Wolf Book Awards, The Explorers Club Lowell Thomas Award, and the WINGS WorldQuest Lifetime Achievement Award. Carol Beckwith was born in Boston, Massachusetts, where she went on to attend both the School of the Museum of Fine Arts, Boston and Goucher College in Maryland. After obtaining her degree in Painting and Photography she won a traveling fellowship from the Boston Museum, which let her travel to other countries for the first time. She spent seven months in Japan, living in a Zen temple and studying calligraphy painting. She continued to travel through Southeast Asia and New Guinea, where she witnessed a "sing-sing", a gathering of 90,000 Highland warriors, in Mount Hagen, and paddled up Chambri Lakes in a canoe, an experience she called "one of the most wonderful, and in a way formative, experiences in my life." Her first trip to Africa was in 1973, when she was invited to spend Christmas with a friend in Kenya. Beckwith bought a 45-day roundtrip ticket and ended up staying eight months. There she encountered the Maasai people who invited her to witness a female circumcision ceremony. Astonished by the ritual, she then determined to spend more time with the Maasai. Beckwith studied photography in college but had initially intended to become a painter. It was during her travels through New Guinea that she realized the advantages of photography, saying that "there was such a vast amount of exciting material that I began to photograph instead, approaching photography with the eye of a painter in terms of light, color, composition. I wanted the images to be multi layered experiences in a way that a painting is. . . [Photography] seemed to be a more suitable medium for the pace of travel." Beckwith's first major collaboration was with Tepilit Ole Saitoti, an anthropologist and former Maasai warrior...
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1970s Contemporary Color Photography

Materials

Photographic Paper, C Print

Rare Vintage Color C Print Photograph African Maasai Warrior Chromogenic Photo
By Carol Beckwith
Located in Surfside, FL
Carol Beckwith, (American, b. 1945), Maasai Portrait Chromogenic print on paper, from Beckwith's book "Maasai" (1980), Hand signed in pencil, dated and titled with name of sitter in margins, 19" x 16" Sheet. Carol Beckwith (1945-) is an American photographer, author, and artist known for her photojournalism documenting the indigenous tribal cultures of Africa, most notably in partnership with the Australian photographer Angela Fisher. Between them, Beckwith and Fisher have published 14 books, and have had their photos appear in National Geographic, Natural History, African Arts, The Observer Magazine, Time, Life, Vogue, Marie Claire and Elle. They continue to exhibit and lecture at galleries and museums worldwide, including The American Museum of Natural History and The Explorers Club in New York City, The Smithsonian Institution in Washington, DC, and the Royal Geographical Society in London. They have also collaborated on four films about African traditions. Together they have received numerous accolades, including the United Nations Award for Excellence, the Royal Geographical Society's Cherry Kearton Medal, two Anisfield-Wolf Book Awards, The Explorers Club Lowell Thomas Award, and the WINGS WorldQuest Lifetime Achievement Award. Carol Beckwith was born in Boston, Massachusetts, where she went on to attend both the School of the Museum of Fine Arts, Boston and Goucher College in Maryland. After obtaining her degree in Painting and Photography she won a traveling fellowship from the Boston Museum, which let her travel to other countries for the first time. She spent seven months in Japan, living in a Zen temple and studying calligraphy painting. She continued to travel through Southeast Asia and New Guinea, where she witnessed a "sing-sing", a gathering of 90,000 Highland warriors, in Mount Hagen, and paddled up Chambri Lakes in a canoe, an experience she called "one of the most wonderful, and in a way formative, experiences in my life." Her first trip to Africa was in 1973, when she was invited to spend Christmas with a friend in Kenya. Beckwith bought a 45-day roundtrip ticket and ended up staying eight months. There she encountered the Maasai people who invited her to witness a female circumcision ceremony. Astonished by the ritual, she then determined to spend more time with the Maasai. Beckwith studied photography in college but had initially intended to become a painter. It was during her travels through New Guinea that she realized the advantages of photography, saying that "there was such a vast amount of exciting material that I began to photograph instead, approaching photography with the eye of a painter in terms of light, color, composition. I wanted the images to be multi layered experiences in a way that a painting is. . . [Photography] seemed to be a more suitable medium for the pace of travel." Beckwith's first major collaboration was with Tepilit Ole Saitoti, an anthropologist and former Maasai warrior...
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1970s Contemporary Color Photography

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By Richard Heeps
Located in Cambridge, GB
This stylish artwork, 'Red Polka Dot Dress' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a vintag...
Category

21st Century and Contemporary Contemporary Color Photography

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Poor Richard - Head & Torso, North Sore, Salton Sea, California - Color Photo
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Located in Cambridge, GB
This Roadside Giant is called 'Poor Richard', ironic really considering the artists' name, and the sad state of his broken off head. Poor Richard refers t...
Category

Early 2000s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Wendy Resting, Las Vegas - Contemporary Portrait Color Photography
By Richard Heeps
Located in Cambridge, GB
From Richard Heeps 'Man's Ruin' Series, this contemporary portrait is part of a sequence of artworks 'Wendy Flamin' Eyeball', 'Wendy Resting' & 'Oldsmobile and Sinful Barbie's' shot ...
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Early 2000s Contemporary Color Photography

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This gorgeous gorgeous piece, 'Glamour Cabs' taken at the glamorous retro event Goodwood Revival, perfectly captures elegant feminine sophistication with a vintage vibe. A nod to the...
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