Luke Smalley

Tug of War

2000

Gelatin silver print Signed and inscribed "AP," verso This artwork is offered by ClampArt, located in New York City.

Gelatin silver print (Edition of 20) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City.

Gelatin silver print (Edition of 10) Signed, dated, and numbered, verso 20 x 16 inches, sheet size 15 x 15 inches, image size From the series, "Primitive Behavior" This artwork is ...

Gelatin silver print Signed, verso This artwork is offered by ClampArt, located in New York City.

"I wanted Christina to learn some responsibility for cleaning her room, but it didn't work." Edition of 15 Gelatin silver print, 11 x 14 in. Signed, numbered, and dated in pencil wi...

A series of five photographs by Betty Hahn titled, "Arrival or Departure (After Hitchcock), 1987, a series of five gelatin silver photographs" 17" by 24 each". A copy of the book included "Betty Hahn by Steve Yates. Gelatin silver photographic prints on paper mounted on foam board. Each has a sticker "BHC" with the letter indicating the print sequence "A-E". Following excerpt from the book "Betty Hahn "Photography Or Maybe Not" by Steve Yates, from the essay by Dana Asbury: "Instead of crime fiction and forensic photograph, the first filmic sequences have a moody raking light of film noir in the forties, and she titles Arrival or Departure (After Hitchcock) (plate 117). This series of 5 photographs (1987) shows the back of a man, unidentified, at a deserted train station, in late afternoon light. The rest is ambiguous. Is he coming or going? Is he moving away from him? Is there significance to the first close-up shot of a black duffel bag stuffed under his arm? It was of course Hitchcock's particular genius to explore the ominousness of everyday situations, and to show us that looking to long at anything makes it look suspicious. This series pays homage to Hitchcock's use of the tracking shot that conveys his terrifying message behind "Teddy Bear", that there is serious threat in ordinary objects. This series also fits in with the mood of "Appearance, Ehrlichman Surveillance", and many of the crime series-solitary male figure in an urban setting. There is a tough edge to these works." Unsigned, gallery receipt of purchase copy included with notation on verso . 5 framed images. Each image, 16.5"H x 23.5"L. The following biography is by Fumiko Koizumi at: The Visual Studies Workshop in association with the State University of New York at Brockport Betty Hahn was born Elizabeth Jean Okon on October 11, 1940 in Chicago, Illinois. In 1967, Betty Hahn moved to Rochester to pursue a job at Kodak or Xerox. While in Rochester, she participated in Nathan Lyons's Visual Studies Workshop from 1967 to 1968. Lyons lectured on "vernacular" and "snap shot" photography to workshop students, reinforcing Betty's interest in this "folk" tradition. During her time at the VSW she met Tom Barrow, Roger Mertin, and Alice Wells, and reconnected with Robert Fichter. She was encouraged by how their work was challenging the rules of what was common in fine-print photography. At age 10, her aunt Marcella Brown gave Betty her first camera, a Brownie #2. At this same time the Okon family moved to Indianapolis, Indiana. After graduating from Scecina Memorial Catholic High School in Indianapolis, she entered Indiana University in Bloomington, Indiana. She earned a four-year scholarship and studied fine arts. While she was experimenting with photographic image making her initial artistic experiences involved painting and drawing. She did not take photography seriously as a medium for her artistic expression during her undergraduate work. At age 23, Hahn graduated with a Bachelor of Arts degree and continued at Indiana University for graduate studies in the department of photography. At the suggestion of Henry Holmes Smith...

Edition 2/25 Signed, titled, negative date, print date and numbered by Michael Kenna Sepia toned gelatin silver. Printed 2020. Mat size: 20 x 16 in., Image size: 7 3/4 x 7 3/4 in. M...

Gelatin Silver Print 22 x 28 in. Edition of 75 Numbered and signed by Christo Framing included Black frame: 22 3/8 x 28 3/4 x 1 1/8 in. Ugo Mulas is born on August 28, 1928 in Pozzo...