Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Mark Cáceres
"Coney Island Mist" - Abstract Landscape Photography - New York - Irving Penn

2021

$600
£456.97
€526.72
CA$839.40
A$943.43
CHF 491.31
MX$11,474.39
NOK 6,286.93
SEK 5,961.86
DKK 3,931.08
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

"Coney Island Mist" is a black and white photograph. Edition of 10. 21.5 by 16.5 inches (framed) Mark Caceres is inspired by the work of Jeff Jacobson, Alex Webb and Alec Soth. Mark Cáceres was born in Buenos Aires, Argentina and moved to the United States with his family at a young age. His interest in photography began while he was in college studying anthropology. As an individual with cultural roots outside of the United States, he has always been fascinated by the wide range of cultures both in the U.S. and abroad. His photography seeks to pose questions about culture, identity, and how the viewer is connected to the image. Mark resides in Atlanta, Georgia, USA with his wife and daughter.
  • Creator:
  • Creation Year:
    2021
  • Dimensions:
    Height: 15 in (38.1 cm)Width: 10 in (25.4 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Atlanta, GA
  • Reference Number:
    1stDibs: LU15529294852

More From This Seller

View All
'Foggy Hill Trees' - Black and White Photography - Landscape - Walker Evans
By Chris Little
Located in Atlanta, GA
'Foggy Hill Trees' is a black and white landscape photograph of rolling hills in the fog. This print is edition 1 of 20. This listing is for an unframed print - a framed print is also available. Chris Little is inspired by the work of Ernest Hass, Jay Maisel...
Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Archival Pigment

"Window 1" - Abstract Architectural Photography - Irving Penn
By Mark Cáceres
Located in Atlanta, GA
"Window 2" is a photograph featuring hues of blue and black, edition of 10. 19 by 13 inches (framed) Mark Caceres is inspired by the work of Jeff Jacobson...
Category

2010s Contemporary Figurative Photography

Materials

Archival Pigment

"Black Gum #1, Tucker, GA" landscape photography - Ray Metzker
By Peter Essick
Located in Atlanta, GA
"Black Gum #1, Tucker, GA" is a nocturne photograph of an urban tree featuring hues of black, blue and orange. This listing is for a framed print. Additional unframed sizes are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

'Dust in the Wind' - Black and White Photography - Landscape - Walker Evans
By Chris Little
Located in Atlanta, GA
'Dust in the Wind' is a black and white landscape photograph featuring a desert road with mountains in the background. This print is edition 1 of 20. This listing is for an unframed ...
Category

2010s Contemporary Landscape Photography

Materials

Archival Paper, Archival Pigment

"Window 1" - Abstract Figurative Photography - Irving Penn
By Mark Cáceres
Located in Atlanta, GA
"Window 1" is a photograph featuring hues of orange, blue and black, edition of 10. 19 by 13 inches (framed) Mark Caceres is inspired by the work of Jeff Jacobson, Alex Webb...
Category

2010s Contemporary Figurative Photography

Materials

Archival Pigment

'Barrier Island, Study No. 15, Pine Island Sound, Florida' southern photography
Located in Atlanta, GA
This unique object features a wet plate collodion print framed in a handmade wooden frame lined with gold leaf. Frame measures 12 by 9 inches. Cecilia Montalvo & Charlie McCullers are a collaborative team. Characterized by the dynamic nature of the land-sea interaction, barrier islands are places with many shape narratives, and inversions. A barrier island is ephemeral, an instance of simultaneity, above and below what we call the surface. Mangroves straddle these mirror worlds, walking on water, making something out of nothing. Light rushes through every keyhole and seam in palm forest...
Category

2010s Contemporary Landscape Photography

Materials

Metal, Gold Leaf

You May Also Like

Parachute Jump at Twilight, Coney Island New York - Iconic America Photograph
By Richard Heeps
Located in Cambridge, GB
The iconic Coney Island structure, Parachute Jump, photography by Richard Heeps, printed from negative full frame with the Fuji Film border. This artwork is a limited edition of 25...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Andrew Moore - ZIP, Coney island NYC, Photography 1996
By Andrew Moore
Located in Greenwich, CT
Archival Pigment Print Montage fro Subway poster All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition of 5...
Category

2010s Contemporary Color Photography

Materials

Archival Pigment

Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie. “I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster) This piece: Coney Island (Stay) - 2006 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory # 2196. Not mounted. Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category

Early 2000s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Promised Happiness, Brooklyn, NY
By Haik Kocharian
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Coney Island, NY 1995
By Michael McLaughlin
Located in Hudson, NY
Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a...
Category

1990s Contemporary Black and White Photography

Materials

Silver Gelatin

La Belle Femme in the Mist, Atlantic City, New Jersey - American Color Photo
By Richard Heeps
Located in Cambridge, GB
Photographed in Atlantic City your eye takes you past the Boardwalk Empire facade down the atmospherically misty boardwalk. This artwork is a limited edition of 25, gloss photograph...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin