Woodland Figurative Photography

circa 1960: Students from Stowe Preparatory School track through deep snow near Mount Mansfield and Spruce Peak, Vermont. Estate stamped and hand numbered edition of 150 with certif...

Archival pigment print Signed and numbered on label, verso 19 x 13 inches, image (Edition of 10 + 2 APs) 30 x 20 inches, image (Edition of 10 + 2 APs) 40 x 27 inches, image (Editi...

Digital C-print (Edition of 10) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Amy ...

Model at Disneyland with Chimp -- Photographed on location at Disneyland in California, Mark Shaw's 1964 image for Ladies Home Journal features a model posing with a chimpanzee. Imag...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

"Walking Line in the Hills of LA" is a figurative landscape photograph with hues blue, red, and brown. Born in Philadelphia, Andrew Herzog is a multi-disciplinary artist and designer currently working in New York City. Herzog creates a variety of works that explore the relationship between the viewer and the artist with themes of accessibility and prioritized sight, often taking the form of photographs, books, films, site-specific sculptures and interactive performances, objects and drawings. Herzog defines “prioritized sight” as how we choose, consciously or unconsciously, the things we see; what we engage or empathize with; and what we understand or misinterpret, with varying degrees of implication. Herzog received an MA in Graphic Design from the Savannah College of Art and Design. He was the co-founder and partner at the design and technology studio HAWRAF, and led projects at the Google Creative Lab focusing on AI, creative tools and accessibility. Also, Herzog is adjunct professor at the School of Visual Arts in New York. Herzog has lectured and exhibited works at the A4 Art Museum, Chengdu, Sichuan, China; The Franklin Institute, Philadelphia, PA; Q21 MuseumsQuartier Wien, Vienna, Austria; and The National Museum of Art of Romania; among others. Andrew Herzog is inspired by the work of Andy Goldsworthy, Olafur Eliason...

Irving Park Tree, Study 2, Portland, Oregon, USA by Michael Kenna presents a sublime scene. A single tree stands alone in the park, framed by the bright le...

UNTITLED #4, 2021 Archival Pigment Print, Framed (Unframed option is also available - please enquire for an offer) 30 x 46 cm / 12 x 18 inches approx. plus frame Edition of 10 + 2 AP Other dimensions are also available Series: Tree Huggers from the Future Signed on verso "On a recent walk in my favourite area of woodland I came across a group of time travelling eco tourists, appearing one by one from a brilliantly bright space suspended over a small pond. They had come back to our time to study trees and invited me to document their research. Apparently they knew I would say yes. Twice now our trips have coincided, almost as if they knew where and when I would be going on holiday, and I must admit, I hope our paths cross again, as I find them strangely photogenic." - George McLeod...

This image is printed in an edition of 7, but comes in larger and smaller sizes. Each image is printed on archival paper, signed and numbered. Statement: This image of What I Remember is from Sarah Hadley's series Story Lines, which explores the female interior landscape. The series was inspired by the French New Wave films of the 60’s, which were shot in black and white on the street and which often portrayed the subconscious thoughts and feelings of ordinary women. These photo collages pay homage to the surrealists who first employed the technique of conjoining unrelated images to create startling and thought-provoking connections. Using backdrops...

40"x 60" framed Chromogenic large scale photograph by the New York artist, Stephen Mallon, edition #4 of 5 signed on reverse, This is the second to last available print in this edit...

Into the Woods - 21st Century Contemporary Photographic Nature Print - Black & White Polaroid Into the Woods is a beautiful example of Pia Clodi's ability to inject beauty and sent...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

Photography on paper

circa 1960: Students from Stowe Preparatory School track through deep snow near Mount Mansfield and Spruce Peak, Vermont. Estate stamped and hand numbered edition of 150 with certif...

Archival Pigment Print - UNFRAMED 27 x 40 inches - edition of 15 40 x 60 inches - edition of 10 48 x 72 inches - edition of 5 Ask us for custom framing options. CHROMA presents...

Model at Disneyland with Chimp -- Photographed on location at Disneyland in California, Mark Shaw's 1964 image for Ladies Home Journal features a model posing with a chimpanzee. Imag...

This picture comes from "MAPA FERROVIARIO" a movie about change and staying the same, how we get around, and making money from tourism. It's all about Yucatán, Mexico and places that...

20"x30" photograph, edition of 5 signed on reverse. In this photograph by Zoe Wetherall, “Horses” two horses stand next to a wire fence, the shadows of the fence posts and horses d...

30"x40" photograph, signed on reverse by the artist, edition of 5 Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explore the nature of the document. Working both solo and with his sometime collaborator Jessica Sucher, Sasha Bezzubov uses a large format camera to photograph the people and the land in diverse series including, The Gringo Project, Expats and Natives, Things Fall Apart, The Searchers, Albedo Zone, Facts on the Ground and most recently, Republic of Dust. Bezzubov is a two-time recipient of the Fulbright Scholarship Award. His work has been included in numerous solo and group exhibitions including International Biennial of Photography and Visual Arts (Liege, Belgium); Tucson Museum of Art; Museum Belvedere (The Netherlands); Herter Art Gallery (University of Massachusetts); Wavehill (New York); New Orleans Museum of Art; and Noorderlicht Photography Festival (The Netherlands). In 2009 Nazraelli Press published Bezzubov’s monograph Wildfire (introduction by Bill McKibben). In 2011 Daniel Cooney...

NL-ZEE-AXE-A09 Veluwe - Gelderland, Netherlands, 2024 Alie, Nienke & Rhodé The very purpose of this traditional dress was to demonstrate that the wearer could afford this impracti...

EMMA SUMMERTON (*1970, Australia) Messages 03:19, 2023 Archival pigment print on Hahnemühle paper in white distance frame Sheet 23.2 x 27.4 cm (9 1/8 x 10 3/4 in.) Frame 24.6 x 28.7 ...

EMMA SUMMERTON (*1970, Australia) Me, Myself & Her, 2023 Archival pigment print on Hahnemühle paper, hand-embellished with watercolour and oil pastel mounted on Aluminium Dibond with...

EMMA SUMMERTON (*1970, Australia) Barely There, 2023 Archival pigment print on Hahnemühle paper, hand-embellished with ink mounted on Aluminium Dibond with wooden backframe Sheet 91....

EMMA SUMMERTON (*1970, Australia) In the Caul, 2023 Archival pigment print on Hahnemühle paper, hand-embellished with ink and watercolour mounted on Aluminium Dibond with wooden back...

EMMA SUMMERTON (*1970, Australia) Lalo Tree, 2023 Archival pigment print on Hahnemühle paper, hand-embellished with ink, watercolour and oil pastel mounted on Aluminium Dibond with w...

David Drebin 30 x 72 inches Edition of 10 C-Print Unframed

EMMA SUMMERTON (*1970, Australia) Hydrea #011 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

EMMA SUMMERTON (*1970, Australia) Hydrea #001 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

EMMA SUMMERTON (*1970, Australia) Hydrea #003 2020 Archival pigment print on Hahnemühle paper Image 76.2 x 115.6 cm (30 x 45 1/4 in.) Sheet 92.2 x 131.06 cm (36 1/4 x 51 5/8 in.) Edi...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay, before moving to New York in 1986. He now divides his time between Paris and New York. ...