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James Sparshatt
The Maiden of Tsonga by James Sparshatt - Palladium platinum print - Float frame

2006

$2,641.79
£1,950
€2,279.37
CA$3,646.06
A$4,084.40
CHF 2,128.34
MX$49,821.23
NOK 27,046.37
SEK 25,502.80
DKK 17,012.59

About the Item

"The Tsonga region is in the north of KwaZulu Natal in South Africa. It was a day of celebration, cattle had been slaughtered and the ladies of the community had been cooking since dawn. The young men and women of the village were preparing to dance, laughing and joking and full of excitement. And amongst them a girl who seemed wise beyond her years, with a calm detachment… The work is available as silver gelatin and palladium platinum prints. Titled, signed and numbered al verso. Non-reflective glass. Palladium platinum print on Arches paper Edition of 12 Print floated in a box frame with UV clarity glass Framed dimensions 34″ x 26.5″ Signed by artist al verso Stamped by 31 Studio – platinum print masters Certificate of Authenticity from gallery Country: KwaZulu Natal Series: Beautiful people Year: 2006 Hand-crafted palladium platinum print Frame: Float framed Size: 30" x 22"
  • Creator:
    James Sparshatt (1966, British)
  • Creation Year:
    2006
  • Dimensions:
    Height: 26 in (66.04 cm)Width: 34 in (86.36 cm)Depth: 1 in (2.54 cm)
  • More Editions & Sizes:
    Edition of 12Price: $2,642
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Coltishall, GB
  • Reference Number:
    1stDibs: LU154627987062

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The maiden of Tsonga - James Sparshatt - A portrait photograph from Africa
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Location: KwaZulu Natal Year: 2006 The Tsonga region is in the north of KwaZulu Natal in South Africa. It was a day of celebration, cattle had been slaughtered and the ladies of th...
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La Dama de la Plaza by James Sparshatt - Palladium Platinum Print - Float Frame
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Mujer De Santiago by James Sparshatt. Portrait photograph. Silver Gelatin Print
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Located in Coltishall, GB
A woman of Santiago de Cuba. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of character and underlying humour that transcends the struggle that has defined their lives. James Sparshatt went to Cuba in 1999 and was so taken with the island and its people that he returned 15 times in the following 7 years. His images are largely of the music and dance and innate rhythm of the island but he also found himself drawn to an older generation that had been old enough to understand the revolution in 1959, that lived through 40 years of tumultuous and often difficult times and who now watch with some bemusement the return of the outside world in wave upon wave of tourists. James Sparshatt’s photographs of the “Revolutionary” generation of Cubans capture their grit and indominatable spirit. The black and white portrait...
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El Ensayo by James Sparshatt. Framed Palladium Platinum Print, 2002
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