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Christine SoBending Pine (hand-printed cyanotype, 29.5 x 18" , edition 1 of 5)2024
2024
About the Item
New. A nearly 30 inches (29 5/8") hand-printed version of the smaller landscape of the same name. There are just 5 editions of this largest size. All are unframed.
The tree is a native Californian Monterey pine. They are found up and the down the coast of California from Carmel to San Francisco and all the way up north Mendocino. The moody scene of a shady bend in a forest path was captured at dawn on a foggy spring day. The sky is beginning to brighten. The tall narrow format accentuates the height of the towering trees.
This is a hand-printed contact photograph using the antique cyanotype process and very big negatives which are the same size as the final print. Hand-stained pure cotton cold-press watercolor paper. Printed by hand outdoors using natural sunlight for exposure with giant photo negatives under glass and rinsed.
Unframed. Free shipping to the United States.
- Creator:Christine So (1970, American)
- Creation Year:2024
- Dimensions:Height: 29.6 in (75.19 cm)Width: 18 in (45.72 cm)
- More Editions & Sizes:18 x 11 edition 1 of 10Price: $200
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737215916642
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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