Paper Landscape Photography

Mayenne - Signed limited edition archival pigment print, 1992 - Edition of 5 This image was captured on film. This print that is being offered is a high-quality Archival Pigme...

Planes IX - 2008 40x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4634. Not mounted. ...

This astonishing ancient view of a street in Tokyo is an original vintage photo applied on cardboard: 26 x 34 cm. It was realized between the 1880s and the 1890s. Image 21.5 x 27.5 cm. Caption in Italian, in ink hand-written. An incredibly vivid view of Tokyo streets...

This one depicts a sports wristwatch over an aerial landscape and is titled Clock Garden. it is signed and dated 1979. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/...

North Shore Mirage I (California Badlands) - 2016 28x38cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature label. Artist In...

Emser - Mindscreen 6 (Stranger than Paradise) - 1999 58x57cm, Edition 5/10. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Sign...

Crime and Punishment in Canton, ethnographic photographs, is a set of 6 original vintage albumen prints on single cardboard: 26 x 34 cm. They wer...

In the Fog (San Francisco) - 2023 20x20cm, Edition of 7, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signed on back with Certificate. Not mounted. The City...

Colosseum View is a vintage print in salt silver realized by Ludovico Tuminello in the early 20th Century. Good conditions except for some foxing and folding.

India. Ulwar - Maharadscha - Palast - 20 Feber 1893 - is an original vintage black and white photo realized during a journey throughout the world performed by Prince Franz Ferdinand ...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

This is a hand-printed contact photograph using the antique cyanotype process and very big negatives which are the same size as the final print. These are the iconic Monterey Pines ...

San Francisco is a black and white photograph realized by the photographer Phil Palmer. Gelatin-silver print, photographer's credit stamp on the back. Includes frame. This vintage p...

Max and Radha sitting on Rock (Long Way Home), 1999 sold out Edition of 5, Artist Proof 2/2, digital C-Print based on a Polaroid Certificate and Signature label artist Inventory Nr. ...

Ed Ruscha (American, b.1937) Various Small Fires and Milk, 1964/1970 Medium: Artist’s book (48 pages), glassine dust jacket Dimensions: 17.8 x 14.2 cm Second edition (1970): 3000 unn...

Wonderful color photograph of the roller coaster at the Santa Cruz Boardwalk by California artist Deborah Eddy (American, b. 1943). Titled "Blue R...

Wonderful color photograph of the roller coaster and palm trees at the Santa Cruz Boardwalk by California artist Deborah Eddy (American, b. 1943)....

This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948. He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come. Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child's play in everyday Paris. In 1979 Riboud left the Magnum agency. Riboud's photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998. One of Riboud's best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud's images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element. An image taken by Riboud on 21 October 1967, entitled "The Ultimate Confrontation: The Flower and the Bayonet," is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America's involvement in Vietnam. Select Exhibitions 1958 Photographs From The Museum Collection (Museum of Modern Art, New York) 1959 30th Anniversary Special Installation - Towards the "New" Museum (Museum of Modern Art) 1960...

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

The White Barn at Wilder Ranch, a color photograph by Vestor Dick, master photographer (American, 1922 - 1998). Presented in a giltwood frame. Signed "V. Dick" lower right, circa 196...

Ancient Views of Yokohama is a set of 4 original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized in the 1890s. Good conditions except for being aged. Ca...

"Gods at the Beach 2" Photography 31" x 31" in Edition 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

"Moon Birth 2" Photography 16" x 16" in Edition of 24 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Availa...

Ancient views of Aden is a set of four original vintage Albumen prints on single cardboard: 34 x 26 cm. Images 15 x 21, two on the front and two on the rear. They were realized bet...

Gasoline I (Stranger than Paradise) - 1999 3 pieces, each 120x120cm plus 10 cm in between each print together 120x380cm, Edition 1/5 (only Edition 1 and 2 are still available) Anal...

A Vision you can't Capture, #01 (29 Palms, CA) - 2007 125x172cm, Edition of 5, analog C-Print printed on Fuji Archive Paper, hand-printed by the artist, based on the Polaroid, N...

Last Frame (Last Picture Show) - 2003 Edition of 5, 38x36cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, Artist inventory Numbe...

"Grenadier Pond" is a black & white landscape photograph measuring 36x25" unframed. All of Rick's photographs are printed on Hahnemühle Fine Art Paper using archival pigment-based inks. There are other edition sizes available, namely 17x12" and 10x7". Photographs are rolled carefully and shipped in a tube. Framing is optional and quoted separately. Grenadier Pond is in High Park in Toronto, which opened to the public in 1876. It spans 161 hectares (400 acres) and is the second-largest municipal park in Toronto. It is a great location for photographers and naturalists. This image was taken at around 6:30 a.m. at the park’s Grenadier Pond. A long exposure really enhances the reflection of the trees and brush at the pond’s shoreline. Rick Bogacz...

"Essence of Life" is a part of Christopher Kennedy's "Trees Revered" series. Please note that the image without the frame is a better representation of the actual image. "This parti...

Stefanie Schneider Polaroid-sized unlimited Mini 'Hot Tub' (Heavenly Falls) - 2016 - signed in front, not mounted. 1 Archival Color Photograph based on the Polaroid. Polaroid si...

'Fallen' 2023 From Limited edition of 20. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both front and back with Certificate of Authenticity. Photograph is shipped...

Ancient views of Shanghai is a set of two original vintage albumen prints on single cardboard: 34 x 26 cm. The Image on the rear 21.5 x 27 c...

La Bretagne - 13 October 1893 - is a vintage black and white photo, part of a journey throughout the world performed by Prince Franz Ferdinand von Osterreich Este (1863-1914), heir t...

large format photography diptych by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Santa Ces...

Jerusalem Architecture Photo This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. ...

The Queen Elizabeth II in Rome is a is a black and white vintage photo, realized in 1962. The photo depicts a official moment of the English Crown. Queen Elizabeth II visiting in Ro...

Vintage photo representing Arch of Janus, located nearby S. Giorgio al Velabro church. The arch is thought to have been a boundary marker rather than a triumphal arch, or it was buil...

S. Maria della Spina Church, Pisa is an original photograph taken in Pisa, Italy, realized by an Anonymous photographer. Titled on the lower. Very Good conditions.

Ancient Views of Colombo Sri Lanka is a set of 2 original vintage albumen prints on single cardboard: 25 x 34 cm. Size of photos: 21.5 x 27.5 cm. Good conditions. Caption in Ital...

"Ice Covered Rocks, The Beaches" is a black & white landscape photograph measuring 25x36" unframed. All of Rick's photographs are printed on Hahnemühle Fine Art Paper using archival ...

This work is devoid of any reference to man-made objects. This primal image depicts a stream of nourishing water that seems to have spouted a cluster of nubile human females from the earth Over 40 nude women assemble for a group portrait in the Holy Land This very large print...

DEJAVU Trailer, captured on a sunny spring day, on one of Richard Heeps' many visits, capturing the trailer in the fen landscape as it changes with the seasons. Taken in 2018 is was...

An original C-Print from Sean Scully's Pueblo Dzibalchen series (A Suite of 20) created in 2001. This work comes in a fantastic natural wood archival frame presentation. This series was shot by Scully in Campeche, Mexico. Photograph size: 20 x 24 in. Framed Size: 27.5 x 33.5 Painter, photographer, watercolorist, and printmaker Sean Scully roams the world with his camera, capturing its surfaces in places as far-flung as Mexico and the Aran Islands...

"Baltimore 67" Landscape Photography 24" x 36" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 24" x 36" inch Editio...

ABOUT THIS ARTIST: Madeleine Gross is a Toronto-based artist who customizes her photographs with paint in a way designed to abstract landscapes but wit...

All available sizes & editions for each size of this photograph: 21” x 21" Edition of 4 32” x 32" Edition of 10 44” x 44” Edition of 7 While the spaces themselves are ornate and tra...

17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

Sidewinder, triptych - 2005 38.5 x 38 cm each, installed 38.5 x 124cm, Edition of 5, Analog C-Print, hand-printed by the artist, based on the 3 Polaroids Artist Inventory 3017.01, ...

"Tree on Snowy Hillside" is a black & white landscape photograph measuring 25x36" unframed. All of Rick's photographs are printed on Hahnemühle Fine Art Paper using archival pigment-based inks. There are other edition sizes available, namely 12.25x17" and 7.25x10". Photographs are rolled carefully and shipped in a tube. Framing is optional and quoted separately. Tree on Snowy Hillside is a fine example of the Japanese philosophy of Ma – the celebration of the space between things. This image of a lone tree was taken at a snow covered golf course in Caledon, Ontario. It was a Gold Medal winner at the 2023 PX3 Prix De La Photographie Paris, France. Rick Bogacz...

Paper size - 20 by 28 inches Image size - 16 by 24 inches In addition to photographing fine art projects, Landon photographs for commercial and editorial clients around the wo...

Columbia River - Tooth Bridge - September 18, 1893 - is an original vintage black and white photo realized as part of a journey throughout the world per...

U.St. Columbia River - Echofalls and Pallisades - 18 September 1893 - is an original vintage photo realized as part of a journey to Asia performed by pr...

Ancient view of Montevideo is a set of two albumen prints realized in 1880s. In very good condition and applied on a single cardboard. Caption in Italian ink hand-written on hardco...

Mountain valley is a color vintage photo, realized in the Mid-20th Century. Good conditions and aged. It belongs to a historical and nostalg...

"Le Nuove", Turin is a is a black and white vintage photo, realized in Mid 20th Century. The photo depicts the gate of the "Museo del Carcere Le Nuove" of Turin. Good conditions an...

Color wildlife photograph from 1991 by photojournalist Thomas Mangelsen. The work features a herd of zebras gathered around a watering hole. Signed, dated, and editioned 33/950 along lower from margin. Currently hung a complementary black frame with a cream matting. Dimensions Without Frame: H 24.5 in. x W 35 in. Artist Biography: A Nebraska native, Mangelsen’s love of nature, his life outdoors and business success were heavily influenced by his father. An avid sportsman, Harold Mangelsen took his sons to favorite blinds along the Platte River in Nebraska to observe the great flocks of ducks, geese and cranes that migrate through the valley. From these adventures, Mangelsen learned important lessons for photographing in the field, most notably patience and understanding animal behavior. In 1965, Mangelsen began studying business at the University of Nebraska. In 1967, Tom transferred to Doane College in Crete, Nebraska, where he changed his major and graduated with a bachelor’s degree in biology. Tom continued postgraduate study in zoology and wildlife biology at the University of Nebraska and Colorado State University. In 1970 Mangelsen moved to Nederland, Colorado. He spent two years living in the Rocky Mountains in an old mining shack without electricity or running water with his English setter, black lab and raccoon. Tom continued to work on his photography and studied arctic alpine ecology at the University of Colorado’s Mountain Research Station near Nederland. There he met Bert Kempers, a CU film producer, who later hired Tom as cinematographer and film editor for his company Westwind Productions, making educational and nature documentaries. Tom longed to make a documentary about the Platte River and its great wildlife resource. He returned to the Platte each spring to film the great crane migration. These experiences led to Tom traveling to the cranes’ nesting grounds in Alaska and their wintering areas in Texas. National Geographic television wanted to produce a documentary, which would chronicle the plight of the endangered whooping crane...

Dawn (Deconstructivism) - 2015 - about the narrative potential of images. 20x24cm, Edition of 10, digital C-Print, based on a Polaroid, Artist Inventory 20272. Signature label a...