Paper Landscape Photography

"Sand Stone" Black and White Photograph Big Sur California 1973 Rare Black and White photograph of Sand Stone by William Giles (American, 1934-2014)...

Bikes in Amsterdam - Vintage Photograph is a black and white photograph realized in the 1960s. Good condition. 

Henry (Stay), from Ryan Gosling's memory sequence - 2006 38x36cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. ...

'Exhalation' Limited Edition 30 x 24" Photograph. Edition of 25. Unframed _________________ The wild Atlantic pounds the granite cliffs in raw abandon, breathes and exhales gracefull...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1302. N...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a classy bouquet beautifully lit with soft light. The print measures 36 x 24 inches total, with an image size of 32 x 20 in. and a 2 inch surrounding white border. Details: + Title: Flowers with Caravaggio Light...

Dreamscape, diptych (29 Palms, CA) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 2...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

An unexpected pedestrian is caught walking across Park Avenue on a rainy day. We are not sure where he came from or where he is going, but he seems to be on a mission. The Astronaut...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1326. N...

Mulholland Drive - 2016 Edition 1/7. 40x60cm. Archival Color Print on Pearl photo paper, based on the Polaroid. Signed on the back with Certificate. Not mounted. The last 2 ...

The Existence Is Disintegrating into the Heat of the Desert Sirocco (The Girl Behind the White Picket Fence) - 2015 Including Stefanie Schneider's new monograph "A Half Forgotten Dr...

Wonder Valley (Sidewinder) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x30cm, ...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1329. N...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1305. N...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Black and White Fine Art minimalist photography. Golden Gate Bridge in foggy weather, San Francisco, California, USA. Archival pigment ink print, edition of 9. Signed, titled, dated ...

Coney Island (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2266 Not mounted. Stefanie Sch...

An idyllic Post impressionism photograph charms your eyesballs with a charmingly rustic scene amazingly in the middle of New York City. Signed and dated on lower right, numbered on ...

Desert Living (California Dreaming) - 2017 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 21292. Not mounted. The simplicity of 'flawed beauty' comes from the expired film I use to create a reflection of love and loneliness.
 The dream is actually turning into a nightmare. It's easier to deny than to utter the truth of defeat. (ruin). 
That we are all finite is irrefutable but we just don't want to believe it. I chose Polaroid film because it portrays color like candy making...

Large-Scale Limited edition color photograph, 40"x60" depicting an abstract waterscape that has a painterly feel, from Danny Wiess' Still Water series 4,#1. In this photograph with a vertical composition, a tranquil ocean horizon divides the picture plane symmetrically: with fuchsia pink, orange, golden yellow and light blue sky on top, and cerulean and sapphire blues of the water in the bottom. The photographer Danny Weiss...

'Dolomites' 2022 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the processing and printing in the...

Construction Site Drive By (Vegas) - 2000 Edition 4/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. ...

Untitled (Oilfields) - 2004 60x60cm, Edition of 10, Analog C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1223. Not mounted. Stefanie Schn...

Watertower (Vegas) - 2000 Edition 5/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventor...

Marilyn aka Jane Bond - (part 1) (Heavenly Falls) - 2016 50x49cm, Edition of 10, digital C-Print based on the Polaroid Certificate and signature label. Artist inventory number: 19...

Thunderbird Motel (The Last Picture Show) - 2005 58x56cm, Edition 4/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface. Based on an original...

Wildflower (Wastelands), 2003 Edition 2/5, 58 x 57cm, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original Polaroid. Signat...

Emser - Mindscreen 6 (Stranger than Paradise) - 1999 58x57cm, Edition 5/10. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Sign...

Summer Interlude I (Deconstructivism) - 2020 - about the narrative potential of images. 40x40cm, Edition of 10, digital C-Print, based on a Polaroid, Artist Inventory 5901. Signa...

Moments in Time (Sidewinder) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #3331 Not mounted. Stef...

The Argument (The Princess and her Lover), 2007 Edition of 10, 20x24cm. Archival C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory #7011. Not moun...

Magic Mountain 12 (Memories of Green), Edition 1/5 , 58x56cm, 2003 analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, Artist inventory Nu...

Indian Summer III (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Arti...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

After a 55-year career creating originally powerful images, Photographer Mitchell Funk outdoes himself. Flock of Birds on Wire was shot in the Windwood section of Miami. End-of-the-d...

Untitled (Venice Beach) - 1998 Edition 2/5, 48x56cm Analog C-Print, enlarged and hand-printed by the artist mounted on Aluminum with matte UV-Protection, Based on a Polaroid Artist...

Thunderbird Motel (The Last Picture Show) Edition 8/10, 20x20cm, 2005, digital C-Print, based on an expired Polaroid Signature label and Certificate, Artist inventory 1110.16 not mou...

Indian Summer (The Last Picture Show) - 2004 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Artist Inventory No. 459. Not mounted. Ste...

Exxon (Stranger than Paradise) - 1999 58x57cm, Edition of 10 (last Edition), plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based ...

A larger hand-printed version of the 7.5 x 11" photograph of the same name. Only 10 editions made. These iconic Monterey pines can be found all up and down the coast of northern Cali...

A Vision you can't Capture, no 03 (29 Palms, CA) - 2007 125x172cm, Edition 1/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Mounted on Aluminum with matte...

Untitled (Cowboys and Angels), 2005 50x39cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. artist Inventory No. 91...

All available sizes & editions for each size of this photograph: 13” x 16" Edition of 4 21” x 26" Edition of 4 32” x 40” Edition of 7 44" x 55" Edition of 10 While the spaces themse...

Leaving (Strange Love) - 2005 20x30cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. Stefanie Schneid...

Indian Summer III (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist Inventory No 892. Not mounted. Stefanie Schneider - Artist Statement Desolation and solitude are two words that come to mind when describing my Polaroid photographs. Another is the Japanese concept of Wabi-Sabi—the art of finding beauty in imperfection and transience. The simplicity of “flawed beauty” emerges from the expired film I use, reflecting themes of love and loneliness. My work is a meditation on impermanence, an acceptance of a worldview that has no return. The shiny, idealized lens through which we once saw the world is crumbling—and has been for some time. What was once labeled blurry, broken, or botched now stands as a testament to the beauty of imperfection. For some, this is a seismic shift: acknowledging that reality is cracked, fragmented, and imperfect. Yet, even in this age when the cracks are impossible to ignore, acceptance remains elusive. But isn’t that unsettling? To admit that the dream is decaying, transforming into something closer to a nightmare? Denial feels safer than facing the truth of ruin. It’s human nature to resist the notion of finitude, the idea that all things—ourselves, even God—have their time and fade away. Yet this acknowledgment of impermanence is at the core of my work. I began my journey in photography before the digital revolution, before the era of Instagram, in a time when analog film demanded a different kind of mindfulness. With Polaroid, every shot is a commitment—a single, unrepeatable moment. There is no endless editing, no post-production safety net. This analog process became my way of celebrating imperfection and reconnecting with the raw, unpolished world, where flaws are not hidden but embraced. Polaroid film, with its candy-like color palette and unpredictable blemishes, felt like an extension of my vision. The quirks and distortions of expired film brought me a sense of inner peace, mirroring the imperfections in life itself. It was liberating—a visual language that honored the “perfectly imperfect” and invited others to see their own scars as remarkable. There are two ways to view the world: through a lens that embraces imperfection or one that denies it. But let me warn you—once you open your eyes to the beauty of imperfection, there’s no turning back. You step into a twilight zone of understanding, where the polished, artificial perfection of the past loses its appeal. My creative process hinges on allowing space and time for magic to manifest—capturing moments of serendipity, often born from turbulence and imbalance. It’s the interplay of chaos and stillness that allows unknown forces to shape a moment. To me, this is the essence of art: a dialogue between the inner self and the external world, where rules dissolve, and emotions take precedence. Dreams are the foundation of my work. They connect us to our subconscious, bridging the space between personal vision and shared experience. My photographs invite you to step into these dreamscapes, to become part of the story. Nostalgia, emotion, and instinct—spiced with a hint of desire—are the ingredients of my art. Ultimately, my work is about liberation: freeing ourselves from the tyranny of perfection, honoring the beauty in the transient and the flawed, and finding a space where it’s not just permissible—but essential—to simply be. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018 / 2019. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) Exhibitions Selected (selected) 2018 Participation Bombay Beach Biennale, Bombay Beach, USA (G) March Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt 2017 BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Rosegallery, Bergamot Station, Santa Monica (G) Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G) 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky The Ballery in Heat, The Ballery, Berlin (G) 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
 Heather's Dream, Short, German Competition Short Film Festival Oberhausen 
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth...

Windscreen, rainy landscape photograph from Richard Heeps South Africa series, The New Lantern. Richard Heeps' work takes you on a journey, the road is a recurring theme, often the l...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Seaside Heights boardwalk beach after Hurricane Sandy American landscape typography photography by Richard Heeps. This artwork is a limited edition of 25 gloss photographic print f...

Reflection of my Mind (Stage of Consciousness) - 2007 Including Stefanie Schneider's signed monograph 'Instantdreams'. 64 pages, hardcover, published by Avenso, 2014. ISBN 978-3-93...

The Girl V (The Girl behind the White Picket Fence) 2013, 125x125cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Archive Crystal Paper, matte surface, based on a Polaroid. Certificate and Signature label. Artist Inventory # 115704.02. Not Mounted. Schneider harnesses the unpredictable chemical mutations of expired Polaroid film, where bursts of color erupt across the surface, destabilizing the photograph's traditional allegiance to reality. These vivid distortions draw her characters into ethereal, trance-like dreamscapes. Like fleeting sequences from a vintage road movie, Schneider’s images shimmer with a transitory quality, dissolving before any definitive conclusions can be drawn. Their ephemeral essence is conveyed through subtle gestures and enigmatic motives. Refusing to yield to the constraints of reality, Schneider’s work keeps alive a delicate interplay of dream, desire, fact, and fiction, blurring the boundaries between them with poetic ambiguity. Stefanie Schneider’s work echoes the heart of American art, channeling the cinematic nostalgia of Ed Ruscha’s roadscapes, the stark sensuality of Georgia O’Keeffe’s deserts, and the haunting solitude of Edward Hopper’s paintings...

Harbor Building, LA - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. artist Inventory No. 18361. No...

'Frozen beach #7' 2023 A photograph captured with a Polaroid camera that showcases the winter landscape of Lithuania in black and white. Printed on the finest archival paper, these...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

17"x25" signed on reverse, available unframed, This photograph was taken at the site of Brooklyn's Domino Sugar Refinery, Paul Raphaelson's photographs chronicle the final state of ...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

Piazza del Popolo -  Vintage Photo is a colored photograph of the 1970s. Good conditions.