Polaroid Landscape Photography
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Medium: Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2197.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2196.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Columbia Thinking (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ancient Bridge Views III (Stay)
Located in Morongo Valley, CA
Ancient Bridge Views III (Stay) - 2006
20x20cm,
Edition of 5 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2490.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
East River View (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Schneider's art was the art both characters created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as paintings hanging in several scenes within the movie.
East River View (Stay) - 2006
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label, artist Inventory No. 2598.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Not a Through Street (Drive to the Desert) - analog hand-print
Located in Morongo Valley, CA
Not a Through Street (Drive to the Desert) - 1999
44x59cm,
Edition of 5 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Signed o...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Interstate 10 Overpass (Drive to the Desert) - analog hand-print
Located in Morongo Valley, CA
Interstate 10 Overpass (Drive to the Desert) - 1999
44x59cm,
Edition of 10 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Signe...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Summer Interlude II (Deconstructivism) - Contemporary, Expired Polaroid
Located in Morongo Valley, CA
Summer Interlude II (Deconstructivism) - 2020
- about the narrative potential of images.
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Art...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Another Galaxy
Located in Morongo Valley, CA
Another Galaxy, 2017,
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print, Based on the original Polaroid, not mounted.
Signature label with certificate.
Artist inventor...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
C Print, Color, Polaroid, Archival Paper, Photographic Paper
The Dancer V (Stay) - the movie, expired Polaroid, analog hand made
Located in Morongo Valley, CA
A piece of art from the movie 'Stay' by Stefanie Schneider
Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Green Field - Jean Baptist's Dream no. 3 - Sidewinder
Located in Morongo Valley, CA
'Green Field' Jean Baptist's Dream no. 3' (Sidewinder) - 2005,
125x154cm,
Edition of 5 plus 2 Artist Proofs.
Analog C-Print, printed on Fuji Chrystal Archive paper, based on the ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
$4,200 Sale Price
30% Off
Long Way Home II - with Radha Mitchel and Max Sharam
Located in Morongo Valley, CA
'Long Way Home II' by Stefanie Schneider
(Stranger than Paradise) - 1999
49x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid,
Not mounted, Artist ...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Desert Living (California Dreaming) - Contemporary, 21st Century, Polaroid
Located in Morongo Valley, CA
Desert Living (California Dreaming) - 2017
40x48cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Invento...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Manhattan (Strange Love)
Located in Morongo Valley, CA
Manhattan (Strange Love) - 2018,
43x39.5cm,
Edition of 5 plus 2 Artist Proofs.
Archival C-Print, based on a 35mm analog Negative.
Signature label and certificate.
Artist Invent...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Sidewinder), analog - 21st Century, Contemporary, Polaroid, hand print
Located in Morongo Valley, CA
Untitled (Sidewinder) - 2005
Edition of 5,
57x56 cm,
analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid.
Artist Inventory 3025.02.
Sig...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Riviera (Vegas)
Located in Morongo Valley, CA
Riviera (Vegas) - 2000
Edition 4/10,
44x59cm.
Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Three Palm Trees (Vegas)
Located in Morongo Valley, CA
Three Palm Trees (Vegas) - 2000
Edition 5/10,
44x59cm.
Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid.
Certificate and Signature label.
Artist In...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Woman in Pool (Vegas) - analog, vintage print
Located in Morongo Valley, CA
Woman in Pool (Vegas) - 1999
43x59cm,
Edition 1/10.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signature Label and Certificate.
Artist Inventory #538.01....
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wedding Day (Breaking the Waves) - analog, vintage print
Located in Morongo Valley, CA
Wedding Day (Breaking the Waves) - 1997
43x59cm,
Edition of 2/5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signature Label and Certificate.
Artist Invento...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Crossroads (Stranger than Paradise) - analog, vintage print
Located in Morongo Valley, CA
Crossroads (Stranger than Paradise) - 1999
43x59cm,
Edition of 4/5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signature Label and Certificate.
Artist Inve...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Church drive by (Vegas)
Located in Morongo Valley, CA
Church drive by (Vegas) - 2000
Edition 1/10,
44x59cm.
Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid.
Certificate and Signature label.
Artist Inv...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
House behind Highway Wall (Vegas)
Located in Morongo Valley, CA
House behind Highway Wall (Vegas) - 2000
Edition 3/10,
44x59cm.
Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid.
Certificate and Signature label.
...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Exit (Vegas)
Located in Morongo Valley, CA
Exit (Vegas) - 2000
Edition 3/10,
44x59cm.
Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #548...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Plane (Vegas)
Located in Morongo Valley, CA
Plane (Vegas) - 2000
Edition 4/10,
44x59cm.
Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #54...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Enchanted II (Dream Scene on Salt Lake), part 3
Located in Morongo Valley, CA
'Enchanted III' (Dream Scene on Salt Lake), from the 29 Palms, CA Project - 2012
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid,
Certificate and Signature label,...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Sunday Church (Sidewinder) - 21st Century, Polaroid, Contemporary
Located in Morongo Valley, CA
Sunday School (Sidewinder) - 2005
20 x 24 cm,
Edition of 10,
Archival C-Print based on the Polaroid,
signature label and certificate.
Artist Inventory 3046.
Not mounted.
The w...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Oasis II (The Desert in Sepia) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
Oasis #2 (The Desert in Sepia) - 2019
Where once there was water there is no more, the Oasis is gone.
40x49cm,
Edition of 7, plus 2 Artist proofs.
Archival C-Print based on a Pol...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, Color, Polaroid
Vegas - Polaroid, analog, hand-print, mounted, Contemporary, 21st Century
Located in Morongo Valley, CA
Vegas (Stranger than Paradise) - 2000
Edition 3/3,
126 x 166 cm,
Analog C-Print, hand-printed by the artist.
Mounted on Dibond with matte UV-Protection.
Based on the Polaroid
Arti...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hide out (California Badlands)
Located in Morongo Valley, CA
'Hide Out (California Badlands) - 2016
20x24cm,
Edition of 10.
Archival Print, based on the Polaroid.
Certificate and Signature label, artist Inventory No. 19348.
Not mounted.
...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Memorial Day (Stranger than Paradise) - analog, mounted, 7 pieces, 48x352cm
Located in Morongo Valley, CA
Memorial Day (Stranger than Paradise) - 2001
Edition of 5,
48x46 cm each, installed 48 x 352cm including gaps.
7 analog C-Prints, hand-printed by the artist on Fuji Crystal Archiv...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Metal
On track
Located in Morongo Valley, CA
On track - 2020
Edition of 7 plus 2 Artist Proof
Archival Print, based on a Polaroid.
Signed on the back and with certificate.
Artist inventory PL2020-901.
Not mounted.
Kirsten...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
In the Range of Light II (Wastelands) - Polaroid, Expired. Contemporary, Color
Located in Morongo Valley, CA
In the Range of Light II (Wastelands) - 2003
Edition of 5,
57x56cm
analog C-Print, hand-printed by the artist,
based on the Polaroid.
Signature label and Certificate.
Artist Inve...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Salton Sea Pelican (California Badlands)
Located in Morongo Valley, CA
'Salton Sea Pelican' (California Badlands) - 2016
20x24cm,
Edition of 10,
Archival C-Print, based on the Polaroid
Certificate and Signature label
artist Inventory Nr. 19388.18
Not...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid
My own private Travel Diary - Bishop, CA - Autumn
Located in Morongo Valley, CA
My own private Travel Diary - Bishop, CA - Autumn - 2001,
20x29cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid Slide.
Signature label and Certi...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
My own private Travel Diary - Bishop, CA - Self Portrait
Located in Morongo Valley, CA
My own private Travel Diary - Bishop, CA - Self Portrait - 2001
20x30cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid Slide.
Certificate and Sign...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
C Print, Color, Polaroid
Red striped Shack (American Depression) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Red striped Shack (American Depression) - 2017
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Invento...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Custom Trailers (American Depression) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Custom Trailers (American Depression) - 2017
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Tall Chinatown (San Francisco) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
Tall Chinatown (San Francisco) - 2023
40x40cm,
Edition of 7, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signed on back with Certificate.
Not mounted.
The City
San Francisco has always been a special
place to me. I am overcome with romantic
notions thinking about it. Some real, some
imagined.
Walking down to Market street feeling my
heart skip a beat
To see someone who looks like you, I guess
that I'm not through
Dreaming of the one I love, you know what I'm
dreaming of
San Francisco days, San Francisco nights
San Francisco Days
- Chris Isaak...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, Black and White, Polaroid
Chinatown (San Francisco) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
Chinatown (San Francisco) - 2023
40x40cm,
Edition of 7, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signed on back with Certificate.
Not mounted.
The City
...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, Black and White, Polaroid
The Wheel (San Francisco) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
The Wheel (San Francisco) - 2023
40x40cm,
Edition of 7, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signed on back with Certificate.
Not mounted.
The City
San Francisco has always been a special
place to me. I am overcome with romantic
notions thinking about it. Some real, some
imagined.
Walking down to Market street feeling my
heart skip a beat
To see someone who looks like you, I guess
that I'm not through
Dreaming of the one I love, you know what I'm
dreaming of
San Francisco days, San Francisco nights
San Francisco Days
- Chris Isaak...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, Black and White, Polaroid
Crabtraps (San Francisco) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
Crabtraps (San Francisco) - 2023
40x40cm,
Edition of 7, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signed on back with Certificate.
Not mounted.
The City
San Francisco has always been a special
place to me. I am overcome with romantic
notions thinking about it. Some real, some
imagined.
Walking down to Market street feeling my
heart skip a beat
To see someone who looks like you, I guess
that I'm not through
Dreaming of the one I love, you know what I'm
dreaming of
San Francisco days, San Francisco nights
San Francisco Days
- Chris Isaak...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, Black and White, Polaroid
Lantern (San Francisco) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
Lanterns (San Francisco) - 2023
40x40cm,
Edition of 7, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signed on back with Certificate.
Not mounted.
The City
San Francisco has always been a special
place to me. I am overcome with romantic
notions thinking about it. Some real, some
imagined.
Walking down to Market street feeling my
heart skip a beat
To see someone who looks like you, I guess
that I'm not through
Dreaming of the one I love, you know what I'm
dreaming of
San Francisco days, San Francisco nights
San Francisco Days
- Chris Isaak...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, Black and White, Polaroid
Birds flying high (San Francisco) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
Birds flying high (San Francisco) - 2023
40x40cm,
Edition of 7, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Signed on back with Certificate.
Not mounted.
The City
San Francisco has always been a special
place to me. I am overcome with romantic
notions thinking about it. Some real, some
imagined.
Walking down to Market street feeling my
heart skip a beat
To see someone who looks like you, I guess
that I'm not through
Dreaming of the one I love, you know what I'm
dreaming of
San Francisco days, San Francisco nights
San Francisco Days
- Chris Isaak...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, Black and White, Polaroid
Salt'n Sea - analog, mounted, based on a Polaroid, 21st Century, Contemporary
Located in Morongo Valley, CA
'Salt'n Sea' (California Badlands), 2010
70x90cm,
Edition of 5,
analog C-Print, printed on Fuji Crystal Archive paper,
hand-printed by the artist, based on the Polaroid.
Certifi...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Metal
Last Frame (Last Picture Show)
Located in Morongo Valley, CA
Last Frame (Last Picture Show) - 2003
Edition of 5,
38x36cm,
analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based on the Polaroid, Artist inventory Numbe...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Aquarius (Californication) - Polaroid, Contemporary, Color
Located in Morongo Valley, CA
Aquarius (Californication) - 2019
50x50cm, Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory Number...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Poles Drive By (Vegas)
Located in Morongo Valley, CA
Poles Drive By (Vegas) - 2000
Edition 4/10,
44x59cm.
Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid.
Certificate and Signature label.
Artist Inve...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Winter (American Depression) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Winter (American Depression) - 2017
20x24cm, Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Inventory No. 20108.
...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Castaway (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA
Located in Morongo Valley, CA
Castaway (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019
80x80cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature la...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Salton Sea Afternoon (Ensign Broderick record Shoot 'Blood Crush')
Located in Morongo Valley, CA
Salton Sea Afternoon (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019
80x80cm.
Edition of 5, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid. ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, Black and White, C Print, Polaroid
Marienbad - Stay
Located in Morongo Valley, CA
An artwork from the movie 'Stay' by Stefanie Schneider
Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. She a...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Blue Mountains (analog) 58x56cm - mounted, Edition 1/10 - Polaroid, 20th Century
Located in Morongo Valley, CA
Blue Mountains (Stranger than Paradise) 1999
58x56cm,
Edition of 10,
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
based on the Polaroid,
mounted on...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Traintracks) - based on a Polaroid
Located in Morongo Valley, CA
Untitled (Traintracks) - The last Picture Show - 2004
38x37cm.
Edition of 5, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Arti...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Traintracks) - based on a Polaroid
Located in Morongo Valley, CA
Untitled (Traintracks) - The last Picture Show - 2004,
38x37cm.
Edition of 5, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Ar...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dine-In (American Depression) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Dine-In (American Depression) - 2017
20x24cm, Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Inventory No. 20105....
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Late Night (San Francisco) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
Late Night (San Francisco) - 2023
20x20cm,
Edition of 7, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signed on back with Certificate.
Not mounted.
The City...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, Black and White, Polaroid
Palm Tree Restaurant (Stranger Than Paradise) - Polaroid
Located in Morongo Valley, CA
Palm Tree Restaurant (Stranger than Paradise) - 1999
40x40cm.
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Arti...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
A Temple (American Depression) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
A Temple (American Depression) - 2017
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 20...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wrecked
Located in Morongo Valley, CA
Wrecked - 2017
Edition of 7 plus 2 Artist Proofs
Based on the Polaroid,
Archival C-print,
not mounted.
Signed on the back and with certificate.
Artist inventory PL2017-144
Kirste...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
C Print, Polaroid
I wie Ikarus - Stranger than Paradise
Located in Morongo Valley, CA
I wie Ikarus (Stranger than Paradise), 1999
43x49cm
Edition of 10,
analog C-Print, hand-printed by the artist,
based on the original Polaroid
Certificate and Signature label
artis...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
C Print, Color, Polaroid, Archival Paper
Polaroid landscape photography for sale on 1stDibs.
Find a wide variety of authentic Polaroid landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, Kirsten Thys van den Audenaerde, Carmen de Vos, and Pia Clodi. Frequently made by artists working in the Contemporary, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Polaroid landscape photography, so small editions measuring 0.4 inches across are also available
Read More
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This Photo of Big Sur Reveals the Awesomeness and Intimacy of Nature
When a beachcomber accidentally stepped in front of Jeffrey Conley’s camera, a perfect moment was captured.
Savor Ansel Adams’s Landscapes and Those of His Ambitious Successors
A new exhibition examines images by the master photographer alongside works by photographers who influenced him and contemporary creators.
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Developing images using contaminated water or printing them on expired photo paper are just a couple of ways today's talents are putting their own spin on tradition.
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