Polaroid Landscape Photography
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120
Medium: Polaroid
Pit Stop - 21st Century, Polaroid, Landscape Photography
Located in Morongo Valley, CA
Pit Stop - 2017,
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2017-122.
Not...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, C Print, Color, Polaroid, Photographic Paper
Roy's - 21st Century, Polaroid, Landscape Photography, Contemporary, Color
Located in Morongo Valley, CA
Roys (Amboy), 2018,
20x24cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist Inventory Number PL201...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
North Shore Mirage (California Badlands) - Contemporary, 21st Century, Polaroid
Located in Morongo Valley, CA
North Shore Mirage II (California Badlands) - 2016,
28x38cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Certificate and signature label.
Arti...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Purple Valley (Wastelands) - Contemporary, Landscape, Polaroid, Analog, mounted
Located in Morongo Valley, CA
Purple Valley (Wastelands) - 2003
57x56cm,
Edition 3/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid.
Mounted on Aluminum with ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Metal
Blue Yonder - Contemporary, Abstract, Polaroid, 21st Century, Color
By Lisa Toboz
Located in Morongo Valley, CA
Blue Yonder - 2019,
20x40cm,
Edition of 10 plus 2 Artist Proofs.
Archival Print based on the original Polaroid on Hahnemühle photo rag paper.
Signature label and certificate.
Not mounted.
Exhibition: Reclaim Photography Festival: Reclaiming Our Cultural Landscape, Black Country...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid
Renée's Dream XI (Days of Heaven) - Landscape, Horse, Polaroid, 21st Century
Located in Morongo Valley, CA
Renée's Dream XI (Days of Heaven). Part of the 29 Palms, CA Project - 2006
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label ...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Bryce II - 21 Century, Women, Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Bryce II - 2017,
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2017-261.
Not...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, C Print, Color, Polaroid, Photographic Paper
Angels I - 21st Century, Polaroid, Landscape Photography, Contemporary, Color
Located in Morongo Valley, CA
Angels I, 2018,
48x60cm,
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2019 - 708.
Not mounted.
Kirsten Thys van den A...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Botanicals III - 21st Century, Polaroid, Landscape Photography
Located in Morongo Valley, CA
Botanicals III - 2018
20x24cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist Inventory Number PL20...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Tree of Light
Located in Morongo Valley, CA
Tree of Life - 2017,
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2017-285....
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Trees in the Rain (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees in the Rain (Stranger than Paradise) - 2000
Edition 2/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label. ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Trees at Night (Stranger than Paradise) - Polaroid, 21st Century, Color
Located in Morongo Valley, CA
Palm Trees at Night (Stranger than Paradise) - 1999
Edition 4/10,
44x59cm.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label.
Ar...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Diesel - 21st Century, Polaroid, Landscape Photography, Contemporary
Located in Morongo Valley, CA
Diesel - 2018
48x60cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2018 - 414.
Not m...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Salton Sea Marina (California Badlands) - Polaroid, Landscape, Contemporary
Located in Morongo Valley, CA
Salton Sea Marina (California Badlands) - 2016
20x24cm,
Edition 6/10.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 18088.14.
Not...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Mr. Postman - 21st Century, Polaroid, Landscape Photography, Contemporary
Located in Morongo Valley, CA
Mr. Postman, 2018
48x60cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory #PL2018 - 409.
No...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Starlite Motel (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Starlite Motel (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Oilfields) - Contemporary, 21st Century, Desert, Polaroid, Landscape
Located in Morongo Valley, CA
Untitled (Oilfields), 2004
60x60cm,
Edition 4/10
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Certificate and Signature label.
Artist Inventory No. ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Beach Boy (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Beach Boy (Zuma Beach) - 1999
43x59cm,
Edition 2/10.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inventory #207.
N...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Pink Flower Carpet (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Pink Flower Carpet (Zuma Beach) - 1999
43x59cm,
Edition 2/10.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inventory #2...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Pink Flower Carpet (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Pink Flower Carpet (Zuma Beach) - 1999
43x59cm,
Edition 4/5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inventory #22...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
No Lifeguard on Duty (Oxana's 30th Birthday) - Polaroid, Landscape, Contemporary
Located in Morongo Valley, CA
No Lifeguard on Duty (Oxana's 30th Birthday) - 2010
58x56cm,
Edition of 5 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist,
based on the Polaroid.
Artist invent...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Stardust (Vegas) - analog, vintage print
Located in Morongo Valley, CA
Stardust (Las Vegas) - 1999,
44x59cm,
Edition 5/10.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #553.0...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Vagabond (American Depression) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Vagabond (American Depression) - 2017
40x40cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Circle of Magic - Do you believe in Magic - 29 Palms, CA
Located in Morongo Valley, CA
Circle of Magic (29 Palms, CA) - 2009
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Certificate and signature label.
artist inventory num...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
C Print, Polaroid, Archival Paper, Photographic Paper, Color
Joshua Tree (29 Palms, CA) - Landscape, Polaroid, Photograph, expired, Nature
Located in Morongo Valley, CA
Joshua Tree (29 Palms, CA) - 1999
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Certificate and signature label.
Artist inventory 20975.
...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Millennial Falcon (Sidewinder), analog, 100x98cm - Polaroid, 21st Century
Located in Morongo Valley, CA
The Millennial Falcon (Sidewinder) - 2005
100x98cm,
Edition 1/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid.
Artist Invento...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Late for the sky - Contemporary, Polaroid, Color, Seagulls, Beach
Located in Morongo Valley, CA
Late for the Sky - 2020
50x50cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inventory PL2020-98...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Maya - Contemporary, Polaroid, Photography, Color, 21st Century, Portrait
By Lisa Toboz
Located in Morongo Valley, CA
Maya - diptych, 2016
17x38cm,
Edition of 10 plus 2 Artist Proof.
Archival photograph printed on Hahnemuhle photo rag paper, based on 2 original Polaroids.
Signature label and ce...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid
Ghosts (The Last Picture Show) - Polaroid, Photograph, Contemporary, Americana
Located in Morongo Valley, CA
Ghosts (The Last Picture Show) - 2005
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist inventory 2...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Frozen IV (Last Picture Show)
Located in Morongo Valley, CA
Frozen IV (Last Picture Show) - 2001
20 x 20 cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid
It's gonna get worse before it gets any better (Till Death du us Part)
Located in Morongo Valley, CA
It's gonna get worse before it gets any better (Till Death Do Us Part) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate an...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Breaking the Waves (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Breaking the Waves (Zuma Beach) - 1997
43x59cm,
Edition of 3/5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inventory #...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Cloudy Empire (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
Cloudy Empire (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 6...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Afternoon Empire (Strange Love) - Polaroid, New York, Empire State Building
Located in Morongo Valley, CA
Afternoon Empire (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Across (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
Across (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 6145.
N...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
A Dream Play (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
A Dream Play (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 60...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
California Depression (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
California Depression (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inv...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Safari Inn (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
The Safari Inn (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventor...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ski Inn (Bombay Beach), 21st Century, Polaroid, Landscape Photography
Located in Morongo Valley, CA
Ski Inn (Bombay Beach) - 2018
20x24cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Not mounted.
Bombay...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Bombay Palm Trees (California Badlands) - Bombay Beach - Polaroid, Contemporary
Located in Morongo Valley, CA
Bombay Palm Trees (California Badlands) - Bombay Beach) - 2019
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Signature label and Certifica...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Last Stop Bombay Beach (California Badlands)
Located in Morongo Valley, CA
Last Stop Bombay Beach (California Badlands) - 2019
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist In...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Table for Two (Bombay All Day) - Contemporary, Polaroid, Bombay Beach, Landscape
Located in Morongo Valley, CA
Table for Two (Bombay All Day) - 2019
20x24cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Signature label with certificate.
Artist inven...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2194.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2197.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2196.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Columbia Thinking (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ancient Bridge Views III (Stay)
Located in Morongo Valley, CA
Ancient Bridge Views III (Stay) - 2006
20x20cm,
Edition of 5 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2490.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
East River View (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Schneider's art was the art both characters created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as paintings hanging in several scenes within the movie.
East River View (Stay) - 2006
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label, artist Inventory No. 2598.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Not a Through Street (Drive to the Desert) - analog hand-print
Located in Morongo Valley, CA
Not a Through Street (Drive to the Desert) - 1999
44x59cm,
Edition of 5 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Signed o...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Polaroid landscape photography for sale on 1stDibs.
Find a wide variety of authentic Polaroid landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, Kirsten Thys van den Audenaerde, Carmen de Vos, and Pia Clodi. Frequently made by artists working in the Contemporary, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Polaroid landscape photography, so small editions measuring 0.4 inches across are also available
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