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Michael MassaiaFirst Light2017
2017
About the Item
Archival pigment print with 8-ply over-mat and mounted to archival, 4-ply Crescent Natural White mat board
Signed and numbered, recto
30 x 26 inches, overall mat size
24 x 20 inches, paper size
(Edition of 20)
48 x 38 inches, overall mat size
40 x 30 inches, paper size
(Edition of 10)
63 x 53 inches, overall mat size
53 x 43 inches, paper size
(Edition of 3)
This artwork is offered by ClampArt, located in New York City.
Michael Massaia is a fine art photographer and printmaker who has spent the past ten years documenting areas and objects that never extend too far from his front door. Isolation, disconnection, and an attempt to put a spotlight on the ordinary are the constants in all of his work. He focuses primarily on large format black-and-white film, utilizing a variety of highly modified proprietary analog and digital printing techniques. Massaia works alone and is the sole craftsman from the instant the negative is exposed to the moment the final print is made.
Michael Massaia started documenting Central Park in 2007 as way of dealing with sleeplessness. He would commonly take long walks at night, and the park always seemed to be calling him in. He set out to document the park at its most vacant, isolating, and at times most haunting moments. The park appears to go through a period of metamorphosis during those late night/early morning hours, and Massaia was determined to capture it.
- Creator:Michael Massaia (American)
- Creation Year:2017
- Dimensions:Height: 30 in (76.2 cm)Width: 26 in (66.04 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93232897601
Michael Massaia
Michael Massaia is a fine art photographer and printmaker who has spent the past 10 years documenting areas and objects that never extend too far from his front door. Isolation, disconnection and an attempt to put a spotlight on the ordinary are the constants in all of his work. Massaia focuses primarily on large format black-and-white film, utilizing a variety of highly modified proprietary analog and digital printing techniques. Massaia works alone and is the sole craftsman from the instant the negative is exposed to the moment the final print is made.
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