Gas Landscape Photography

Lord Fauntleroy Cali 180722-277 Pigment Print Year: 2018 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame with standard ...

XX Centuries (2011)
 55 x 66 cm, Edition of 2/5. Photography printed in Canson Baryta Prestige 340gr (not mounted) Signed on back with Certificate. About myself I was born and rai...

Are you my Angel (2011)
 from the series Monuments 50 x 65 cm, Edition of 1/10 plus 2 Artist Proofs. Digital Photography printed on Canson Barita 310gr (not mou...

Peter (2011)
 80 x 109 cm, Edition 1/3 plus 2 Artist Proofs. Photography printed on Canson Barita 310gr. (not mounted) Signed on back with Certificate. About myself I was born and...

I am still waiting (2011)
 from the series Monuments 50 x 65 cm, Edition of 1/10 plus 2 Artist Proofs. Digital Photography printed on Canson Barita 310gr (not mounted) Signed on back...

The same year, the iconic science fiction movie Close Encounters of the Third Kind was released, visionary still photographer Mitchell Funk shot this SciFi-like image. It's of an un...

Self Service - 2017, Edition of 7 plus 2 Artist Proofs. Archival C-print, based on an original Polaroid, not mounted. Signed on the back and with certi...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

Corvette in the desert - Signed limited edition archival pigment print - Edition of 5 Arizona 1998 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Signed + numbered by artist with certificate of authenticity Please note. There are three sizes of this print; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested. Available sizes ( Image size , the white margin is not counted) : 35 x 52 cm / 13,78 x 20,74 in. - Edition of 5 50 x 75 cm / 19,68 x 29,53 in. - Edition of 5 67.5 x 101.6 cm / 26,37 x 40 in. - Edition of 5 Geoff Halpin...

Jack Hayhow Title: Magnolia Station Photographic Print on fine Paper Year: 2020 Size: 12x18 inches Description: Available in multiple sizes - please inqui...

Corvette in the desert - Signed limited edition archival pigment print - Edition of 5 Arizona 1998 This image was captured on film. The negative was scanned creating a digit...

Digital C-print (Edition of 10) Signed, dated, and numbered, verso 30 x 35.5 inches, sheet 22 x 27 inches, image This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Joshua Lutz is an American artist working with large-format photography and video. Lutz began photographing the Meadowlands ten years ago as a a documentary study of the 32-square-miles of marshy wilderness that sits between New Jersey and New York (while ostensibly searching for the remains of Jimmy Hoffa). Over the years, however, this project evolved into a compelling artistic exploration, revealing the soul of this liminal space. Lutz was given his first solo exhibition at Gitterman Gallery during the summer of 2004. In 2008, “Meadowlands,” was published as Lutz's first book, with powerHouse Books. In essayist Robert Sullivan’s introduction to the monograph, he describes the Meadowlands as “. . .that giant swath of swamp and space that separates New Jersey from New York City, or, put another way, from New York City and the rest of the United States of America.” “The New Yorker” wrote: “Joshua Lutz takes the New Topographics...

Fill her up, Jim!, 2017, Edition 1/7 plus 2 Artist Proof Digital C-print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2017-140 Kirst...

Roys (Amboy), 2018, 45x61cm, Edition 1/7 plus 2 Artist Proofs, based on an original Polaroid, Digital C-print, not mounted. Signed on the back and with certificate. Artist Inventory ...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

A solitary figure pumps gas under an unearthly shroud of alien-like l ight. Signed , dated lower right, Edition 2 /15 Printed later, unframed, other size available, Printed on Hahne...

Price includes framing. Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon. The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick...

Cody works almost entirely with infrared film, using a range of different cameras, from a 4x5, a 6x17 panoramic, to a pinhole. The analog captures are then scanned and output as blac...