Hardware Landscape Photography

large scale original photograph of vintage TV set with iconic western movie in American wild west landscape Cowboy TV by Frank Schott 30 x 40...

large scale original photograph of vintage television set with iconic western movie in American Wild West landscape Cowboy TV by Frank Schott 30 x 40 inches (76 x 102cm) signed edi...

17.5x13.5x1
Stained Glass, Metal Print, Wood Frame
Mixed Media Art – Fine Art Photography Meets Fine Craft Mosaic-Stained Glass Frame My award-winning Photozaics blend the textures ...

ABOUT THIS PIECE: French photographer Ludwig Favre recently visited New York City. His pictures of New York's iconic architecture carry the same romantic feel of a Parisian shooting ...

Jung LEE (*1972, South Korea) Why?#3, 2016 C-Type Print, Diasec Sheet 144 x 180 cm (56 3/4 x 70 7/8 in.) Frame 147,5 x 183,7 x 3,7 cm (58 1/8 x 72 3/8 x 1 1/2 in.) Edition of 5, plus...

Jung LEE (*1972, South Korea) I Want To Be Your Love, 2012 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist ...

large scale original photograph of vintage television set with iconic western movie in American Wild West landscape Cowboy TV by Frank Schott ( framed ) 58 ...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. TV3 is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is avai...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Village Motel - heated Pool (The Last Picture Show) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1...

Archival pigment print 20 x 16 inches (Edition of 8) 29 x 24 inches (Edition of 8) This photograph is offered by ClampArt, located in New York City. During the 2012 football seas...

Hotel Chelsea, New York. Second Floor, North, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013)....

Hotel Chelsea, New York. Room 507, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 20 H x 30 W in. Edit...

Hotel Chelsea, New York. Room 23, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size:...

'Bates Motel' part 2 (The Last Picture Show) - 2005, 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji crystal archive paper, matte finish, based on a Polar...

Massimo Listri Archivio di Stato Vienna 2016 c print edition of 5 Massimo Listri is a Florence-based photographer whose work often presents interiors of great architectural and cult...

Jung LEE (*1972, South Korea) The End #2, 2020 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 167 x 206,9 x 3,5 cm (65 3/4 x 81 1/2 x 1 3/8 in.) Edition of 5, plus 2...

Jung LEE (*1972, South Korea) Only God Knows, 2010 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist born in ...

I am a choreographer and photographer, born in Germany. I received my art education at the Palucca University of Dance in Dresden. In 2001 I moved to the USA were I transformed my ey...

The photographs date from 1987 to 2006, and were made in the deserts of central and southern Arizona. The originals are 16”x20” gelatin silver photographs printed from 4”x5” Polaroid...