Men Landscape Photography

Spring Break, 1950s - Bonita Springs Palm Beach Florida Students Spring Break by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. ...

Capri Holiday, 1958 - Snorkelling off Coast of Capri Island in Crystal Waters by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'C...

Poolside Party A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designer Ra...

Untitled (Nr. 0238) Landscape Photography 36" x 44" Edition 1/12 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to orde...

This mid-1970s landscape photograph, captured by society photographer Slim Aarons, features friends boarding a riva boat in Monte Carlo, Monaco, This is an estate stamped and hand n...

Male Nude (29 Palms,CA) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #293 Not mounted. Stefanie S...

Luca Artioli has always been fascinated by Roman Statues. As a child, he wandered through the Imperial Forum creating dialogues between them. For young Luca the statues were alive. T...

Thames Divers (1934) - Silver Gelatin Fibre Print (Photo by H F Davis/Getty Images Archive) Two divers jumping off the Embankment into the River Thames in London, near Westminster...

An original silver gelatin black and white photograph by Press Agency ROL, Paris, 1929. Summer on the beach near Paris. Features: Original silver gelatin print photography unframed. ...

Desert House Party A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designe...

Moments in Time (Sidewinder) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #3331 Not mounted. Stef...

'La Concha Beach Club' Bathers at La Concha Beach Club, Acapulco, Mexico, February 1975. This is a simply stunning Slim. The palm fringed green...

Actor George Hamilton (in blue) takes off in a speedboat with friends Ruth Luthi, Sabine Korte and Mike Belami, during a stay in St Tropez. September 1968. The High Life 1968 C prin...

A unique original silver gelatin black and white photograph by Press Agency, Paris in 1925. International Decorative Arts Exhibition in Paris, 1925, French newspaper pavilion. L'Intr...

Lucky Luciano, 1950s - American Italian Mafia Mafioso Black and White Portrait by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. ...

Discover this stunning photograph from Slim Aarons sought-after Palm Springs 'Poolside' series. 'Desert House Party' encapsulates the essence of vintage 1970s glamour, captured with vibrant color palette of bold yellow, crisp white, and vibrant turquoise, synonymous with the classic Palm Beach aesthetic. This coveted photograph, taken in 1970, presents an intimate glimpse into a poolside party at a desert house, a Palm Springs masterpiece by famed architect Richard Neutra for Edgar J. Kaufmann. This is not just a photograph, but an entry into the world of luxury, architecture, and the golden era of Palm Springs. Highlighted in the image are industrial designer Raymond Loewy, known for his unparalleled design philosophy, central and standing, and Nelda Linsk, elegantly dressed in a radiant yellow, an iconic cultural patron and the wife of prominent art dealer Joseph Linsk. Also captured in the frame is Helen Dzo Dzo, the former fashion model, gracefully adorned in white lace, adding a touch of timeless elegance to the vibrant gathering. The photograph artistically integrates the natural beauty of the Palm Springs landscape...

American stage actress, author, columnist, horsewoman, fashion designer, and socialite, C. Z. Guest, ( aka Mrs. Winston F. C. Guest, 1920 - 2003) with her personalized Ford Model T t...

This is a rare and captivating original silver gelatin black-and-white photograph, dating to around 1910, created by the renowned Press Agency ROL in Paris. The image features the pi...

Cafe De Flore (1948) - Silver Gelatin Fibre Print (Photo by Keystone-France/Gamma-Keystone via Getty Images) Additional Information: Unframed Paper S...

Swiss Alps, 1964: This landscape photograph, captured by society photographer Slim Aarons, features holiday-makers taking in the sunset on a white snowy mountain top in Verbier, Swit...

Eden-Roc Pool 1976 Slim Aarons Limited Estate Edition Guests round the swimming pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 72" x 48" paper size Photo by Sli...

Minnie and Dru Montagu - Couple Poses for Photograph on Sandy Beach under Palms by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 1...

'Hotel Du Cap-Eden-Roc' by Slim Aarons ESTATE EDITION - numbered and emboss stamped on front. (edition size 150 only) Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, ...

Guys on Shoreline under Brooklyn Bridge, 1989 - New York City Skyline Landscape by Michael Ormerod 'Guys on Shoreline under Brooklyn Bridge' is a black and white photographic print ...

Vila Vera The bar at the Villa Vera Hotel Spa and Racquet Club in Acapulco, January 1968. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 Pho...

A unique, original silver gelatin black and white photograph. A family on the road near Paris, France, circa 1930. The car in the background is a Renault KZ. Features: Original Silv...

SEAN CONNERY. “007, JAMES BOND: GOLDFINGER” [1964] (Goldfinger), directed by GUY HAMILTON. A great shot of Sean Connery on set as the secret agent - together with the infamous Aston...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

'Kids under Water Hydrant' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibitio...

'Guy with Beatbox' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibition, 'Mich...

A unique, original silver gelatin black and white photograph. On the 12th of April, 1927, the iconic "Foire au Jambon" (Ham Fair) was a well-known outdoor antique...

'Kids under Water Hydrant' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibitio...

"How the West Was Won" Texas, USA 2020 Available Sizes (Framed Size) Large: 71” x 91” Edition of 12 Standard: 52” x 65” Edition of 12 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed in lower right by artist. This photo comes with a with Certificate of Authenticity About David Yarrow David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining. David’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognised as one of the best-selling fine art...

Hotel Chelsea, New York. Top Floor Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 26.6 in H x 40 in W Editio...

Stefanie Schneider Polaroid-sized unlimited Mini 'Angie' (Heavenly Falls) - 2016 - signed in front, not mounted. 1 Archival Color Photograph based on the Polaroid. Polaroid siz...

'Woman with ice Cream' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibition, '...

This black-and-white photograph, taken in 1952 in Paris along the Seine River, captures a tranquil and picturesque moment. In the foreground, a man wearing a light-colored straw hat ...

This black-and-white photograph, taken in 1952 in Paris along the Seine River, captures a tranquil and picturesque moment. In the foreground, a man wearing a light-colored straw hat ...

Legendary photographer Slim Aarons relaxes in a self portrait shot in Athens, near the Acropolis. Slim Aarons said, "I love a solo holiday. It tends to refresh the part of oneself that is most depleted by modern life — patience. "Let me dispel a few myths. You will be lonely. No: you won’t. My solo travels in Paris have brought many perfect hours of being alone but not a moment of loneliness. People who depend on other people are often in hiding from themselves. Two and a quarter million people live in the City of Light: you will see many of them and you will pass them in the street, but when you see Notre Dame after dark and walk home and perhaps stop to have a drink in the Marais, you can feel that the only thing that is missing from your experience is the common dependency on someone to distract your attention. "I’ve had solo pints of Guinness in the pubs of County Kerry and County Cork. I’ve walked across the sage- and juniper-scented maquis of Corsica on a spring day, where you can still find the world of Napoleon’s childhood. More than once I went to the Isle of Iona in the Scottish Hebrides...

Spectators standing next to polo mallets and riding helmets during a polo match in Palm Beach, Florida, 1968. Slim Aarons Palm Beach Polo 1964 C-Print Estate signature stamped and ...

Skiers At Verbier Skiers relax in deckchairs on the slopes at Verbier in Switzerland. 48x48" inches / 122 x 122 cm paper size Estate Stamped Collection Edition to 150 Photo ...

A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designer Raymond Loewy (189...

This midcentury landscape photograph, captured by society photographer Slim Aarons, features a midcentury chalet with a view at the Sugarbush Mountain ski resort in Warren, Vermont i...

Feminist movement, Divorce Right is a vintage black and white photograph realized in the1960s. Good conditions. With the stamp of copyright on the rear.

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but h...

A unique original silver gelatin black and white photograph. Street musicians and singers in Lyon, France, circa 1930. Street musicians playing accordion with singers in Lyon, Franc...

'The Carlton Hotel' A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. Gorgeous print measuring a very large 30 x 30" inches / approx 76 ...

Silver and sepia tone photographic print of an indigenous spearfisher by Edward Sheriff Curtis, image circa 1901 (American, 1868-1952), as a 1974 copy of (and printed from negatives derived from) the original Edward Curtis copper gravure plate, by Jean-Antony du Lac (1929-2002). Curtis used a process he mastered of creating orotones, which are photographs on glass, which Jean-Anthony du Lac spent years mastering. Jean-Antony du Lac's work is considered that of a preservationist. Titled lower left, signed lower right. Presented in an aluminum frame with anti-glare glass. Paper size: 20"H x 15"W Born in France and raised in New York City, Jean-Anthony du Lac moved west to San Francisco in 1957. Jean was an accomplished photographer whose published credits include Life Magazine and the San Francisco Examiner. He spent many years reproducing Edward S. Curtis' images of North American Indians; and he mastered the process of creating orotones, which are photographic reproductions on glass. Jean's orotones appeared on the walls of the Smithsonian as well as the White House during the Carter and Reagan administrations. A preservationist, his reproduction of Edward Muybridge...

Black and White Fine Art cityscape - urban landscape photography. Najadenbrunnen towards the Columbary in the park of Schoenbrunn Palace, Vienna, Austria. Archival pigment ink print,...

Skiing Waiters, 1962 - Skiing St Moritz with Pheasant and Champagne by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. Printed ...

Alter Ego, 2017, Edition 2/7 Based on an original Impossible film Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2...

Inside the Trailer (Sidewinder), 2005, Edition 1/5, 4 pieces, each 48x47cm, installed with gaps 48x207cm installed including 5cm gaps. Analog C-Prints, hand-printed by the artist, ...

Stefanie Schneider's Minis 'Lila' (Stay), 2006 signed and signature brand on verso Lambda digital Color Photographs based on a Polaroid from the movie 'Stay' by Marc Forster, featur...

Holidaymakers in sun loungers on the slopes at Verbier, Switzerland, February 1964. Size 72 x 48" inches / 183 x 122 cm Estate Stamped Collection Edition to 150 Photo by Slim ...

'Nice Pool' 1955. American writer C.Z. Guest (Mrs F.C. Winston Guest, 1920 – 2003) and her son Alexander Michael Douglas Dudley Guest in front of their Grecian temple pool on the oc...

Italian GP Richie Ginther waits beside his Honda RA273 as mechanics work on the engine. Image details Championship: Formula 1 1966 (Formula 1, 1966) Event: Italian GP Date taken: Sunday, September 04, 1966 Location: Autodromo Nazionale Monza, Italy Photographer: Rainer Schlegelmilch Rainer W. Schlegelmilch the German born widely regarded "Master of Motorsports Photography" delighted in this series of works Glamour, kitsch, sex and fast cars - this extraordinary body of work encapsulates the excitement of this era. Limited edition to 150 only - Archive stamped and numbered - with certificate of authenticity Oversize 24 x 24" inches / 61 x 61 cm paper size C type print unframed. Beautiful. About Richie Ginther & Honda BRM and Honda In 1962, Ginther switched to the British-based BRM team to race alongside Graham Hill. The highlight of his time at BRM was finishing equal-second (with Hill) in the 1963 World Championship. Ginther scored more points than his British teammate over the whole season, but only a driver's six best scores were counted towards the championship. His reputation as a solid "team player" and excellent test and development driver earned him an invitation to join the works Honda F1 team for 1965, for whom he scored his one and only GP win, at the 1965 Mexican Grand Prix. The win was also Honda's first in Formula 1. Ginther averaged 151.7 kilometres per hour (94.3 mph) over the curving 5 kilometres (3.1 mi) track in the 65 lap Mexico City event. His speed eclipsed the previous course record of 150.185 km/h (93.321 mph) established by Dan Gurney in 1964. It was the first time Honda had entered the Mexican Grand Prix.[22] Honda reentered international competition in the 1966 Italian Grand Prix. The team was three years old and had encountered difficulty in the preparation of a larger engine. Ginther led in Italy before his car crashed into a retaining wall and he broke his collarbone.[23] He signed with the Eagle F1 team in 1967 and raced in the Race of Champions. At Monaco after practice, his place on the grid was given to an F2 car weighted to bring it up to minimum F1 specifications, and Ginther left F1 in disgust. Ginther won one race, achieved 14 podiums, and scored a total of 107 championship points. He appeared in an uncredited role in the 1966 film Grand Prix as John Hogarth, a driver in the Japanese funded "Yamura" team. He also acted as one of the technical racing advisors for the movie. While making an attempt to qualify for the 1967 Indy 500, Ginther broke a fuel line in his American Eagle Indy Car...

This black-and-white photograph from the 1950s captures a climber scaling the surface of a monumental rock formation in the American Southwest. The immense rock structure dominates t...

'Untitled' (Oilfields) 2004, 60x60cm, Edition 4/10, Analog C-Print, based on a Polaroid Certificate and Signature label, artist Inventory No. 1220.04 Not mounted. OILFIELDS, 2004...