Pants Landscape Photography

Photograph of the legendary 1969 Sunset Strip billboard designed Roland Young for the release of the Beatles Abbey Road LP. Selected from Robert's museum exhibition and book: Rock ‘N’ Roll Billboards on the Sunset Strip. (Billboard photo by Ian Macmillan) Archival pigment print from an edition of 15, printed on 100% cotton fine art paper with a matte finish, signed and numbered in the lower margin by the artist. Print ships rolled, but framing options are available. Robert Landau...

Slim Aarons Funk In Tuscany, 1969 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Marta Marzotta playing a James Brown album on an Italian Brio...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Troubled Henry (Stay) with Ryan Gosling - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 5091. Not...

Slim Aarons Estate Print - Harriet At Mougins Viscountess Harriet de Rosiere at Mougins, near Cannes in France. (Photo by Slim Aarons) Chromogenic print paper size 12 x 12" inches / 30 x 30 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. france french high society 1950s 50s fashion...

Stefanie Schneider's Minis Gasoline III (Stranger than Paradise), 1999 Signed and signature brand on verso. Lambda digital Color Photographs based on a Polaroid. Sandwiched in betwe...

Skiing Holiday, Gstaad, Switzerland, Estate Edition. Winter Portrait Photograph This late 1970s winter landscape photograph, captured by society photographer Slim Aarons, features A...

A group of people play an improvised game of ice hockey in Gstaad, 1992. Estate stamped and hand numbered edition of 150 with certificate of authenticity f...

Shoppers at the front entrance of the Lilly Pulitzer boutique on Via Mizner, Palm Beach, Florida, 1968. Slim Aarons Lilly Pulitzer And Florence 'Flo' Pritchett Smith 1968 C-Print E...

'Wonder Valley View' (The Girl behind the White Picket Fence) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist In...

The Man (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 22884. Signature label and Cer...

The Carl Simon Archive was a sleeping treasure of photos for 60 years. In 2011 finally the sensational life work of Carl Simon was rediscovered in an old storage room in Unterbilk,...

Stefanie Schneider Polaroid-sized unlimited Mini 'Trickle' (S29 Palms, CA) - 2007 - signed in front, not mounted. 1 Archival Color Photograph based on the Polaroid. Polaroid siz...

Angie Jennings That's a Beaut' Archival Pigment Print Year: 2024 Visible Size: 10 x 15.125 inches Framed: 14 x 19.75 inches Signed: On Label COA provided *Black frame with standar...

The Farmer and his Wife (American Depression) - 2004 48 x 46 cm, Edition of 10 plus two artist Proofs. Archival C-Print based on the Polaroid. Signature label and Certificate. A...

Crow Burial II (Sidewinder) 20 x 20 cm, 2005, Edition 4/10, digital C-Print based on a Polaroid, Artist Inventory 3505.04, not mounted Stefanie Schneider...

Zoë (Paris) - 1995 Edition of 5, 60x50cm including white borders. Analog C-Print, hand-printed by the artist and based on a Polaroid, Signature label and Certificate. Artist In...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1308. N...

The Farmer and his Wife (American Depression) - 2004 20 x 20 cm, Edition of 10 plus two artist Proofs. Archival C-Print based on a Polaroid. Signature label and Certificate. Arti...

The Prodigy - signed Limited Edition Print Collage Boston June 2 1997 NME Cover Shoot (photo Kevin Westenberg) NB All prints are signed and numbered b...

Old days Photo - Carlo Ferrari and Friends is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgi...

Skiing Holiday, Gstaad, Switzerland, Estate Edition. Winter Portrait Photograph This late 1970s winter landscape photograph, captured by society photographer Slim Aarons, features A...

Bourbon (Suburbia) - 2016 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #420 Not mount...

The Letter (Till Death do us Part) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #8810 Not mounted. ...

X-Rayed (Back in the 80's) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #354 Not mounted. Stefani...

Gasoline IIb (Stranger than Paradise) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #270b Not mounte...

Between Words (Stage of Consciousness) - 2008 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by snap Collective, 2024....

Henry and Athena - Henry's Memory Sequence (Stay) - 2006 featuring Ryan Gosling and Elizabeth Reaser 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate...

Henry and Athena - Henry's Memory Sequence (Stay) - 2006 featuring Ryan Gosling and Elizabeth Reaser 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate...

Big Boy (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2266 Not mounted. Stefanie Schneide...

Coffee Break (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1576. Not mounted. Stefanie...

Into Eternity (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 893. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Last Chance (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 24104. Signature label and...

Reportage from Albania - Tirana - Photograph is a color photograph realized in the Late 1980s. Good conditions. the landscape of Albania through the art of photography is captured ...

Harriet At Mougins Viscountess Harriet de Rosiere at Mougins, near Cannes in France. Slim Aarons Chromogenic C print Printed Later Slim Aarons Estate Edition Produced utilising ...

Spear Fishing In San Diego A spear fisherman in a mask, snorkel and wetsuit, with two boys on a beach in San Diego, California, October 1956. Slim Aa...

Magnolia Tree Gates Avenue, Bushwick, Brooklyn, NY May 1983 Signed, titled, dated, and numbered, verso Archival pigment print (Edition of 10 + 2 APs) ...

Savannah Collectables by Alain Le Garsmeur An African American man pauses on a bench outside a shop in downtown Savannah, Georgia, USA, 1983. Paper siz...

Slim Aarons Estate Print - Dolores Guinness - Oversize Dolores Guinness catches the sun’s last rays in Costa Smerelda, Sardinia. (Photo by Slim Aarons) Chromogenic print paper size 30 x 30" inches / 76 x 76 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. 1960s 60s fashion...

Slim Aarons Estate Print - Spear Fishing In San Diego A spear fisherman in a mask, snorkel and wetsuit, with two boys on a beach in San Diego, Cal...

Slim Aarons Estate Print - Skiing Holiday - Oversize American political novelist William F Buckley Jnr takes a break from skiing near Gstaad with Canad...

My own private Travel Diary - Bishop, CA - Walking Lulu - 2001, 20x30cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid Slide. Certificate and Signature label. Not mounted. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst...

My own private Travel Diary - Bishop, CA - Walking Lulu II - 2001, 20x30cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid Slide. Certificate and ...

'Untitled' (Oilfields) - 2004 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1207. Not mounted. OILFIELDS...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

Gasoline IIb (Stranger than Paradise) - 1999 Edition of 10, 39x37cm. Archival C-Print, based on a Polaroid Artist inventory Number 270b. Not mounted. Stefanie Schneider: A Germa...

The Argument (The Princess and her Lover), 2007 Edition of 10, 20x24cm. Archival C-Print based on a Polaroid. Signature label and Certificate. Artis...

Left to right: Brando Crespi and daughter Chloe, with his sister Pilar Crespi Echavarria and her son Sebastian, at Monte Argentario Polo Club, Porto Ercole, Tuscany, Italy, September...

Left to right: Brando Crespi and daughter Chloe, with his sister Pilar Crespi Echavarria and her son Sebastian, at Monte Argentario Polo Club, Porto Ercole, Tuscany, Italy, September...

Skiing Holiday, Gstaad, Switzerland, Estate Edition. Winter Portrait Photograph This late 1970s winter landscape photograph, captured by society photographer Slim Aarons, features A...

Skiing Holiday, Gstaad, Switzerland, Estate Edition. Winter Portrait Photograph This late 1970s winter landscape photograph, captured by society photographer Slim Aarons, features A...

Skiing Holiday, Gstaad, Switzerland, Estate Edition. Winter Portrait Photograph This late 1970s winter landscape photograph, captured by society photographer Slim Aarons, features A...

Skiing Holiday, Gstaad, Switzerland, Estate Edition. Winter Portrait Photograph This late 1970s winter landscape photograph, captured by society photographer Slim Aarons, features A...

Clay Lipsky's Atomic Overlook re-contextualizes a legacy of atomic bomb tests. In an attempt to keep a nuclear threat feeling contemporary and omnipresent, Lipsky introduces archival...

Left to right: Brando Crespi and daughter Chloe, with his sister Pilar Crespi Echavarria and her son Sebastian, at Monte Argentario Polo Club, Porto Ercole, Tuscany, Italy, September...

Viscountess Harriet de Rosiere at Mougins, near Cannes in France, 1957. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocra...

Series: Diamond Dust All available sizes & editions for each size of this photograph: 31" X 46.5" - Edition of 10 Diamond Dust Collection Diamond Dust is a glittering material t...

Girls of Foxcroft School, near Middleburg, Virginia wait at the stables for their horses. Foxcroft is considered to be the elite of America's private schools. Circa 1960 Slim Aarons...