Pillar Landscape Photography

The Washington Monument (1960) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) The Washington Monument seen from Lincoln Memorial Washington DC USA, ...

'Venice #7' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, pr...

Legendary photographer Slim Aarons relaxes in a self portrait shot in Athens, near the Acropolis. Slim Aarons said, "I love a solo holiday. It tends to refresh the part of oneself that is most depleted by modern life — patience. "Let me dispel a few myths. You will be lonely. No: you won’t. My solo travels in Paris have brought many perfect hours of being alone but not a moment of loneliness. People who depend on other people are often in hiding from themselves. Two and a quarter million people live in the City of Light: you will see many of them and you will pass them in the street, but when you see Notre Dame after dark and walk home and perhaps stop to have a drink in the Marais, you can feel that the only thing that is missing from your experience is the common dependency on someone to distract your attention. "I’ve had solo pints of Guinness in the pubs of County Kerry and County Cork. I’ve walked across the sage- and juniper-scented maquis of Corsica on a spring day, where you can still find the world of Napoleon’s childhood. More than once I went to the Isle of Iona in the Scottish Hebrides...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount.

40 x 80 inches ed. of 5 $8,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, ga...

After the Hail (Stay) 2005, 100x50cm, Edition of 10, digital C-Print, based on a 35mm analog Negative strip, signature label and certificate, artist Inventory No. 30002. Not mount...

Columns of the Parthenon vintage silver bromide print, 1929 Signed in pencil on mount: "Arnold Genthe, 1929" Illustrated: Arnold Genthe, As I Remember, Reynal & Hitchcock, NY, 1936, ...

Legendary photographer Slim Aarons relaxes in a self portrait shot in Athens, near the Acropolis. Slim Aarons said, "I love a solo holiday. It tends to refresh the part of oneself that is most depleted by modern life — patience. "Let me dispel a few myths. You will be lonely. No: you won’t. My solo travels in Paris have brought many perfect hours of being alone but not a moment of loneliness. People who depend on other people are often in hiding from themselves. Two and a quarter million people live in the City of Light: you will see many of them and you will pass them in the street, but when you see Notre Dame after dark and walk home and perhaps stop to have a drink in the Marais, you can feel that the only thing that is missing from your experience is the common dependency on someone to distract your attention. "I’ve had solo pints of Guinness in the pubs of County Kerry and County Cork. I’ve walked across the sage- and juniper-scented maquis of Corsica on a spring day, where you can still find the world of Napoleon’s childhood. More than once I went to the Isle of Iona in the Scottish Hebrides...

Venezia San Marco, Photograph is an original black and white photograph taken in the San Marco church in Venice, realized by Osvaldo Böhm. Signed on the ...

Legendary photographer Slim Aarons relaxes in a self portrait shot in Athens, near the Acropolis. Slim Aarons said, "I love a solo holiday. It tends to refresh the part of oneself that is most depleted by modern life — patience. "Let me dispel a few myths. You will be lonely. No: you won’t. My solo travels in Paris have brought many perfect hours of being alone but not a moment of loneliness. People who depend on other people are often in hiding from themselves. Two and a quarter million people live in the City of Light: you will see many of them and you will pass them in the street, but when you see Notre Dame after dark and walk home and perhaps stop to have a drink in the Marais, you can feel that the only thing that is missing from your experience is the common dependency on someone to distract your attention. "I’ve had solo pints of Guinness in the pubs of County Kerry and County Cork. I’ve walked across the sage- and juniper-scented maquis of Corsica on a spring day, where you can still find the world of Napoleon’s childhood. More than once I went to the Isle of Iona in the Scottish Hebrides...

Delirio Exótico #2 by Paloma Castello From Exotic Delirium series 32.6 in. H x 47.2 in. W x 0.1 in. D Collage Photographic print on cotton paper Edition: 3/5 + 1AP Unframed 2020 Ca...

Walhalla - Ratisbona 2003 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x ...

Contemporary sepia toned photograph of New York City's High Line, the iconic raised walkway in Manhattan's west side neighborhood 'High Line: Column' by James Bleecker archival pigme...

This vintage salt print is titled, attributed and annotated in lithographic ink on the front of the mount.

Hellenistic Columns  and Tourist - The Old Days  is a black and white vintage photo, silver salt print, realized in the Early 20th Century.  It belongs to ...

Venice , Limited edition archival pigment print , 2002 - Edition 2/5. This image was captured on film. The negative was scanned creating a digital file which is then printed o...

Walhalla - Ratisbona 2003 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x ...

Palazzo dei Cesari is a vintage print in salt silver realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions except for some foxing.

Self Portrait on Holiday in Athens, Greece, 1955 C-print 20 x 16 inches Slim Aarons (1916-2006) worked mainly for society publications photographing "attractive people doing attr...

Civilized Snooze, Self Portrait on Holiday in Athens, Greece, 1955 C-print 20 x 16 inches Slim Aarons (1916-2006) worked mainly for society publications photographing "attractive...

Delos Column #4, 2014 Chromogenic lambda print Edition of 10 30 x 20 inches Where light was born. It’s a UNESCO world heritage site. It’s an ark of history, floating lazily on the w...

Civilized Snooze, Self Portrait on Holiday in Athens, Greece, 1955 C-print 20 x 16 inches Slim Aarons (1916-2006) worked mainly for society publications photographing "attractive...

Delos Column #2 30 x 20 inches Edition of 10 20 x 16 inches edition of 20 Where light was born It’s a UNESCO world heritage site. It’s an ark of history, floating lazily on the wat...

Delos Column #4, 2014 Chromogenic lambda print Edition of 10 30 x 20 inches Where light was born. It’s a UNESCO world heritage site. It’s an ark of history, floating lazily on the w...

Delos Column #2 30 x 20 inches Edition of 10 20 x 16 inches edition of 20 Where light was born It’s a UNESCO world heritage site. It’s an ark of history, floating lazily on the waters of the Aegean Sea, just a few miles away from cosmopolitan Mykonos. It’s a chance to walk around the revival of the glory of the Greek civilization. It’s the head priest of the Cyclades, the birthplace of the immortals. In the ancient times, the myth of god Apollo, god of light, and goddess Artemis having been born there rendered the island sacred: no mortal would ever be allowed to be born on its land. But, a cradle of gods as the island has been, no mortals would ever be allowed to die on it either. So, apart from it being a conspicuous religious and economic centre, the island had also been exclusive in that: even during the years of peak of the Delian Alliance, women on the brink of childbirth and people close to dying would be carried to the neighbouring island of Rineia. The whole of the known world of that age was aware of the sacredness of the island and of its uniqueness. Lee Wells is a conceptual artist, independent curator and writer working in New York since 2000. His artwork and projects question systems of power and control and have been exhibited internationally, including the 51st Venice Biennale, 2nd Moscow Biennial, The Guggenheim Museum, NCCA Moscow, PS1/MoMA, and the 1st Mykonos Biennale. He has lectured on art, technology, and contemporary society at many schools and universities including: Columbia University, Princeton University, New York University, Carnegie Mellon University, School of Visual Arts, Museum of Fine Arts Boston, Moscow School of Photography, and others. His projects and exhibitions have been reviewed, publications include: The New York Times, The NY Observer, The Art Newspaper...