Plant Landscape Photography

'Bay of Poets' 2024 Cotton canvas print. A timeless monochrome Mediterranean landscape, captured with a large-format 4x5 film camera and developed in the artist’s studio. Printed ...

A large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Northern California's coastal redwood forest Redwoods Study II ...

Black and white fine art long exposure winter waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made ...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

Gerald Berghammer - Limited Edition 1/9. Silver Gelatin Prints, Selenium Toned, Printed 2019. Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archiva...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

Black and White Fine Art Landscape Photography. The Dark Hedges, unique beech tree avenue in Northern Ireland, film scene from games of thrones. Archival p...

Lindenlure is a color pigment ink photograph, limited edition, signed and numbered by Julie Blackmon. I guess my work is kind of a love letter to the ...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

Olive tree - Signed limited edition archival pigment print - Edition of 8 Photography : 2012 Bichromate print : 2012 Pigment print : 2020 Sunny photograph of an olive tree with ...

New as of Jan. 1, 2025. This is a brand-new addition to the artist's ever-growing series of foggy woods in northern California near San Francisco. These tall eucalyptus trees are the...

Jung LEE (*1972, South Korea) Hold Me Tight, 2014 C-Type Print 170 x 136 cm (66 7/8 x 53 1/2 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist born in 1972 Seou...

Black and white fine art landscape photography print. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Pr...

'Fern Forest II' is a bird's-eye view Archival Inkjet Print by photographer Morgan Silk. It is available in this size of 17" x 24" in a limited edition of 25. 'Fern Forest II' is ...

Aspen Study II by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

Aditya Dicky Singh, Untitled, Infrared photograph on fine-art Hahnemuhle archival paper, 64" x 42.7" *please note this artwork can be printed at any size so long as the ratio r...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Towering monterey pines lean into the blue mist of the valley beyond.These iconic Monterey Pines are in the woods across the bay from San Francisco. A larger framed edition of this ...

Black and white fine art landscape photography print. Winding path through the cypresses trees avenue in the beautiful Tuscany, Italy. Archival pigment ink print, edition of 9. Signe...

Black and white fine art cityscape - landscape photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity includ...

Black and white fine art landscape photography print. Single tree on giant stones in front of the forest, Mühlviertel, Austria. Archival pigment ink print, edition of 9. Signed, titl...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

Between the Trees 8 is a stunning Digital C-Type Print on Fuji Maxima Matte Paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in th...

'Wa-Kal-La' Archival photographic triptych. Limited Edition of 25. Hand signed and numbered, unframed. _________________ Reflected in the rippling surface of the Merced river, the ...

Black and White Fine Art American Landscape Photograph. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. ...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Photographer Ludwig Favre was born in Senlis, France in 1976. Favre ...

Black and White Fine Art landscape photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

The image, Aspen, Quiet Light, was made just after the conclusion of an intense week-long photography workshop. I went to one of my favorite aspen groves fully intending not to make ...

The beauty of nature's rhythm is captured in this black and white landscape photograph of a forest of Aspen trees by American photographer and film maker, John Henry Johnson (America...

Color fine art landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to order in limited editions on Hahnemuehle ...

Black and white fine art landscape photography print. Beautiful curved road with cypresses along the way in Tuscany, Italy. Archival pigment ink print, edition of 5. Signed, titled, ...

Beautiful black & white landscape photograph of forest trees and stream in the woods of Alaska, by Anchorage-based nature photographer George Provost (American, 20th Century). Hand signed and dated "George Provost 1989" lower right. Photograph is hand made from an 8x10 camera negative in a traditional "wet" darkroom, by the photographer. Mounted on white mat board. Unframed. Image size: 19"H x 15"W. Born in California, Provost grew up in the Bay Area. He has lived and worked in Alaska since 1987, specializing in large format, fine art, black and white photography. His work has been exhibited in over 60 exhibitions, received numerous awards, and is included in hundreds of collections, both public and private. George Provost was an Isle Royale...

Gerald Berghammer - Limited Edition 1/9. Silver Gelatin Prints, Selenium Toned, Printed 2018. Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archiva...

This vintage silver gelatin photograph, printed in the late 1920s on Kodak Vitava Athena paper, is signed in pencil beneath the image with a typeset title centered in the lower margi...

This silver gelatin print of one of Ansel Adams' most iconic images was printed by an assistant under Adams' supervision in the 1960s. It is signed in full by the artist in ink mount...

This vintage silver gelatin print is signed in pencil on the mount beneath the image. Printed in 1950 in an edition of 100 numbered copies and 5 presentation copies; this print is fr...

#10282-a Lake Erie, Buffalo, New York, USA 2011/2023 Signed in black ink, verso Archival pigment print 6 x 6 inches, sheet 5.25 x 2.25 inches, image This work is offered by CLAMP...

Signed on the front of the mount before his death. Special Edition Print.

A large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of Northern California's coastal redwood...

This rare photograph #28, taken during The Central Park Gates Project in 2005 by Christo and Jeanne-Claude, was never released to the public as the couple were not satisfied with the image. Every initial photograph, numbered #25 to #30, had to be retaken by their primary photographer, Wolfgang Volz. This copy is from the unpublished edition, making it a unique and highly collectible piece. The project, which consisted of 7,503 gates along 23 miles of pathways, transformed the park into a vibrant, immersive art...

'Spring Flood' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for an unframed print, edition 2/10. Richard Skoonberg is inspired by the work of Eliot Porter...

Vetyver Pool, photograph from Richard Heeps India series, The Ambassador's Window. On a journey through India, a pilgrimage from Kerala in the South, to his Grandfather's birthplace ...

Snow (Strange Love) - 2003 50x75.5cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print, based on a 35mm film. Signature label and certificate. Not mounted. A piece of Stefan...

Black and white fine art minimalist landscape photography. The dark hedges, mystical avenue of trees in north Ireland. Archival pigment ink print, edition ...

Lake Superior near Grand Marais, Michigan-- taken from a bluff. Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.

Color photography printed in high quality on matte photographic paper. The dimensions are 30 x 45 cm. Claudia Ferreiro (Santiago de Compostela, 1996) explores memory and identity l...

Hilltop, limited edition, archival pigment ink photograph, signed and numbered When looking at Julie Blackmon’s “Hilltop,” notice the elements that are in motion: the grass on the h...

Cafe De Flore (1948) - Silver Gelatin Fibre Print (Photo by John Downing/Getty Images) Horse riding on Rotten Row, in London's Hyde Park, circa 1965. ...

Black and White Fine Art Landscape Photography. Redwood Tree and Forest in Fog, National Park, California, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and nu...

a large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of the Northern California redwood forest Redwoods by Erik Pawassa...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

'Aspens, California' Master Edition (Unique artwork, 1 of 1). Archival photographic triptych . Hand signed and numbered. Unframed. _________________ Late afternoon light in Yosemit...