Portrait Landscape Photography

Beaton, Cecil & Daniela Palazzoli (Editor) Cecil Beaton – Portfolio, 1981; Electa Editrice Portfolios - LIMITED EDITION Milano, Italy: Electa Editrice Publishers, 1981. Limited Edition Portfolio. This is no. 785 out of an edtion of 1000. A portfolio of twelve heliogravure plates with tissue guard-leaves and limitation leaflet with preface. Housed in portfolio and slipcover, portfolio: 16 1/4 x 12 1/2 in (415 x 317 mm); each print approximately 8 5/8 x 6 5/8 in (220 x 170 mm). Subjects include Gary Cooper, 1930s; Buster Keaton, 1931; Marlene Dietrich, 1935; John Wiessmuller, 1933; Greta Garbo, 1946; Marlon Brando, 1947; Audrey Hepburn, 1954; Frank Sinatra, Sammy Davis Jr., Dean Martin in "High Society", 1956; Marilyn Monroe, 1952; Rudolf Nureyev, November, 1962; Edith Sitwell, 1962; and Pablo Picasso...

Audrey Swims Signed Limited Edition photo by Terry O’Neill 1966 Actress Audrey Hepburn, pictured in the South of France during the filming of ‘Two for the ...

Slim Aarons Funk In Tuscany, 1969 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Marta Marzotta playing a James Brown album on an Italian Brio...

Crushing - 2017, 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2017-792. Not mount...

'Sardinian Holiday' by Slim Aarons Limited Edition Estate Print limited to 150 only numbered in ink & emboss stamped. 40 x 30 " inches paper size Selvaggia Borromeo enjoys a ya...

Hilltop, limited edition, archival pigment ink photograph, signed and numbered When looking at Julie Blackmon’s “Hilltop,” notice the elements that are in motion: the grass on the h...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Christine's '52 Henry J & Teardrop Caravan, photograph by Richard Heeps, captured in the iconic home of speed, Bonneville Salt Flats. Just as the mountains contrast with the flatness...

Daisy and Austen in front of Trailer (Till Death do us Part) - 2005 Including Stefanie Schneider's signed monograph "Instantdreams". 64 pages, hardcover, published by Avenso, 2014. ...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

U. St. Yellowstone Park - Upper Geyser Basin - 23 September 1893 - is an original vintage b/w photo realized as part of a journey to Asia performed by...

Baby you can drive my Car (Bombay Beach) - 2019 80x80cm, Edition of 5 plus 2 Artist Proofs, Archival C-Print based on a Polaroid. Signed on the back ...

'Morning. Noon. Night' part of the series 'A girl called N.' 2019, 19x25cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a couple sunbathing by the sea at Palm Beach, Florida. This is an estate stamped and hand ...

The Lonely Skier  is a color vintage photo, realized in 1930s. Good conditions and aged. It belongs to a historical and nostalgic album incl...

Fairytale in Black and White, 2017, Edition 1/7 plus 2 Artist Proof. Digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL...

Rare René Magritte press photograph published on the occasion of a 1990 Magritte exhibition held at the world famous Pace/Macgill gallery New York. Silver-gelatin print. 8x10 inches...

Woman in Malibu II (Stranger than Paradise) - 1999 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid Certificate and Signature label, artist Inventory No. 315_2.26 No...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Caitlin aka Jane Bond (Heavenly Falls) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist ...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Radha Mind Screen (29 Palms, CA) - 2016 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory ...

Women of Palm Beach wearing designs by Lilly Pulitzer for a fashion shoot at 400 South Ocean Blvd., Palm Beach, Florida, 1964. Pulitzer is seen back row, third from left, Wendy Vande...

Slim Aarons Estate Print - Tina Onassis - Oversize 1958: Athina Livanos Onassis (Tina Onassis) the first wife of Greek shipowner Aristotle Onassis rela...

The Old Days - Woman with Donkey is a black and white vintage photo, realized in the early 20th century.  It belongs to historical album including historical moment, royal families,...

Stefanie Schneider's Mini Daisy in front of Trailer (Till Death do us Part) signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid sized open Editi...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Distinguished Palm Beach Golfers 1959 Alfred Vanderbilt (background second from right), Sam Snead (golf cart driver) & George Plimpton (centre) playing Golf in Palm Beach. Samuel J...

On the Rocks (Long Way Home) - 1999, 80x79cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory # 253...

Asleep - 2017 Edition of 7 plus 2 Artist Proofs. Archival Print, based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2017-149. Not mounted. Kirsten Thys van den Audenaerde is a self-taught freelance photographer, based in Brussels. Early on in her career, she discovered a fascination with art nude photography and since then the human body in its purest form has played a mayor role throughout her work. In 2016, after becoming increasingly frustrated with digital perfection, an impulse buy of The Impossible Project’s I-1 camera changed her life. Never having heard of TIP before, she describes making that first Polaroid image as an instant love affair. Within weeks she had acquired several old Polaroid cameras...

Troubled Henry (Stay) with Ryan Gosling - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 5091. Not...

Mrs. Richards Darling, 2019 (diptych) [From the series Les Foxy Femmes] 20x20cm each, 20x45cm installed, Edition of 30. Archival pigment prints, based on two original Polaroids on...

Crushing - 2017, 80x80cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2017-792. Not mount...

'Untitled' (Oilfields) 2004, 60x60cm, Edition 4/10, Analog C-Print, based on a Polaroid Certificate and Signature label, artist Inventory No. 1220.04 Not mounted. OILFIELDS, 2004...

Max turning (Long Way Home) - 1999 58x56cm, Edition 3/10, analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signature label. Artist Inventory # 257.03. Not mounted. Stefanie Schneider at Alysia Duckler Gallery Berlin-based artist Stefanie Schneider enlarges expired Polaroid stock into burned-out C-prints. The lossy images almost completely dissolve into lurid color abstractions. The shiny pink of a sex kitten's glittery body suit becomes an electrified, free-floating color field. The vivid, flame-orange hair of a 70's sexploitation film star vibrates against the dusty gray of the sky above an LA desert. Skin tones and facial details in the figures are completely lost. They are refugees from Faster Pussycat...

Slim Aarons Estate Print - The Fullers - Oversize Alvin and Lilly Fuller outside their new home in Palm Beach, Florida, pose with their fashionable European sports car, the Mercedes...

Field of Dreams (Sidewinder) - 2005 80 x 78 cm, Edition of 5, analog C-Print, hand-printed by the artist, based on the Polaroid, Artist Inventory 3131.02, Not mounted Stefanie ...

Stefanie Schneider's Minis Party's over (Oxana's 30th Birthday), 2008 featuring Radha Mitchell Signed and signature brand on verso. Lambda digital Color Photographs based on a Polar...

'Marilyn aka Jane Bond' (part 3) (Heavenly Falls) - 2016 20x20cm, Edition 8/10, Archival C-Print based on the Polaroid. Certificate and signature label. Artist inventory numbe...

Field of Dreams (Sidewinder), 2005 38.5 x 38 cm, Edition 2/5, analog C-Print, hand-printed by the artist, based on an original Polaroid. Signature label and Certificate. Artis...

'Renée's Dream' no. 7 (Days of Heaven), 26 x 32cm, 2005 digital C-Print, not mounted, Lumas Edition of 100, Artist Proof 4/4 based on a Polaroid Artist ...

The Prince (The Princess and her Lover), 2007, part of the 29 Palms, CA project, Edition of of 10, 20x20cm, digital C-Print based on a Polaroid, Signature label and Certificate, a...

Stand, 2017, Edition 2/7 Based on a Polaroid Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-156 Kirsten Thys van den Audenaerde is a ...

Stefanie Schneider's Minis American Pie (Oxana's 30th Birthday), 2008 featuring Radha Mitchell Signed and signature brand on verso. Lambda digital Color Photographs based on a Polar...

'Faith' 2015 digital C-Print, Edition 1/10, 20x30cm Signature label and Certificate. Not mounted. About Tao Ruspoli (born 7 November 1975) is an Italian-American filmmaker, photogra...

Slim Aarons Estate Print - Penthouse Pool - Oversize Young women by the Canellopoulos penthouse pool, Athens, July 1961. (Photo by Slim Aarons) Chromogenic print paper size 40 x 40" inches / 101 x 101 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. summer summery greece travel...

Fountain Head (Stay) - 2008 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5204 Not...

Slim Aarons Estate Print - Bad Luck Gloria 2nd April 1951: American actor Jose Ferrer (1912 – 1992) commiserates with Gloria Swanson after losing out in the contest for the Best Actress oscar, while the winner, Judy Holliday...

Suzanne Camp Crosby (American, 1948-2020) Enchanted Forest, 1989 Cibachrome Sight: 14 3/4 x 14 3/4 in. Framed: 23 x 22 x 7/8 in. Signed and inscribed bottom: 2/25, Suzanne Camp Crosb...

Slim Aarons Estate Print - Harriet At Mougins Viscountess Harriet de Rosiere at Mougins, near Cannes in France. (Photo by Slim Aarons) Chromogenic print paper size 12 x 12" inches / 30 x 30 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. france french high society 1950s 50s fashion...

New England Skiing Two women recline on improvised sunbeds in New Hampshire, 1955. Slim Aarons silver gelatine fibre based print Printed Later Slim Aarons Estate Edition Produce...

Silver and sepia tone photographic print of an indigenous spearfisher by Edward Sheriff Curtis, image circa 1901 (American, 1868-1952), as a 1974 copy of (and printed from negatives derived from) the original Edward Curtis copper gravure plate, by Jean-Antony du Lac (1929-2002). Curtis used a process he mastered of creating orotones, which are photographs on glass, which Jean-Anthony du Lac spent years mastering. Jean-Antony du Lac's work is considered that of a preservationist. Titled lower left, signed lower right. Presented in an aluminum frame with anti-glare glass. Paper size: 20"H x 15"W Born in France and raised in New York City, Jean-Anthony du Lac moved west to San Francisco in 1957. Jean was an accomplished photographer whose published credits include Life Magazine and the San Francisco Examiner. He spent many years reproducing Edward S. Curtis' images of North American Indians; and he mastered the process of creating orotones, which are photographic reproductions on glass. Jean's orotones appeared on the walls of the Smithsonian as well as the White House during the Carter and Reagan administrations. A preservationist, his reproduction of Edward Muybridge...

Motorcycling Lord Lord Hesketh, Minister of State at the Department of Trade and Industry, by the lake in the grounds of his family estate Easton Neston House, Northamptonshire with...

Skiing in Stowe, Vermont C print 30 x 30 inches Two women in knitwear, leaning on ski sticks, while standing in the Stowe Mountain ski resort in Stowe, Vermont, 1962. Behind the two...

Max and Radha sitting on Rock (Long Way Home), 1999 sold out Edition of 5, Artist Proof 2/2, digital C-Print based on a Polaroid Certificate and Signature label artist Inventory Nr. ...

Zephyr At Night - Oversize Limited Edition Signed Edition size 100 only 40x30" inches / 101 x 76 cm paper size by Irie Wata Surrealist artist surr...

Slim Aarons Estate Print - Pulitzer On The Beach - Oversize Patsy Pulitzer (nee Patsy Bartlett) at Palm Beach, Florida, circa 1955. (Photo by Slim Aarons) silver gelatin print paper size 30 x 30" inches / 76 x 76 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. b/w black and white beach...