Portrait Landscape Photography

Audrey Swims Signed Limited Edition photo by Terry O’Neill 1966 Actress Audrey Hepburn, pictured in the South of France during the filming of ‘Two for the ...

Slim Aarons Estate Print - Pulitzer On The Beach - Oversize Patsy Pulitzer (nee Patsy Bartlett) at Palm Beach, Florida, circa 1955. (Photo by Slim Aarons) silver gelatin print paper size 30 x 30" inches / 76 x 76 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. b/w black and white beach...

Slim Aarons Funk In Tuscany, 1969 C print Estate stamped and numbered edition of 150 with Certificate of authenticity Marta Marzotta playing a James Brown album on an Italian Brio...

Hilltop, limited edition, archival pigment ink photograph, signed and numbered When looking at Julie Blackmon’s “Hilltop,” notice the elements that are in motion: the grass on the h...

Beaton, Cecil & Daniela Palazzoli (Editor) Cecil Beaton – Portfolio, 1981; Electa Editrice Portfolios - LIMITED EDITION Milano, Italy: Electa Editrice Publishers, 1981. Limited Edition Portfolio. This is no. 785 out of an edtion of 1000. A portfolio of twelve heliogravure plates with tissue guard-leaves and limitation leaflet with preface. Housed in portfolio and slipcover, portfolio: 16 1/4 x 12 1/2 in (415 x 317 mm); each print approximately 8 5/8 x 6 5/8 in (220 x 170 mm). Subjects include Gary Cooper, 1930s; Buster Keaton, 1931; Marlene Dietrich, 1935; John Wiessmuller, 1933; Greta Garbo, 1946; Marlon Brando, 1947; Audrey Hepburn, 1954; Frank Sinatra, Sammy Davis Jr., Dean Martin in "High Society", 1956; Marilyn Monroe, 1952; Rudolf Nureyev, November, 1962; Edith Sitwell, 1962; and Pablo Picasso...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

'Young Navajo at Baseball' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibitio...

Stand, 2017, Edition 2/7 Based on a Polaroid Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-156 Kirsten Thys van den Audenaerde is a ...

Stefanie Schneider's Minis American Pie (Oxana's 30th Birthday), 2008 featuring Radha Mitchell Signed and signature brand on verso. Lambda digital Color Photographs based on a Polar...

Christine's '52 Henry J & Teardrop Caravan, photograph by Richard Heeps, captured in the iconic home of speed, Bonneville Salt Flats. Just as the mountains contrast with the flatness...

The Prince (The Princess and her Lover), 2007, part of the 29 Palms, CA project, Edition of of 10, 20x20cm, digital C-Print based on a Polaroid, Signature label and Certificate, a...

Summer Picnic - Afternoon Outdoors in Nature by Natural Pond with Waterlilies shows a summer picnic afternoon outdoors on a grassy plain by a natural pond with waterlilies 16 x 20" ...

Radha Mind Screen (29 Palms, CA) - 2016 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory ...

Troubled Henry (Stay) with Ryan Gosling - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 5091. Not...

Alter Ego, 2017, Edition 2/7 Based on an original Impossible film Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2...

'Sardinian Holiday' Selvaggia Borromeo enjoys a yachting holiday on the Costa Smeralda in Sardinia, 1967. Gorgeous print measuring a very large 40 x 30 inches / ca 101 x 76 cm's....

'Morning. Noon. Night' part of the series 'A girl called N.' 2019, 19x25cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and...

Rare René Magritte press photograph published on the occasion of a 1990 Magritte exhibition held at the world famous Pace/Macgill gallery New York. Silver-gelatin print. 8x10 inches...

'Untitled' (Oilfields) 2004, 60x60cm, Edition 4/10, Analog C-Print, based on a Polaroid Certificate and Signature label, artist Inventory No. 1220.04 Not mounted. OILFIELDS, 2004...

New England Skiing, New Hampshire, 1955 - Winter Fashion in Snowy Landscape by Slim Aarons 16" x 16" image on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. ...

Women of Palm Beach wearing designs by Lilly Pulitzer for a fashion shoot at 400 South Ocean Blvd., Palm Beach, Florida, 1964. Pulitzer is seen back row, third from left, Wendy Vande...

Desert Fire, 2019 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2019-...

Zermatt Skiing, 1980 - Apres Ski Portrait of Skiers on Swiss Mountain Landscape by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Suzanne Camp Crosby (American, 1948-2020) Enchanted Forest, 1989 Cibachrome Sight: 14 3/4 x 14 3/4 in. Framed: 23 x 22 x 7/8 in. Signed and inscribed bottom: 2/25, Suzanne Camp Crosb...

'Renée's Dream' no. 7 (Days of Heaven), 26 x 32cm, 2005 digital C-Print, not mounted, Lumas Edition of 100, Artist Proof 4/4 based on a Polaroid Artist ...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Stefanie Schneider's Mini Daisy in front of Trailer (Till Death do us Part) signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid sized open Editi...

'Marilyn aka Jane Bond' (part 3) (Heavenly Falls) - 2016 20x20cm, Edition 8/10, Archival C-Print based on the Polaroid. Certificate and signature label. Artist inventory numbe...

Mrs. Richards Darling, 2019 (diptych) [From the series Les Foxy Femmes] 20x20cm each, 20x45cm installed, Edition of 30. Archival pigment prints, based on two original Polaroids on...

Moments in Time (Sidewinder) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #3331 Not mounted. Stef...

The Old Days - Woman with Donkey is a black and white vintage photo, realized in the early 20th century.  It belongs to historical album including historical moment, royal families,...

Silver and sepia tone photographic print of an indigenous spearfisher by Edward Sheriff Curtis, image circa 1901 (American, 1868-1952), as a 1974 copy of (and printed from negatives derived from) the original Edward Curtis copper gravure plate, by Jean-Antony du Lac (1929-2002). Curtis used a process he mastered of creating orotones, which are photographs on glass, which Jean-Anthony du Lac spent years mastering. Jean-Antony du Lac's work is considered that of a preservationist. Titled lower left, signed lower right. Presented in an aluminum frame with anti-glare glass. Paper size: 20"H x 15"W Born in France and raised in New York City, Jean-Anthony du Lac moved west to San Francisco in 1957. Jean was an accomplished photographer whose published credits include Life Magazine and the San Francisco Examiner. He spent many years reproducing Edward S. Curtis' images of North American Indians; and he mastered the process of creating orotones, which are photographic reproductions on glass. Jean's orotones appeared on the walls of the Smithsonian as well as the White House during the Carter and Reagan administrations. A preservationist, his reproduction of Edward Muybridge...

Harriet At Mougins Viscountess Harriet de Rosiere at Mougins, near Cannes in France. Paper size 12 x 12" inches / 30 x 30 cm Estate Stamped Collection Edition to 150 Photo by ...

Tina Onassis 1958: Athina Livanos Onassis (Tina Onassis) the first wife of Greek shipowner Aristotle Onassis relaxing by the swimming pool aboard thei...

Skiing in Stowe, Vermont C print 30 x 30 inches Two women in knitwear, leaning on ski sticks, while standing in the Stowe Mountain ski resort in Stowe, Vermont, 1962. Behind the two...

Holidaymakers on the Tuscan coast at the Hotel Il Pellicano, Porto Ercole, August 1969 Gorgeous print measuring 30 x 20" inches / ca 76.2 x 50.8 cm’s paper size. Estate Stamped C...

A woman drinking from a coconut underwater in the pool at Las Brisas Hotel in Acapulco, Mexico, February 1972. 60 x 40 inches $3950 40 x 30 inches $3360 ...

The Lonely Skier  is a color vintage photo, realized in 1930s. Good conditions and aged. It belongs to a historical and nostalgic album incl...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Desert born and raised, fashion photographer Natasha Wilson...

'Faith' 2015 digital C-Print, Edition 1/10, 20x30cm Signature label and Certificate. Not mounted. About Tao Ruspoli (born 7 November 1975) is an Italian-American filmmaker, photogra...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a couple sunbathing by the sea at Palm Beach, Florida. This is an estate stamped and hand ...

Satin Seduction Film star Diana Dors in blonde bombshell pose on a satin covered bed. 48x48" inches / 122 x 122 cm paper size Estate Stamped Collection Edition to 150 Photo b...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Skiing Holiday, Gstaad, Switzerland, Estate Edition. Winter Portrait Photograph This late 1970s winter landscape photograph, captured by society photographer Slim Aarons, features A...

Mulholland Drive - 2016 Edition 1/7. 40x60cm. Archival Color Print on Pearl photo paper, based on the Polaroid. Signed on the back with Certificate. Not mounted. The last 2 ...

A woman running towards the ocean on a beach in Bermuda, 1957. The bather wears a vintage coral red swimsuit, which provides a pop of color against the sun-dappled turquoise waves. F...

Francine Brandt by a swimming pool in Acapulco, Mexico, January 1961. Slim Aarons Francine Brandt Chromogenic Lambda print Slim Aarons Estate Edition Complimentary dealer shipping t...

Three Girls X (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Ar...

Lost Love (The Princess and her Lover) - 2008 40x50cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #7054. Not mou...

Every evening on Frenchmen Street in New Orleans groups of young men, the Young Fellaz, create a wall of beautiful noise. Playing their battered brass for all they are worth... a rau...

Three Girls IV (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...

'Melancholia' (Bombay Beach) 2019, 20x20cm, Edition 2/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist invent...

Mike BRODIE (*1985, USA) #0924, from the series A Period of Juvenile Prosperity, 2006-2009 C-Print Sheet 43,18 x 60,96 cm (17 x 24 in.) Edition of 7, plus 3 AP; Ed. no. 3/7 About Mike Brodie: Claiming inspiration from “old-school American values mixed with a little punk-rock idealism,” Mike Brodie, aka The Polaroid Kidd, hopped trains across the U.S. for seven years, documenting his friends, lovers, and travels with a Polaroid and a 35-millimeter camera and amassing a critically acclaimed body of images. Like a 21st-century Jack Kerouac, replacing pen with pictures, Brodie rode the railways with a motley crew...

Apris Ski, 1968 Chromogenic Lambda Print Estate edition of 150 The apres-ski and outdoor cocktails in Zermatt, Switzerland, March 1968. Estate stamped and hand numbered edition of...

Edition of 15 more sizes on request A black and white image of wild elephant babies playing together in the tall grass in Amboseli National Park in Keny...

Finnish Photographer Christoffer Relander’s We Are Nature series blurs the line between the natural world and the human form to such a degree that it is impossible to tell where one ...

A woman running towards the ocean on a beach in Bermuda, 1957. The bather wears a vintage coral red swimsuit, which provides a pop of color against the sun-dappled turquoise waves. F...

A woman running towards the ocean on a beach in Bermuda, 1957. The bather wears a vintage coral red swimsuit, which provides a pop of color against the sun-dappled turquoise waves. F...

Talking in your Sleep (Bombay Beach) - 2023 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist inventor...

Wild Things (Till Death do us Part) - 2008 20x24cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #9503 Not mounted....