Sea Landscape Photography

C-print mounted on Plexiglass Edition of 30

The Mouth of the Okarito River and the Tasman Sea, New Zealand, Autumn 2018 Signed and inscribed with title and date on reverse Archival pigment print 35.5 x 25.75 inchess Edition of...

"Blue Ridge Mountains" Photography 30" x 40" inch Edition of 24 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2012 ABOUT Rob Woodcox ...

Palm Beach native and grandson of iconic fashion designer Lilly Pulitzer, Chris Leidy grew up with a deep admiration for the ocean and aquatic life and has made his mark as a world-r...

Also available 50 x 70 in. $9,500, edition of 10. Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT a...

A photograph by John Pfahl. "Australian Pines, Fort DeSoto, Florida (February 1977)" from the Altered Landscape Series, is a landscape photograph, altered by adding little bits of hu...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She received degrees from Georgetown University and the Corcoran College of Art. Hadley was named one of the “jeunes talents” by Le Monde in 2014. She has had solo exhibitions at the Griffin Museum of Photography, the Loyola Museum of Art, Richard Levy Gallery...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She received degrees from Georgetown University and the Corcoran College of Art. Hadley was named one of the “jeunes talents” by Le Monde in 2014. She has had solo exhibitions at the Griffin Museum of Photography, the Loyola Museum of Art, Richard Levy Gallery...

Ed. 3/10, includes white frame. "Wave Dancing" is part of Christophe von Hohenberg's ongoing series of minimal, dreamlike images captured on the beaches of America’s Northeastern sh...

Also available 50 x 70 in. $9,500, edition of 10. Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT an...

This Water series comes out of Schmidt's life long fascination with water and the color blue. Having grown up in Greece as the daughter of an archeologist, Schmidt spent 3 months ...

Artist

This image is from Sarah Hadley's series Lost Venice. Each photograph is hand printed on Canson Baryta Paper, and is signed and editioned by the artist. Sarah Hadley is a Los Angel...

AP 1, includes white frame. "Baiser de Soleil" is part of Christophe von Hohenberg's ongoing series of minimal, dreamlike images captured on the beaches of America’s Northeastern sh...

Museum Edition AP 1 Signed, titled, dated and numbered by Esteban Pastorino Diaz Photograph is light jet print mounted on dibond with acrylic facemount, wall mount on back. Printed 2...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts a man-made island was built as a quarantine station to house immigrants arriving at Ellis Island wit...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts an aerial view of the private Rat Island. In 2016, Alex Schibli (the Swiss owner) placed a statue Wi...

Un double reflet en or sur une rivière près de Budapest Photographie prise par Bellec lors d'un séjour à Budapest, Hungaria.

30"x40" limited edition photograph, edition 1/5. This photograph depicts Rat Island and is featured in the series, "Islands of New York". Emerald green waters surrounds this small island in New York. In 2016, Alex Schibli, the Swiss owner of this private island, placed a statue William Tell on the island (it is currently laying on its side waiting to be reinstalled upright). The statue is a reproduction of a monument located in Altdorf, Switzerland, that honors him as a freedom fighter. Phillip Buehler is a New York based photographer who documents the deterioration and remnants of neglected architecture constructed in the recent past. In the series “No Man is an Island...” Buehler has photographed the historic, and also often forgotten islands, around New York City. Some of them, like Ellis Island, loom large in their impact on history, culture and existence in the national identity. Others, like “Rat Island,” a privately-owned 2.5 acre islet north of The Bronx, with an unusual statue...

Edition of 5 Signed, titled, dated and numbered on artist label on verso. Acrylic face mounting included. Esteban Pastorino Diaz is a South American photographer, born in 1972, in B...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

Syoin KAJII (*1976, Japan) KAWA 039-040, 2010 Lambda Print with Diasec Face, Diptych Sheet 56 x 168 cm (22 x 66 1/8 in.) Edition of 6 (#1/6) Framed About KAWA: Buddhist monk Kajii ...

Syoin KAJII (*1976, Japan) NAMI_HK05, 2023 Lambda Print with Diasec Face Also available as a Diptych (two works) Sheet 56 x 84 cm (22 x 33 1/8 in.) Edition of 6; Ed. no. 1/6 About ...

Syoin KAJII (*1976, Japan) NAMI_HK02, 2023 Lambda Print with Diasec Face Also available as a Diptych (two works) Sheet 56 x 84 cm (22 x 33 1/8 in.) Edition of 6; Ed. no. 1/6 About ...

Syoin KAJII (*1976, Japan) NAMI_HK04, 2023 Lambda Print with Diasec Face Also available as a Diptych (two works) Sheet 56 x 84 cm (22 x 33 1/8 in.) Edition of 6; Ed. no. 1/6 About ...

Syoin KAJII (*1976, Japan) NAMI_HK01, 2023 Lambda Print with Diasec Face Also available as a Diptych (two works) Sheet 56 x 84 cm (22 x 33 1/8 in.) Edition of 6; Ed. no. 1/6 About ...

"Wing" 30"x45" photograph - edition 4/5 (unframed) please inquire about additional editions and availability This iconic photograph is from the artist's series: "Brace For Impact: ...

'Amalfi' by DJ Leon depicts the iconic Italian city on the Mediterranean Sea and its beach clubs in blue, orange, white, red and grey. Self taught photographer, D...

c. 44 x 55 inch archival pigment print. Edition of 15 (includes several different sizes - please inquire). Signed, titled, dated and editioned on frame label provided. Shipping cost...

c. 44 x 55 inch archival pigment print. Edition of 15 (includes several different sizes - please inquire). Signed, titled, dated and editioned on frame label provided. Shipping cost...

c. 44 x 55 inch archival pigment print. Edition of 15 (includes several different sizes - please inquire). Signed, titled, dated and editioned on frame label provided. Luca Campigo...

Water photography - abstract feel - close up of blue hues. About the Artist: Known for his large format prints of equestrian portraits and stun...

Dominique TEUFEN (*1975, Switzerland) Rainyday, 2013 From the series „Sterne? Kopierter Staub” Hanemühle Fine Art Baryta Sheet 40 x 60 cm (15 3/4 x 23 5/8 in.) Edition of 5, plus 2 A...

Dominique TEUFEN (*1975, Switzerland) Riverbed, 2014 From the series „Sterne? Kopierter Staub” Hanemühle Fine Art Baryta Sheet 40 x 60 cm (15 3/4 x 23 5/8 in.) Edition of 5, plus 2 A...

Syoin KAJII (*1976, Japan) Untitled, from the TSUKI Series (No. 003), 2011 Lambda Print with Diasec Face 70 x 70 cm (27 1/2 x 27 1/2 in.) Edition of 6; Ed. no. 1/6 Print only About ...

Syoin KAJII (*1976, Japan) Untitled, from the TSUKI Series (No. 002), 2011 Lambda Print with Diasec Face 70 x 70 cm (27 1/2 x 27 1/2 in.) Edition of 6; Ed. no. 2/6 Print only About ...

Syoin KAJII (*1976, Japan) NAMI_018, 2004 Lambda Print with Diasec Face Also available as a Diptych (two works) 56 x 84 cm (22 x 33 1/8 in.) Edition of 6; Ed. no. 2/6 About NAMI: NAMI is a series of photos of waves around the shores of Sado Island in Japan. The photographer, a young Buddhist monk named Syoin Kajii, watches the water patiently, waiting for a moment of surprise. The photographs are truly stunning. The artist captures the power and dynamism of the ocean and waves, a stark contrast to the tranquil seascapes by Sugimoto. By carefully gauging the speed of the wind and level of the wave, he waits for nature to create the image. These works are close ups, the artist is practically in the water. Syoin Kajil is the winner of the first Foil Award, for which the prize is the publication of NAMI. About Syoin Kajii: Born in Niigata, Japan, Kajii currently lives and works as a artist and Buddhist monk on Sado Island. Syion Kajii, graduated from Koyasan University in Mikkyo, in esoteric Buddhism, in 1999. He has been taking photographs since the age of 16, and after having served his Buddhist apprenticeship at Koyasan (Mt. Koya) from 1995 to 1999, Kajii travelled around the world, to places such as Vietnam, Cambodia, Thailand, Papua New Guinea, and the U.K. taking pictures. While working as a monk of the Singon sect in Sado Island, he has been actively working as a photographer. In 2004 he was awarded the 1st FOIL Award for his series of pictures in which he took a succession of waves on a shore in Sado. Following the FOIL Award, he published his first photo book NAMI and was awarded the Rookie of the Year 2005 by The Photographic Society of Japan for this overwhelmingly energetic and spiritual...

Syoin KAJII (*1976, Japan) NAMI_026, 2004 Lambda Print with Diasec Face 56 x 84 cm (22 x 33 1/8 in.) Edition of 6; Ed. no. 3/6 About NAMI: NAMI is a series of photos of waves around the shores of Sado Island in Japan. The photographer, a young Buddhist monk named Syoin Kajii, watches the water patiently, waiting for a moment of surprise. The photographs are truly stunning. The artist captures the power and dynamism of the ocean and waves, a stark contrast to the tranquil seascapes by Sugimoto. By carefully gauging the speed of the wind and level of the wave, he waits for nature to create the image. These works are close ups, the artist is practically in the water. Syoin Kajil is the winner of the first Foil Award, for which the prize is the publication of NAMI. About Syoin Kajii: Born in Niigata, Japan, Kajii currently lives and works as a artist and Buddhist monk on Sado Island. Syion Kajii, graduated from Koyasan University in Mikkyo, in esoteric Buddhism, in 1999. He has been taking photographs since the age of 16, and after having served his Buddhist apprenticeship at Koyasan (Mt. Koya) from 1995 to 1999, Kajii travelled around the world, to places such as Vietnam, Cambodia, Thailand, Papua New Guinea, and the U.K. taking pictures. While working as a monk of the Singon sect in Sado Island, he has been actively working as a photographer. In 2004 he was awarded the 1st FOIL Award for his series of pictures in which he took a succession of waves on a shore in Sado. Following the FOIL Award, he published his first photo book NAMI and was awarded the Rookie of the Year 2005 by The Photographic Society of Japan for this overwhelmingly energetic and spiritual book...

Anthony FRIEDKIN (*1949, America) Powder Wave, Jalama Beach, Santa Barbara, California, U.S.A., 2008 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) Edition of 25, Ed....