Shorts Landscape Photography

'Guy with Beatbox' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibition, 'Mich...

Gasoline II (Stranger than Paradise) 1999 - 3 pieces, each 50x50cm, installed 50x170cm including gaps. sold out Edition of 150, Artist Proof 4/5. Archival C-Prints, based on 3 Po...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Handball In Central Park (1948) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) A group of young men playing handball at a court in the 95th Street playground, Central ...

'Guy with Beatbox' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the 2024 posthumous solo exhibition, 'Mich...

We present a new series of art photography featuring another city and its architectural beauty. We work with photographers internationally to curate city landscapes that tells a sto...

Daisy and Austen in front of Trailer (Till Death do us Part) - 2005 Including Stefanie Schneider's signed monograph "Instantdreams". 64 pages, hardcover, published by Avenso, 2014. ...

'Sardinian Holiday' by Slim Aarons Limited Edition Estate Print limited to 150 only numbered in ink & emboss stamped. 40 x 30 " inches paper size Selvaggia Borromeo enjoys a ya...

Field of Dreams (Sidewinder) - 2005 80 x 78 cm, Edition of 5, analog C-Print, hand-printed by the artist, based on the Polaroid, Artist Inventory 3131.02, Not mounted Stefanie ...

Stefanie Schneider's Mini Daisy in front of Trailer (Till Death do us Part) signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid sized open Editi...

Field of Dreams (Sidewinder), 2005 38.5 x 38 cm, Edition 2/5, analog C-Print, hand-printed by the artist, based on an original Polaroid. Signature label and Certificate. Artis...

Slim Aarons Estate Print - Tina Onassis - Oversize 1958: Athina Livanos Onassis (Tina Onassis) the first wife of Greek shipowner Aristotle Onassis rela...

Lake Tahoe Ladies A group of young women in their bathing suits on the Nevada side of Lake Tahoe, 1959. Slim Aarons Archival Pigment Print. Printed 2024. Slim Aarons Estate Edition...

Majorettes on Parade by Michael Ormerod is a 24" x 34" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 posthumous s...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Slim Aarons Estate Print - Pulitzer On The Beach - Oversize Patsy Pulitzer (nee Patsy Bartlett) at Palm Beach, Florida, circa 1955. (Photo by Slim Aarons) silver gelatin print paper size 30 x 30" inches / 76 x 76 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. b/w black and white beach...

January 1970: The Kaufmann Desert House in Palm Springs, California, designed by Richard Neutra in 1946 for businessman Edgar J. Kaufmann and now owned by Nelda Linsk (right, in yell...

Guests by the pool at Nelda Linsk's desert house in Palm Springs, January 1970. The house was designed by Richard Neutra for Edgar J. Kaufmann Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Poolside Party...

American film star Kirk Douglas water-skiing in the sunshine at the Eden Roc annex to the Hotel du Cap d'Antibes on the French Riviera, August 1969. Aa...

January 1970: The Kaufmann Desert House in Palm Springs, California, designed by Richard Neutra in 1946 for businessman Edgar J. Kaufmann and now owned by Nelda Linsk (right, in yell...

Slim Aarons Cushing and Neri 1973 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. ...

JOAQUIM NABUCO Geometria carioca, Rio sem cor 6, Rio de Janeiro, Brazil, 2018 36 x 63 inches Edition of 15 Archival Pigment Print UNFRAMED Limited edition print. Signed, numbered, ...

Three Girls IX (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...

Stefanie Schneider's Minis Gasoline II (Stranger than Paradise), 1999 Signed and signature brand on verso. Lambda archival Color Photographs based on the original Polaroid. Sandwich...

Three Girls VIII (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. ...

Slim Aarons Estate Print - Seaplane At Palm Beach Patsy Pulitzer (nee Patsy Bartlett) leaning against a seaplane belonging to the Everglades Fl...

Majorettes on Parade by Michael Ormerod is an 8" x 10" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 posthumous s...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1305. N...

Mulholland Drive - 2016 Edition 1/7. 40x60cm. Archival Color Print on Pearl photo paper, based on the Polaroid. Signed on the back with Certificate. Not mounted. The last 2 ...

Frozen I (Stranger than Paradise) - 2001 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Daisy and Austen in front of Trailer (Till Death do us Part) - 2005 Including Stefanie Schneider's signed monograph "Instantdreams". 64 pages, hardcover, published by Avenso, 2014. ...

Guests by the pool at Nelda Linsk's desert house in Palm Springs, January 1970. The house was designed by Richard Neutra for Edgar J. Kaufmann Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Poolside Party...

Three Girls X (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Ar...

Three Girls VII (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. ...

Three Girls VI (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...

Step into the world of 1970s elegance with this extraordinary Slim Aarons photograph. Taken in January 1970, it encapsulates the essence of vintage 1970s glamour at a pool party at Nelda Linsk's iconic desert house in Palm Springs, California. This vibrant image captures the scene with guests adorned in quintessential desert glamour and sportswear, draped in hues of pastel greens, purples, crisp white crochet, and vivid yellow. They are gathered around a picturesque turquoise pool, a pastel parasol umbrella, and a vintage dining set, creating a perfect snapshot of the era's chic sophistication. This newly released sister image to the iconic Poolside Glamour features Lita Baron and Nelda Linsk, cultural patron and wife of prominent art dealer Joseph Linsk, mingling around a striking set of bronze sculptures. At the heart of the party is former fashion model Helen Dzo Dzo, spotlighted in a stunning white crochet outfit...

'Wonder Valley View' (The Girl behind the White Picket Fence) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist In...

Guests by the pool at Nelda Linsk's desert house in Palm Springs, January 1970. The house was designed by Richard Neutra for Edgar J. Kaufmann. Slim Aarons Estate Edition, Certific...

Three Girls V (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Ar...

Guests by the pool at Nelda Linsk's desert house in Palm Springs, January 1970. The house was designed by Richard Neutra for Edgar J. Kaufmann Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Poolside Party...

Cadiz - Signed limited edition archival pigment print, Edition of 10 This image was captured on film. The negative was scanned creating a digital file which was then printed on...

Hotel Chelsea, New York 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 26.6 in H x 40 in W Edition of 10 + 2AP *Extra Large size available in Edition of 3 (by special order) These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. American photographer Victoria Cohen...

Posing I (Wastelands) - 2004 20x20cm, Edition 1/5, Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate artist inventory number: 11...

Holding on Tight (Chicks and Chicks and sometimes Cocks) - 2016 Edition of 10, 49x58cm, Archival C-Print, based on the Polaroid Artist inventory 19522.02 Not mounted. Signature la...

Young and Unaccountable (Wastelands), Edition 1/5 , 38 x 37 cm, 2003 analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, Artist inventory N...

Family 20x30cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Medium format Negative. Signed on back with Certificate. Not mounted.

'Three Girls II' (Last Picture Show), 2006, 20x20cm, Edition 8/10, digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory No 714.16, not mounted ...

S. Nicolao is a black and white vintage photo, realized in 1960s, by Glauco Cortini. The photo depicts the men working in the fortress. Good conditions and aged. It belongs to a h...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Due to currency fluctuations prices may change. Young and... is a vibrant C-Type Print by contemporary photographer Ben Thomas...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Desert born and raised, fashion photographer Natasha Wilson...

Holding on Tight (Chicks and Chicks and sometimes Cocks) - 2016 Edition of 10, 100x120cm, digital C-Print, based on a Polaroid Artist inventory 19522. Not mounted. Signature labe...

'Sardinian Holiday' by Slim Aarons Limited Edition Estate Print limited to 150 only numbered in ink & emboss stamped. 40 x 30 " inches paper size Selvaggia Borromeo enjoys a ya...

The photographers note regarding this work is "A girl taking water from a well at Allenstein in East Prussia, Germany 1930s" This work comes to you as a new Fine Art Print on Hahnem...

My feet under Water, 2006 50 x 75 cm, Edition of 1/5 plus 2 Artist Proofs. Digital Photography printed on Canson Barita 310gr (not mounted) Signed on back with Certificate. About my...

Wandering - switched off - (Wastelands), Edition 4/5, 57x56cm, 2003, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, Artist inventory...

Stefanie Schneider's Minis 'Runaway' (Haley and the Birds) 2013 signed and signature brand on verso Lambda digital Color Photographs based on a Polaroid Polaroid sized open Editions...

Guests by the pool at Nelda Linsk's desert house in Palm Springs, January 1970. The house was designed by Richard Neutra for Edgar J. Kaufmann Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Poolside Party...

American actress Lanita Kent takes to the dance floor at a party hosted by Jim Kimberly at the Everglades Club in Palm Beach, Florida, April 1968. Slim Aarons Boogie Dancer 1968 C-...