Ink Photography

Large scale original photograph from Reuben Wu's long-exposure series LUX NOCTIS, capturing ephemeral light drawings against the nighttime skies to create otherworldly landscapes, an...

Music has always been a passion for David Bailey. As a teenager, he played the trumpet, thinking for a while that music - rather than photography - might be his future. Among his musical heroes is Miles Davis...

Bright, Maximalist style still life photograph of purple and green flowers and yellow lights against a black background Archival digital print, made to order 24 x 24 inches, edition ...

Black and white fine art long exposure waterscape - landscape photography. Mountain stream with waterfall in the Scottish highlands. Archival pigment ink print, edition of 7. Signed,...

Original museum grade exhibition prints on acid-free archival luster paper. These are the highest quality NASA prints ever produced. Edition of 250. *This print can be hung vertic...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 36" x 53" unframed (92cm x 135cm) 2017 Edition 1/10 *Should you wish the photograph to be...

The ungovernable nature of water provides a balance between order and chaos. The photographer can compose the general nature of a photograph of a nude swimmer, but the exact results ...

Archival digital scanograph 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

An underwater photograph of a naked young women with dark hair on red background. The pool is built in the garden and you can see bright green trees and blue sky through the water su...

photo-eye Gallery is very excited to share new works from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Lo...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Colorful, Maximalist style floral still life photograph of pink, green, yellow, and cream colored flowers and succulents Archival digital print, made to order 24 x 24 inches, editio...

10 x 10 inch image on 11 x 17 inch paper, $900 unframed All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks available in editions of 25 in...

This striking underwater nude photograph captures dramatic movement against a pure black backdrop, where flowing crimson fabric creates dynamic contrast with pale forms. The composit...

This striking underwater nude photograph captures dramatic movement against a pure black backdrop, where flowing crimson fabric creates dynamic contrast with pale forms. The composit...

"Not from Hollywood" Nude Photography 36" x 24" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fin...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2017 Edition 3/8 *Should you w...

Black and white fine art long exposure waterscape - landscape photography print. Rocks in the surf at the Atlantic Ocean in France. Archival pigment ink print, edition of 9. Signed, ...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 5. All Gerald Berghammer prints are made to orde...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Gerald Berghammer - Limited edition of 7. Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white ...

Contemporary color photograph of the interior of an abandoned theater 35 x 25 inches unframed 41.5 x 31.5 inches in white wood frame with AR non-glare glass This contemporary photograph of an abandoned theater interior was captured by New York based photographer, Elliott Kaufman, in 2005. Here the artist highlights the beautiful fading facade of the once renowned Capitol Theater in New London, CT. The photograph is complimented with a custom white wood frame measuring 41.5 x 31.5 inches. There is wiring on the back for installation. About the series: Elliott Kaufman conveys the haunting magnificence of forgotten buildings in the Abandoned series. Architectural marvels once home to heartbreaking operas, spectacular gatherings, or a loving family now sit vacant and linger in fading memories of the past with each new crack of paint, crumbling brick, or falling beam. Through his lens, Kaufman captures the remnants of these majestic structures, romanticizing what once was for viewers in the present day. This series won 2nd place in the ASMP National Competition. Exhibitions: 2014 Carrie Haddad Gallery: Water Pictures : December 18th thru January 2015. 2014 International Center of Photography, Juried Group Faculty Show: Photographs in the Social Landscape 2013 Carrie Haddad Gallery, Hudson, NY. Group Show: Street Dance Series 2012 Carrie Haddad Gallery, Hudson, NY. Group Show : Time Transformations 2012 The Hudson Studio, Hudson, NY.: Solo Show : Abandoned Architecture. 2011 Garrison Art Gallery, Juried Group Show 2010 Alan Klotz Gallery, Group Show on the 400th Anniversary of the Hudson River. 2009 Through the Eyes of Others Photographs of India...

An underwater photograph of a naked young women with dark hair on red background. The pool is built in the garden and you can see bright green trees ...

Lucas Museum in Construction, Los Angeles, 2024 by Roberta Fineberg (RF) 14 x 30 in. archival pigment print For the Lucas Museum in Construction, Roberta Fineberg translates her vis...

Aditya Dicky Singh Untitled photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2016 Edition 1/8 *Should you wish the photograph to be printed at a different size for a specific project, we are happy to discuss this. Please message with your request. This would still be Edition 1/8 Dicky Singh's images have enthralled many and have given him a following worldwide. Institutions and individuals alike seek out his knowledge on wildlife and habitats. He has lent his expertise to BBC, National Geographic and many very well-known wildlife photographers. He has been photographing and documenting generations of families of Tigers, learning behaviours and understanding their role in the wider context of the Forest at Ranthambhore National Park in India. His knowledge is vast, not only of big cats but the other flora and fauna that co-exist special places. In 2016 he was asked to lead a photography, conservation expedition to Kenya. This powerful image shows a lone female...

Black and white fine art panorama photography. Row of breakwaters in the sea in front of the beach of Sylt island, Germany. Archival pigment ink print, edition of 9. Signed, titled, ...

A contemporary collectible (sold at Sothebys) color photograph printed on Baryta paper, 13” x 19" (sheet size), Double Helix by RF is an archival pigment print signed, dated, titled ...

Nick Vedros Ronald Reagan Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1976 Size: 13x10in Editi...

Framed aerial landscape photograph of pine green forest and warm yellow sunset ''Autumn Tamaracks & Sunset' Archival digital print, Edition of 25 Image size 18 X 12 inches unframed ...

Nick Vedros Montana Man Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provided...

Large format observation of a California Redwoods grove, capturing the colors and lush flora of the iconic biosphere in mesmerizing details Redwoods (2010) by Erik Pawassar is offer...

This is an archival pigment print depicting an abstracted still life printed on Hahnemuhle Photo Rag 308 gsm by artist Paul Cava. It is from the "Table Top" series, which is one of t...

Heather Hollis Pink Perception (Floral, Pink, Soft, Warm, Spring, Summer) Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2025 Size: 8 x 14.2 inches (20.32 x 36.06 cm) Edit...

This is a photograph of a Swiss made Pilatus PC-12 airplane. There are other Airplane images in this series as well. The plane is made by Pilatus Aircraft of Stans, Switzerland, sinc...

Nick Vedros Spa Dog Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 8x8.5in Edition: 12 Signed, dated and numbered by hand on la...

Aditya Dicky Singh Untitled photograph on fine-art Hahnemuhle archival paper 53" x 36" unframed 135cm x 91cm 2017 Edition 1/5 *Should you wish the photograph to be printed at a...

Nick Vedros Darkhorse Harley Speedster Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x15in Edition: 12 Signed, dated and numbered by hand on label Stamp...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 40 inches edition of 7 60 x 60 inches edition of 7

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7 Certificate of Authenticity, Signed by the Artis...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7

'Exhalation' Limited Edition 30 x 24" Photograph. Edition of 25. Unframed _________________ The wild Atlantic pounds the granite cliffs in raw abandon, breathes and exhales gracefull...

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper 36" x 53" unframed (92cm x 135cm) 2017 Edition 1/10 *Should you wish the photograph to be...

Aeroglyph XT1876 (2019) by Reuben Wu, a large format original photograph from an ongoing photography series, capturing large temporary geometries traced by light carrying drones in e...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 44 x66" unframed (84cm x 56cm) 2022 Edition 1/10 *Should you wish the photograph to be printed at a...

Little Red Ant (2016), Edition 1/7. 30 x 38 cm. Printed in Canson Barita Fiber Rag 310gr, based on a Fuji Instant Film (not mounted). Signed on back with Certificate. Once / Cris...

Slickly was a world champion miler and leading French sire. Series: Studio Portraits, Slickly - 'Mane', 2009 by John Reardon Archival Pigment Print on Ha...

Low Water (2014), 40 x 40 cm, Edition 1/7. Photograph printed in Hahnemühle Baryta Photo Rag 340gr, based on a Fuji Instant Film original (not mounted). Signed on back with Cert...

In Fidel Santos' work, Saint Peter Chanel, a sense of pure exuberance is captured through the depiction of the sculptural remnant of the head of the saint, The first martyr of the So...

David Bailey Kate Bush, 1978 Archival Inkjet on paper Signed by the artist, on verso Image: 36.83 x 36.83 cm Sheet: 42 x 59.4 cm Edition of 10

Aditya Dicky Singh Untitled Infrared photograph on fine-art Hahnemuhle archival paper, 36" x 36" *please note this artwork can be printed at any size so long as the ratio remai...

Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery is ple...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Embruns ‘ Sea sprays, wave on the Spa...

"Kate Moss Nr. 10" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink with blue and pink tint, stre...

The history of photography is replete with examples of image capture without a camera. My present focus, ‘From a Scanner, Darkly,’ began when I had no time to work with film. Ins...

An Uncomfortable Bride - 2020 70x57cm, Edition 1/5. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Peel Apart Instant Film (not mounted). Signed on back with Certifi...

'Peonies afloat' 2024 Photographed using large format 4x5 film camera, that captures incredible detail and the light dynamics of peony flowers in water. From limited edition of 20....