Photographic Paper Photography
78
to
825
9,519
4,995
2,429
4,091
7,079
4,559
3,369
3,904
2,655
2,343
2,688
3,446
Overall Height
to
Overall Width
to
10,532
736
567
386
154
112
105
48
40
32
32
23
3
2
4,726
2,602
2,462
2,103
1,919
1,505
1,316
1,128
1,118
763
729
727
649
626
619
587
575
535
473
468
5
323
7,684
15,052
7
18
79
328
113
451
1,261
947
1,129
923
4
2,444
1,055
783
479
345
25,676
23,097
21,452
15,052
13,396
Period: 21st Century and Contemporary
Medium: Photographic Paper
Wild Things (Till Death do us Part) - Contemporary, 21st Century, Polaroid
Located in Morongo Valley, CA
Wild Things (Till Death Do Us Part) - 2005,
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inven...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Photographic Paper, Archival Paper, Polaroid, Color, C Print
In between Time (Strange Love) - Polaroid, New York, Empire State, Color
Located in Morongo Valley, CA
In between Time (Strange Love) - 2005
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No....
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Safari Inn (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
The Safari Inn (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventor...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Empire Morning Fog (Strange Love) - Polaroid, New York, Empire State Building
Located in Morongo Valley, CA
Empire Morning Fog (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory ...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Cloudy Empire (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
Cloudy Empire (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 6...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Afternoon Empire (Strange Love) - Polaroid, New York, Empire State Building
Located in Morongo Valley, CA
Afternoon Empire (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Oregon (Strange Love) - Polaroid, Contemporary
Located in Morongo Valley, CA
Oregon (Strange Love) - 2007
40x50cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 9916. ...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Crack in the Wall (Till Death do us Part) - last Edition - Polaroid, Nude, Color
Located in Morongo Valley, CA
Crack in the Wall (Till Death do us Part), - 2005,
LAST EDITION
24x20cm, sold out Edition of 10, Artist Proof 2/2,
Archival C-Print, based on the Polaroid,
Certificate and Signatu...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Photographic Paper, Polaroid, Color, C Print, Archival Paper
Morning Empire (Strange Love) - Polaroid, New York, Empire State Building
Located in Morongo Valley, CA
Morning Empire (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. ...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
A Dream Play (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
A Dream Play (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 60...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2194.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Across (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
Across (Strange Love) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 6145.
N...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Heart and Soul - Contemporary, Polaroid, Nude, Color, Women, 21st Century
Located in Morongo Valley, CA
'Heart and Soul' (Bombay Beach) - 2019
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on a Polaroid.
Signature label with certificate.
Artist inventory PL201...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
California Depression (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
California Depression (California Badlands) - 2010
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inv...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dreams at Dawn - Contemporary, Polaroid, Photograph, Figurative, Portrait
Located in Morongo Valley, CA
Dreams at Dawn (2019)
Edition of 10 - 20 x 20 cm.
Archival C-Print based on the Polaroid, not mounted. Signed on back and certificate.
Dreams at Dawn- Shot 2019 on 600 film
Influ...
Category
2010s Contemporary Photographic Paper Photography
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
Star Wars ( C-3PO ) 40 x 32"
Located in San Francisco, CA
Star Wars (C-3PO) by Tom Schierlitz
still life photograph of the original iconic golden Star Wars humanoid robot
40 x 32 inches (102 x 81cm)
edition of 25
signed
60 x 48 inches (152 x 122cm)
edition of 7
signed
archival fine art pigment print
signed + numbered by artist on separate label
Photographer Tom Schierlitz has a discerning eye for details, managing to find striking visuals in the most ordinary objects, creating captivating images of cult accessories and other objects of desire.
Tom grew up in Germany and lives and works in New York City.
_________________________
Edition EKTAlux offers an evolving curated selection of collectable large-scale photography in strictly limited editions, while working closely with each artist to guarantee state-of-the-art museum level print and framing quality.
Custom / larger print sizes available on request
Images can be printed with white border [ 2 inch L prints / 4 inch XL prints ]
Category
21st Century and Contemporary Contemporary Photographic Paper Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Bank of America I (The Getaway) - The Last Picture Show - Polaroid, Contemporary
Located in Morongo Valley, CA
Bank of America I (The Getaway) - The Last Picture Show - 1999
58x56cm,
Edition of 10 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Bedtime Story II - 21st Century, Polaroid, Nude, Photography, Contemporary
Located in Morongo Valley, CA
Bedtime Story II - 2017,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid, not mounted.
Signature label and certificate.
Artist inventory PL2017-484
Ki...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Money Talks - 21st Century, Polaroid, Landscape Photography, Contemporary
Located in Morongo Valley, CA
Money Talks (Las Vegas) - 2018
24x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid, not mounted.
Signature label and certificate.
Artist...
Category
2010s Contemporary Photographic Paper Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Ancient Bridge Views III (Stay)
Located in Morongo Valley, CA
Ancient Bridge Views III (Stay) - 2006
20x20cm,
Edition of 5 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 2490.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Fairytale
Located in Morongo Valley, CA
Fairytale - 2016,
50x50cm,
Edition of 7 plus 2 Artist Proofs.
Archival Print, based on the Polaroid.
Signature label and certificate.
Artist inventory PL2017-112.
Not mounted....
Category
2010s Contemporary Photographic Paper Photography
Materials
Color, Photographic Paper, Archival Paper, Polaroid, C Print
Changing Moods pink 2- Floral landscape pink color contemporary abstract photo
Located in New York, NY
Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...
Category
2010s Abstract Photographic Paper Photography
Materials
Photographic Paper
White Light - Contemporary, Polaroid, Photograph, Figurative, Portrait
Located in Morongo Valley, CA
White Light (2019)
Edition 10 - 40 x 40 cm
Archival C-Print based on the Polaroid.
Signed on back and certificate.
Not mounted.
Clare Marie Bailey
Works and Lives: UK
Clare Ma...
Category
2010s Contemporary Photographic Paper Photography
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
Ifa - Contemporary, Conceptual, Polaroid, 21st Century, Women
Located in Morongo Valley, CA
Ifa - 2017,
50x50cm.
Edition of 7 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid, not mounted.
Signature label with certificate.
Artist inventory PL2017-237.
Kir...
Category
2010s Contemporary Photographic Paper Photography
Materials
C Print, Color, Polaroid, Archival Paper, Photographic Paper
Salton Sea Destruction I (California Badlands)
Located in Morongo Valley, CA
Salton Sea Destruction I (California Badlands) - 2016,
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Arti...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, Black and White, Polaroid
Lonesome - Contemporary, Polaroid, Black and White, Women, 21st Century, Nude
Located in Morongo Valley, CA
Lonesome - 2020
48x60cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and certificate.
Artist inventory PL2020-954.
Not mounted.
K...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2197.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster)
This piece:
Coney Island (Stay) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory # 2196.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
24 hr Psychic Desert Hotline - Contemporary, Polaroid, Photograph, Figurative
Located in Morongo Valley, CA
24 hr Psychic Desert Hotline - 2018
Edition of 10 - 40 x 40 cm
Archival C-Print, based on a Polaroid.
Signed on back and certificate.
Not Mounted.
about: 24hr Psychic Desert Hotl...
Category
2010s Contemporary Photographic Paper Photography
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
East River View (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Schneider's art was the art both characters created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as paintings hanging in several scenes within the movie.
East River View (Stay) - 2006
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label, artist Inventory No. 2598.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Your Eyes on Me (Till Death do us Part) with Daisy McCrackin based on a Polaroid
Located in Morongo Valley, CA
Your Eyes on Me (Till Death do Us part) - 2005
40x39cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid,
Certificate and Signature label.
...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Columbia Thinking (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
A Surreal Watercolor and Cyanotype, "Saltwater Gradient, var 6"
Located in San Diego, CA
A one of a kind 5x7 Surreal Watercolor and Cyanotype on Hahnemuhle Platinum Rag Paper, Mounted on Wood Panel by artist Annalise Neil. A certificate of authenticity will be provided u...
Category
2010s Abstract Photographic Paper Photography
Materials
Photographic Paper, Photographic Film
Headless (Stay) featuring Ewan McGregor
Located in Morongo Valley, CA
Headless (Stay) - 2006
featuring Ewan McGregor
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Artist Inventory #5084.
Not mounted.
Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13
Photography Art Cinema. Revisited
Stay expands a traditional connection through new facets
Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated.
Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.
Photography as Art
It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
C Print, Color, Polaroid, Archival Paper, Photographic Paper
Space Age Lodge, Gila Bend, Arizona - Mid-century Googie Sign photo
Located in Cambridge, GB
On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. This Googie sign photograph captures the iconic and memor...
Category
21st Century and Contemporary Contemporary Photographic Paper Photography
Materials
C Print, Photographic Paper, Color, Silver Gelatin
For Your Eyes Only (Till Death Do Us Part) - Contemporary, Woman, Polaroid
Located in Morongo Valley, CA
For Your Eyes Only (Till Death Do Us Part) - 2005,
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist ...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Parchment Paper, Photographic Paper, C Print, Color, Polaroid
Take me to Heaven - Contemporary, 21st Century, Polaroid, Women
Located in Morongo Valley, CA
Take Me to Heaven (Till Death Do Us Part) - 2005,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Birdie (Stage of Consciousness) with Radha Mitchell
Located in Morongo Valley, CA
Birdie (Stage of Consciousness) - 2007
featuring Radha Mitchell
from the 29 Palms project
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
C...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Lone Pine Motel II (The last Picture Show) - 21st Century, Polaroid, Woman
Located in Morongo Valley, CA
Lone Pine Motel II (The Last Picture Show) - 2005
Edition 1/5,
38x36cm each, installed with gaps 38x125cm.
3 Analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Pa...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Metal
James Lewin - Our Kingdom, Photography 2023, Printed After
By James Lewin
Located in Greenwich, CT
Available sizes:
18” x 27.86” - Edition of 8
28” x 43.34” - Edition of 8
38” x 58.82” - Edition of 6
48” x 74.30” - Edition of 6
Lions have been momentous symbols to humankind for t...
Category
2010s Contemporary Photographic Paper Photography
Materials
Platinum
England- Signed limited edition landscape art print, Contemporary black white
By Sam Thomas
Located in Barcelona, Barcelona
England - Limited edition pigment print - Limited Editions of 5
Pebble beach in England with a single summer visitor under his umbrella, 2005
This is an Archival Pigment print on...
Category
Early 2000s Modern Photographic Paper Photography
Materials
Photographic Film, Archival Paper, Photographic Paper, Black and White, ...
Sunset (Oxana's 30th Birthday) - Polaroid
Located in Morongo Valley, CA
Sunset (Oxana's 30th Birthday) - 2007,
from the 29 Palms, CA project -
20x25cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label with ...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Plexiglass, Archival Paper, Photographic Paper, C Print, Color, Polaroid
Paris Skyline
By Ludwig Favre
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information.
ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....
Category
2010s Photographic Paper Photography
Materials
Photographic Paper
The Happy Mexican by Barry Cawston 120 x 96cm C-Type Print w/Acrylic Face Mount
Located in Coltishall, GB
With immigration comes culture and culinary delights to light up the American skyline
–
Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as ...
Category
21st Century and Contemporary Other Art Style Photographic Paper Photography
Materials
Photographic Paper, C Print
April is the Cruelest Month - Contemporary, Landscape, Polaroid, Analog
Located in Morongo Valley, CA
April is the Cruelest Month (Memories of Green) / (The Getaway) - 1999
58x56cm,
Edition of 10 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist on Fuji Crystal Arch...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Moments in time III (Sidewinder)
Located in Morongo Valley, CA
Moments in Time (Sidewinder) - 2005
25x30cm,
Edition 3/5.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original Polaroid.
Signature lab...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Photographic Paper, Polaroid, Color, C Print, Archival Paper
Summer Interlude II (Deconstructivism) - Contemporary, Expired Polaroid
Located in Morongo Valley, CA
Summer Interlude II (Deconstructivism) - 2020
- about the narrative potential of images.
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Art...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Once we were warriors III - Stage of Consciousness - starring Radha Mitchell
Located in Morongo Valley, CA
Once We Were Warriors - 2007
20x20cm.
Sold out Edition of 5, Artist Proof 2/2, LAST PRINT.
Archival Print, based on the Polaroid.
Certificate and Signature label.
Artist Inven...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Christos J. Palios - Pabst Theatre Auditorium, Photography 2021, Printed After
Located in Greenwich, CT
I was raised as a first-generation Greek-American, a son of immigrants. These two distinct and fascinating cultures forged my personal perspectives. Socioeconomics, cultural diversit...
Category
2010s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, Pigment, Pigment, Archival Pigment, ...
Changing Moods pink 2- Floral landscape pink color contemporary abstract photo
Located in New York, NY
Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...
Category
2010s Abstract Photographic Paper Photography
Materials
Photographic Paper
I never promised., 21st Century, Polaroid, Nude Photography, Contemporary, Color
Located in Morongo Valley, CA
I never promised you a Rose Garden, 2018
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print based on a Polaroid.
Signature label with certificate.
Artist inventory PL2...
Category
2010s Contemporary Photographic Paper Photography
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Daisy in Pool (Till Death do us Part) Contemporary, Woman, Polaroid
Located in Morongo Valley, CA
Daisy in Pool (Till Death do us Part) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Invent...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Photographic Paper, Polaroid, Color, C Print, Parchment Paper
Airstream trailer outside of 29 Palms - Polaroid, 21st Century, Landscape, Color
Located in Morongo Valley, CA
Airstream trailer outside of 29 Palms (Sidewinder) - 2005
50x48cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
A...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
"Flare" Art print Edition of 25 (36 x 36 inch) by Yevgeniy Repiashenko
Located in Culver City, CA
"Flare" Art print Edition of 25 (36 x 36 inch) by Yevgeniy Repiashenko
"Flare" by Yevgeniy Repiashenko
Year photo was taken: 2013
Art Print
Limited Edition of 25
Picture size:
Heig...
Category
21st Century and Contemporary Contemporary Photographic Paper Photography
Materials
Photographic Paper, Pigment
Madrugada - Contemporary, Polaroid, Figurative, Woman, 21st Century, Psychiatry
Located in Morongo Valley, CA
Madrugada
Shot 2019 on 600 film
Is about the time and hours between Midnight and Sunrise. It is the companion piece to the Red Room.
Edition of 10 - 40 x 40 cm - Archival C-Print ...
Category
2010s Contemporary Photographic Paper Photography
Materials
Photographic Film, Photographic Paper, C Print, Color, Polaroid
The Shadow in my Life (Till Death do us Part) - Polaroid, Contemporary
Located in Morongo Valley, CA
Silence and their words (Till Death do us Part) - 2007
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Art...
Category
Early 2000s Contemporary Photographic Paper Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Star me Kitten - Contemporary, Nude, Women, Polaroid, 21st Century
Located in Morongo Valley, CA
Star me Kitten - 2017,
50x50cm.
Edition of 7 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid, not mounted.
Signature label with certificate.
Artist inventory PL2017...
Category
2010s Contemporary Photographic Paper Photography
Materials
Photographic Paper, Polaroid, Color, C Print, Archival Paper
Another Galaxy
Located in Morongo Valley, CA
Another Galaxy, 2017,
20x20cm,
Edition of 7 plus 2 Artist Proofs.
Archival C-Print, Based on the original Polaroid, not mounted.
Signature label with certificate.
Artist inventor...
Category
2010s Contemporary Photographic Paper Photography
Materials
C Print, Color, Polaroid, Archival Paper, Photographic Paper
Photographic Paper photography for sale on 1stDibs.
Find a wide variety of authentic Photographic Paper photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, Tyler Shields, Richard Heeps, and Chad Kleitsch. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Photographic Paper photography, so small editions measuring 0.1 inches across are also available
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