Photographic Paper Photography

Serena Puppet - Vintage Photograph is a vintage black and white photograph realized in the 1980s. Puppetry of "Samson and Delilah" Good conditions with slight foxing.

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Morgane ‘ who was captured on film in ...

Vintage Photo. The Italian actress Laura Belli in a scene from "Gamma", by Salvatore Nocita.

Women Manifestation - Vintage b/w Photo realized in the 1970s. Copyright by Giancolombo News Photo. In the photo: Women Manifestation for the divorce right in piazza Repubblica of R...

Khomeini Returning To Iran is a vintage black and white photograph realized on 2/01/79 in Tehran. Khomeini leader of the revolution of 1979 in Iran, came to Iran, after 15 years of ...

Cicciolina Puppet - Vintage Photograph is a black and white photograph realized in the 1980s. Good conditions with slight foxing.

Sara Puppet (Ciriaco De Mita) - Vintage Photograph is a vintage black and white photograph realized in the 1980s. Good conditions with slight foxing. Typed description in Italian o...

Margherita Boniver is a vintage black and white photograph realized in the 1980s. Stamped on the rear. Good conditions.

Vintage Photo. Italian actors Marcello Mastroianni and Laura Morante in a scene from the movie "Le due vite di Mattia Pascal", directed by Mario Monicelli.

Thomas Walde and Reporter Gerd Heidemann is a vintage black and white photograph realized in the 1980s. Typed note on the rear in German. Good conditions.

Margherita Boniver is a vintage black and white photograph realized in the 1980s. Stamped on the rear. Good conditions.

Margherita Boniver is a vintage black and white photograph realized in the 1980s. Stamped on the rear. Good conditions.

Entro Organizzazione, PSI - Vintage Photograph is a black and white photograph realized in the 20th century. Hand-written on the rear. Good conditions.

Puppetry Reagan-Gorbacev - Vintage Photograph is a vintage black and white photograph realized in the 1980s. Good conditions.

Vintage Photo. The Italian Actress Eleonora Giorgi and Ivo Garrani in "La Traversata". Lightly damaged.

This is an early work when i first began to go digitally and with a new Nikon. I lived in the country at the time and wanted to challenge myself with taking accurate landscapes that ...

Sheila Metzner’s unique photographic style has positioned her as a contemporary master in the worlds of fine art, fashion, portraiture, still life and landscape photography. Looking at Metzner’s photographs is a captivating experience. Innocent, sensual, and sexual, each photo, regardless of subject, exhibits and elicits deep emotion. It is nearly impossible to just glance at Metzner’s photos; they beg to be studied. She says, “Photography in its most basic form is magic…This image, caught in my trap, my box of darkness, can live. It is eternal, immortal. The child in the image will not age as the living child will.” Sheila Schwartz was born in 1939 to an orthodox Jewish family in a poor section of Brooklyn. While attending the School of Industrial Art in Manhattan (now the High School of Art and Design), she was awarded the Mayor Robert F. Wagner scholarship to the college of her choice. She chose Pratt Institute, where she majored in visual communication. Her fondness for painting and sculpture also led her to study with abstract artists Jack Tworkov and James Brooks. After graduating in 1961, Sheila worked as an assistant to Lou Dorfsman at CBS Network Advertising. Five years later, she was hired by the Doyle Dane Bernbach advertising agency as its first female art director, and in 1968 she met and married director, creative director, and painter Jeffrey Metzner. While pregnant with their first child, she was riding in a cab with her mentor and friend, photographer Aaron Rose, discussing whether or not to give up her career in advertising. “He said, ‘You should be a photographer. You live like an artist. You have a good eye, you’d be good at it.’ ” Metzner started taking pictures, amassing them slowly over the next 13 years, while raising her and Jeffrey’s five children—Raven, Bega, Ruby, Stella and Louie. Jeffrey’s two daughters from a previous marriage, Evyan and Alison, were also a regular part of the family. “When they were really small, I’d be with them during the day, photographing and printing at night. At eight or nine in the evening, when they were all asleep, I’d take a shower to wake up and put on high heels and lipstick, which I wore then, to give me the feeling of being ready to work.” She continues, “My children never interfered. When I couldn’t travel because of them, I would find a place in upstate New York and call it Antarctica or Egypt. I found microcosms.” Nine years later, Metzner had accumulated a box of 22 pictures. One of them, a black-and-white photograph titled “Evyan, Kinderhook Creek,” caught the eye of John Szarkowski at the Museum of Modern Art, which he included in his famous and controversial exhibition “Mirrors and Windows: American Photography since 1960.” The New York Times art critic Hilton Kramer loved the picture and soon it became the dark-horse hit of the exhibition. Later that year, Metzner’s first solo show at the Daniel Wolf Gallery in New York drew record crowds. Metzner was now ready to work in color, but not just conventional color. Of her subjects, she once said, “If I use a rose, I want it to be the essential rose—the rose Beauty brought to her father from the Beast’s garden.” Now she aspired to an essential kind of color. “I wanted something that would last. I was looking for Fresson even though I didn’t know they existed.” The Fresson family works outside of Paris and specializes in a labor-intensive four-color “process de charbon” method, which they invented in 1895. Some prints can go up to seven colors, and are pigment prints, the only true archival color print. Metzner is one of just ten American photographers with whom they are willing to work. Fresson prints are the perfect complement to Metzner’s style—soft, sensuous, and grainy, the prints resemble paintings, with a finish which Metzner describes as “a glaze on fine porcelain. The moment I saw the neutral gray,” she adds, “I knew it was perfect.” In 1980 Metzner showed her Fresson color prints at her second solo exhibition at the Daniel Wolf Gallery. This show led to commissioned editorial work for such magazines as Vanity Fair, Vogue, and Rolling Stone. She secured an exclusive contract with Vogue for the next eight years. Metzner considers her portrait of actress Jeanne Moreau for Vanity Fair a turning point in her career. “It gave me a chance to show my work to a broader audience. I wasn’t just producing photographs for the art world.” Of Sheila’s foray into fashion, critic Carol Squiers says, “At a time when fashion photography was caught between sterility and the snapshot, Metzner created a sumptuous vision that stimulated the entire field.” Metzner also started doing commercial photography around this time. Her first client was Valentino, soon to be followed by Bloomingdale’s, Perry Ellis, Revlon, Shiseido, Saks Fifth Avenue, Paloma Picasso, Victoria’s Secret, Levi’s, Ralph Lauren, and fragrances for Chloe and Fendi (the Fendi campaign won a Fragrance Foundation Recognition Award). Her work also appeared on John Mellencamp...

Dizzy Gillespie is a vintage photograph realized in the 1980s. Good conditions.

Zarina - Limited edition archival pigment print, 1987 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then print...

Vintage Photo. The German-American Actress Barbara Bouchet in a scene from the movie "Amore vuol dir gelosia", by Mauro Severino. Lightly damaged.

Vintage Photo. The German-American Actress Barbara Bouchet.

Vintage Photo

Child With a Bucket - Vintage b/w Photo realized in the 1970s. Copyright by Rizzoli Press, Milan In the photo: Child with a bucket in African stadium – In the realm of the higher m...

A chair sits in an otherwise derelict factory in a blue painted room, the depth perspective creates a colour blocking effect. from Richard Heeps 'Ordinary Places', a series capturin...

Vintage Photo. The Italian actress and singer Loretta Goggi during "Il bello della diretta".

Vintage Photo. The Italian Film Producer Vittorio Cecchi Gori.

This Vintage Photo shows two of the protagonists of the Program "Fermate il colpevole".

Portrait of Roberto Andreanti is an original vintage photograph realized by Agency of " ANSA" With the copyright and property stamp of Agency" ANSA" and the description in Italian o...

Katia - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1989. The negative was scanned creating a digital file which was then pri...

This Vintage Photo shows the Italian Singer Fiorella Mannoia.

American artist and photographer, Sandra Haber, born 1956 Exhibited at MoMA, 1984

Vintage Photo. Mrs. Martin Luther King jr., presents the Non violent Peace Prize to Sir Richard Attenborough of England in Atlanta.

Vintage Photo. The Actress Agostina Belli during "Vanità", a TV show directed by Giorgio Capitani.

Vintage Photo. The Actress Barbara Bouchet during "Sereno Variabile", a program by Luigi Costantini.

BIRNEY IMES, Mississippi, b. 1951 "Riverside Lounge, Shaw, 1986" Dimensions: Chromogenic print, 14" x 16.5" sight. Framed 21" x 25". Birney Imes (born 1951) is an American photographer. He is best known for his photographs of the American South, especially his home state of Mississippi. His work is exhibited in museums across the United States. Birney Imes III was born in 1951 in Columbus, Mississippi. His father, Vinton Birney Imes, Jr., owned the town newspaper, The Commercial Dispatch. His mother is Nancy McClanahan Imes. He attended desegregated public schools in Columbus and graduated from the University of Tennessee at Knoxville with a Bachelor of Arts degree in History in 1973. Growing up white in the South during the Civil Rights Movement helped shape his views on history and that is where his photography career originated from. Imes began photographing after graduation from college and is largely self-taught. In the mid-70s, he worked as a photographer for his family's newspaper in his hometown of Columbus. Later, he opened his own studio above the Princess Theater in Columbus. Along with his personal work, Imes shot commercial work for local clients and took assignments for magazines like Rolling Stone, The Village Voice and Texas Monthly. His work has been printed in both black and white silver gelatin and color photos. Birney Imes’ photography takes viewers inside pool halls, jazz spots, juke joints and dilapidated restaurants scattered across that rural Mississippi landscape. Drawing inspiration from the photographs of other Southern artists...

Vintage Photo. The Italian Actress Lauretta Masiero in a scene from "Principesse, violini e champagne", by Gianfranco Bettetini.

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘FlowerHead 1 ‘ who was captured on film ...

Vintage Photo. The Actress Barbara Bouchet in a scene from the movie "Non si sevizia un paperino" by Lucio Fulci. Lightly damaged.

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Morgane ‘ who was captured on film in ...

Vintage Photo. A scene from the movie "Cry Freedom" by Richard Attenborough.

Vintage Photo. The Italian Actress Lauretta Masiero during the "Maurizio Costanzo Show".

Women Manifestation - Vintage b/w Photo realized in the 1970s. Copyright by Giancolombo News Photo. In the photo: Women Manifestation for the divorce right in piazza Repubblica of R...

Vintage Photo. The Actress Agostina Belli during "Vanità", a TV show by Giorgio Capitani.

This Vintage Photo shows the Actress Isabella Goldman.

Vintage Photo. The Italian Actor Marcello Mastroianni in a scene from "Enrico IV" by Marco Bellocchio.

Vintage Photo with stamp. The Irish actor Gabriel Byrne.

Polaroid polacolor II photograph Signed and dated in ink From: The Indominal Spirit Portfolio, 1990 The Indomitable Spirit Portfolio published in 1990 in an edition of 50. The portfolio, featuring works by John Baldessari, Barbara Kruger, Annette Lemieux...

Vintage Mint Condition Platinum Photograph Fabulous image in the true style of Uelsmann

Vintage Photo showing the producer Mario Cecchi Gore and the movie Director Pasquale Squitieri.

Dentist chair - Signed limited edition archival pigment print - Edition of 1 This image was captured on film in 1986. The negative was scanned creating a digital file which was th...

Sophie & Carl - Signed limited edition archival pigment print - Edition of 5 A naked man and woman in profile kissing This image was captured on film in 1998. The negative was sc...

Refugee Children- Vintage b/w Photo realized by Peter Tatiner in 1980. Copyright by Agenzia Gamma, Paris. In the photo: Border Cambodia Thailand Refugee children on 28 January 1980,...

Vintage Photo. The Italian Actress Giulietta Masina and the Actress Silvia Popovska in a scene from "Frau Holle" by J.Jakubisko.

Stretch - Signed limited edition archival pigment print - Edition of 10 This image was captured on film in 1982. From the same photoshoot, the so-called 'Zip' print by Ian Sa...

This Vintage Photo shows the Italian Singer Luciano Ligabue.

Large original, vintage, Ektacolor print collage Depicts art deco architectural facade of Publix building at Dade Boulevard and Alton Road in Miami Beach, Florida. Multiple prints formed into a collage mounted on a stretched canvas. Printed November 1989. Mounted December 1989. dated lower left. Includes protective canvas slip covering. Size: 81"H x 72"W (205.74 cm x 182.88 cm). Provenance: Bass Museum, Miami Beach, Florida This was exhibited at the Norton Museum in Palm Beach and Bears their exhibition label verso. Rafael Salazar (Cuban- American photographer) was born in Cuba in 1945 and has been a South Florida resident since 1965. He has photographed the development of the City of Miami as well as Miami’s budding art scene over the years. He is primarily known for his panoramic photographs and photo assemblage montages which have both a documentary quality to them but are full of enchantment and depth. Of great importance to him is the preservation on film of art works, especially those of a transitory nature, this has led him to photograph two of Christo and Jeanne-Claude projects; Miami’s Surrounded Islands and the Pont Neuf in Paris. He has also documented the works of Fernando García, Ed Ruscha, and Philip Johnson. His work draws inspiration from his love of the cosmos, spirituality, architecture, Eastern philosophy, and nature. He has been exhibiting his fine art both nationally and internationally for many years. Salazar’s images have earned him a reputation as an innovative and sensitive artist. He has close ties with the Miami-Dade Public Library System and photographed much of the development of Main Library as well as the early exhibitions and events held there. He photographed the library’s Artmobile, painted by New York Realist artist Lowell Nesbitt, an art gallery on wheels decorated with zebra patterns and native flowers that was in service from 1976 until 1992. He also documented the Grand Opening Celebration of the Metro-Dade Cultural Center held in 1986. Since its 1970 start, the Permanent Art Collection has been recognized nationally as a fearless reflection of Miami’s diversity, and an invaluable chronicle of its artistic and social history. Their collection includes Elizabeth Catlett, Purvis Young and Emilio Sanchez. "Fact and Fiction: The State of Florida Photography...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Rachael 02‘ who was captured on film in ...

St. Louis and the Arch Vintage Photograph St. Louis: title, signature, dated 1977, copyright 1982, and edition 1/10 to verso. View down Walnut St. of St. Louis' city hall building. Images: 15 x 19 in. (16 X 20), frames: 22 1/2 x 28 1/2 in Meyerowitz first drew acclaim for his remarkable ability to capture subtle qualities of light with the 1978 publication of Cape Light, which went on to become a color photography classic. Joel Meyerowitz (born March 6, 1938) is a street photographer, and portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught the first color course at the Cooper Union in New York City where many of tod...