Synthetic Resin Photography

Burt Glinn photographed one of the most highly-paid celebrity actresses, Elizabeth Taylor, 1959 on set during the filming of "Suddenly Last Summer". In the candid photo, he captures ...

The black and white photograph from the 1950s captures beatnik hipster writer Jack Kerouac in dark glasses, wearing a beret and friend Barbara Ferrara. Beat Couple, 1959 by Burt Gl...

Listing is for UNFRAMED print. Edition 1 of 15. CURRENT EXHIBITION - runs through September 4th, 2016. Any framed photographs purchased during the show will be available after September 4th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Since the early ‘90s, gallerist Robin Rice and designer Antony Todd...

A much sought after photograph Le Petit Parisien, 1952 by French photographer Willy Ronis is a black and white image, a gelatin silver print, measuring 30 x 23,5 cm 12 x 9in. The w...

Kate #16, 2002 is a vintage 8" x 10" black and white photograph from the series "Kate." Model Kate remains complicit in striking and defining dramatic poses for Freed. The photograph...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 24" x 20" gelatin silver photograph signed by the photographer on verso (back). Provenance: Freed archive. LITERATURE: W. A. Ewing, N...

This is a black and white photograph of three soldiers seated on a bridge, above the Arno River, Florence, Italy 1958 by Leonard Freed. It is a 12" x 16" ge...

Nikita Khrushchev in front of Lincoln Memorial, 1959, Washington DC by Burt Glinn is one of the photographer's historical photographs. The portrait i...

In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Spectral (2022) Kings Road: A Rudolph Schindler House 30" x 40" / 76cm x 102cm /edition of 12 15" x 20" / 38cm x 56cm / edition of 12 limited edition solarization photograph printed by the artist + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...

The image capturing African-American life in Harlem in the 1960s, Mr. Harlem, 1963 by Leonard Freed, is a 14” x 11” black-and-white photograph from the photographer's book Black in W...

A classic black and white photograph from the late 1930s to early 1940s, Two Women on The Subway in New York City is by a master of ...

Burroughs Family, Hale County, Alabama, 1936 is paper size: 11" x 11.25" and image size: 7.5" x 9.4" A silver gelatin print c.1978 in an edition 44/75. Inscribed in ink on front of p...