Miniature Nude Photography

Andre 2022 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 5 x 7 inches (12.7 x 17.8 cm), image 8 x 9 inches (20.3 x 24.1 cm), framed ...

Hand printed Silver Gelatin photograph. Beautifully printed and framed in a silver metal frame.

Edition of 26 Signed, titled, dated and numbered on print margin by Marta María Pérez Bravo. Photogravure, 16 1/2 x 16 1/2 in.

Media: Hand-thrown glazed earthenware with photographic ceramic decal Number 2 in an edition of 10. Signed, titled, dated, and numbered verso: "Don Joint / Dirty Dishes...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Archival Pigment prints Framing options available Sarah Hadley's narrative work foc...

Ghost Souls IV • 2022 • 2/12 • Edition of 18 prints in 2 different sizes. A collaboration of photographer Angelika Büttner and visual artist Laure Laferrerie. All prints are numbered and signed by both artists. Printed on Hahnemühle Archival Paper. Two different sizes are available, the series is limited to a total of 18 prints H 42.00. cm x W 29.70 cm - Edition of 12 - 1/12 to 12/12 H 59.40 cm x W 42.00 cm - Edition of 6 - 1/6 to 6/6 The artwork is sold unframed as a print only. • Renowned photographer Angelika Buettner and accomplished visual artist Laure Laferrerie join forces in a captivating creative collaboration, unveiling a mesmerizing series that seamlessly merges nude photography with the allure of digital paintings. Together, these visionary women embark on a duet of creation, capturing reflections of concealed female souls. Angelika Buettner's revealing eye and Laure Laferrerie's raw artistic gesture converge in a project that transcends whispers to explosive artistic expression. Having previously established a creative rapport through various editorial collaborations, Angelika Buettner and Laure Laferrerie draw inspiration from their deep understanding of each other. Their enchanting nude series delves into the depths of the soul, unveiling the eternal bond with our unique soul sisters...

Unmade Beds, East Village, New York, 1976 by Fernando Natalici: Cooler than cool, "Unmade Beds" was photographed on the set of the Amos Poe directed film of the same title - a semina...

© Katie Eleanor, VIII. "Omphalopagus monster, an orphan" Series: Saint Wanderer's Hospital, 2015 Archival Pigment Print of the hand Coloured Photograph on cotton fine art paper, custom framed 7 1/2 × 5 7/10 in 19 × 14.5 cm (unframed print) 35 x 30.5 cm (Framed : Museum mount-board, antireflective art glass in hardwood custom frame) Edition of 15 Framed or Unframed option available - please enquire 'Saint Wanderer’s Hospital' series depicts a fictional tale birthed from the artist’s inherent need to find splendour in the idea of sickness. Rooted first from her own words, Katie used the idea of illustrating as a form of personal art therapy by immersing herself in the realm of the otherworldly characters. Every aspect of each scene was created by Katie alone, from building and designing the sets to printing and hand-colouring the final images. In this act, over the year long course of the projects creation, the artist managed to make certain turmoil in her personal life bearable. In the world of the hospital, the artist adapts the role of medical photographer – creating accurate portraits of each character’s condition as a record for the hospitals future use. The final series comprises of 8 ‘specimen...

Hand printed by artist. Taken in a homestead, Australia

Attila Richard Lukacs (b. 1962) is one of Canada's most distinctive if not revolutionary Canadian figurative painters. Lukacs established his reputation in the 1980s by creating astonishing large-scale paintings that depicted skinheads, construction workers, and other masculine archetypes in elaborate and erotic scenes. The physical presence of the Lukacs' male subjects stands out as one of the artist's most distinctive aesthetic elements. With meticulous attention to form and proportions, Lukacs skillfully renders his young men with expressive brushwork and an intense, moody palette reminiscent of the old masters. Despite the monumental scale of his canvases, Lukacs begins his creative process with a much more intimate and modern day tool: the Polaroid. Because of its immediacy and simplicity it became an essential part of his process in the 80's and 90's. As a result the artist amassed a trove of over 1,200 Polaroids that depict lovers, friends, and anonymous models in a various poses that serve as a starting point for his paintings. In this grid of Polaroids, "Alex" is a young man posing nude on top of a tarp. The exceptional warmth and rich hues infuse this series of 12 Polaroids with a sensual and painterly quality, a characteristic that is undoubtably present throughout the artist's oeuvre. From 2009-2012 a large touring exhibition devoted to Lukacs' Polaroids was shown at several museums across Canada including Museum London and the Art Gallery of Alberta. Working with Michael Morris...

Edition of 26 Signed, titled, dated and numbered on print margin. Photogravure

Lina Scheynius (*1981 Sweden) Untitled (Calendar), 2012 Fibre-based silver gelatin print, hand proofed by the artist. Image 16 x 24 cm (6 1/4 x 9 1/2 in.) ...

Printed by Edward Weston's son Cole Weston. Signed and Stamped on Verso. Very good condition.

Hand printed photograph by artist. From film photography - Rolleiflex. Taken in Carmel, Big Sur California Available in other sizes.

Karin Rosenthal Santorini, 1981 Gelatin silver print 10h x 10w in

Gelatin silver print. Hand signed, titled and numbered by the artist. Artwork is in excellent condition. Sheet size: 8 x 10 in. Image size: 5 x 7 in. Certificate of authenticity incl...

Villa Cetinale, Siena, Italy, May 2012 A moment at a storied property where centuries of history pile on Photographed by Jonathan Becker Contemporary ...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose Picayo. The opening reception will be held Wednesday, November 7th, from 6:00pm to 8:00pm. The exhibit will run through January 6, 2019. In this exhibition, Picayo seeks to revive the concept of unadulterated beauty captured as a single moment in time. An unapologetic user of film, Picayo prides himself on his avoidance of digital processing for personal work. When asked why it remains his preferred medium, Picayo answers, “Digital is so overpoweringly real; photography is more magical to me.” For Picayo, Polaroid film is a medium where he can capture something as is – a moment in time. Just to hold the photograph in his hands is enough. 25 Years of Polaroids showcases Picayo’s most iconic work. This exhibit includes personal photographs of Cuba from 1994, Polaroid image transfers showcasing his impressive use of visual texture and his eye for fashion. Also included are his Atget-esque tree portraits from a New Jersey public arboretum in 2012. Additionally, a selection of 8” x 10” Polaroids from Mugshots 2008, will be included, exploring how a person’s soul can be captured in what appear to be basic photographs. The main questions at the heart of Picayo’s photography stem from the mystery of human perception and the precious things that are lost to time. The invitational image, Rotating Doll, 1997, features a multi-paneled display of polaroids which cover an entire length of a wall. These 20” x 24” Polaroids appear larger than life and were given much praise in Picayo’s recent exhibit Polaroids 2016 at The Erie Museum in Erie, PA. This series stems from a collection of children’s dolls Picayo has found over the years, each one with its own strange and authentic story to tell. By cultivating a deteriorated look reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the objects we hold dear and how they fall apart as we try to hold onto them. Picayo speaks of his own influences, crediting photographers Eugène Atget, Walker Evans, and Edward Curtis, Michael Disfarmer, and Torkil Gudnason with impact on both his fine and commercial art. He is well known for his work in fashion, but for Picayo his personal and commercial work are interrelated, each extensions of one another. Born in Cuba, Picayo immigrated to Puerto Rico during his childhood and settled in New York City by the early 80s. After receiving his BFA from Parsons School of Design, Picayo began his professional career as a commercial photographer, shooting for magazines such as Vanity Fair, Sassy, Taxi, and Connoisseur. Picayo’s work has since appeared in Harper’s Bazaar, L.A. Style, New York Times Magazine, Esquire, Rolling Stone, NY Magazine, HG, and Elle Décor. Picayo has held nine solo exhibits to date at the Robin Rice Gallery. Esquire Magazine...

Dadaist is, without a doubt, the scene illuminated by a bonfire in some place of the Corsican bush. The creators of the image has an interest in the fantastic, the dreamlike and the ...

Media: Hand-thrown glazed earthenware with photographic ceramic decal Number 2 in an edition of 10. Signed, titled, dated, and numbered verso: "Don Joint / Dirty Dishes...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

Alvin Baltrop One of the Boys 1977/2005 Blind stamped, l.r. Titled and numbered in pencil, verso Gelatin silver print (Edition of 20) 14 x 11 inches, sheet Contact gallery for pr...

Catherine Opie Untitled 1989 Signed, dated, and inscribed in pencil, verso Vintage gelatin silver print 7 x 7 inches, image Contact gallery for price.

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs...

Jimmy DeSana Untitled (Figure in Grass) 1972/1991 Offset print (Edition of 50) 11 x 14 inches

Jimmy DeSana Untitled (Butt) 1972/1991 Offset print (Edition of 50) 11 x 14 inches

Jimmy DeSana Untitled (Butt) 1972/1991 Offset print (Edition of 50) 11 x 14 inches

Bruce of Los Angeles (Bruce Bellas) black and whiter male physique photograph of Kirk Bond #3267-2 nude in a cowboy hat holding a whip. Stamped and numbered in black ink, verso V...

Grand Hôtel de Milan, black and white portrait by Helmut Newton Grand Hôtel de Milan 2002 Signed, l.l. Digital print 10.5 x 8 inches Helmut Newton was a German-Australian photog...

David Halliday sepia toned gelatin silver print titled "Seated Nude" 1996 Signed, dated, and numbered, l.r.; Also blind stamped, recto Sepia toned gelatin silver print (Edition of...

Tattooed Torso, black and white male nude photography by Charles Gatewood. Charles Gatewood was a groundbreaking photographer known for capturin...

Torso, black and white photograph of a man's torso by Victor Carnuccio 1991 Signed, titled, dated, and numbered, verso Gelatin silver print (Edition of 25) 14 x 11 inches, sheet 1...

Danish National Gymnastic Team (Untitled #1), Male Physique Photograph Queer Toned gelatin silver print (Edition of 25) Signed and numbered, verso Between 1998 – 2002, Anderson & L...

George Dureau (1930-2014) Craig Blanchette 1992 Signed and titled, recto Gelatin silver print 14 x 11 inches, sheet Contact gallery for price.

This is a color photograph by AdeY offered by CLAMP in New York City. Domestic Bliss 2015 15.75 x 11.8 inches (Edition of 5)

This photograph by George Platt Lynes in offered by CLAMP in New York City. Orpheus in Hades c. 1936-7 Studio stamp in ink, verso Vintage gelatin silver print 9 x 7 inches (22.9 ...

This is a black and white photograph by Peter Stackpole taken in 1944 - this work is offered by CLAMP in New York City. 1944/1970s Signed in pencil, l.r.; Also signed in pencil, ve...

This is a black and white photograph by Arthur Tress of a nude male figure. The Voyeur c. 1970s Signed, titled, and numbered in black ink, recto Gelatin silver print (Edition of 2...

This is a photograph by George Platt Lynes depicting a nude male form with a straw hat.

This digital pigment print from The Last Sitting, commissioned by Vogue Magazine, was created in 1962/2010. Hand-signed by the photographer (recto), with signature, date, and copyrig...

Signed by the photographer One of less than 20 prints made in this size and signed

Paul Wadina, Point Conception Beach, 80's Male Queer Portrait Photography, Weber 1987 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 10 x 8 inches (25....

Male figure holding book c. 1990s Signed and numbered in ink, recto Gelatin silver print (Edition of 20) 14 x 11 inches (35.56 x 27.94 cm), sheet 8.875 x 6 inches (22.5 x 15.2 cm)...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

Christian and Jason, Bear Pond, Adirondack Park 1989 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 17 x 14 inches (43. 2 x 35....

Jeff, Bellport, New York 1990 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print (Edition of 10) 10 x 8 inches (25.4 x 20.3 cm) Contact gallery for price....

Werner, Montecito, California 1989 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 10 x 8 inches (25.4 x 20.3 cm) Contact gallery for price. This work...

Billy, Camp Rowdy, Bellport, New York 1988 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 10 x 8 inches (25.4 x 20.3 cm) Contact gallery for price. T...

Dave, Camp Rowdy, Bellport, New York 1988 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print (Edition of 3) 10 x 8 inches (25.4 x 20.3 cm) Contact gallery...

Laguna 1998 Signed, titled, dated, and numbered in pencil, verso 5 x 7 inches (12.7 x 17.8 cm) Contact gallery for price. This work is offered by ClampArt in New York City.

Man on Motorcycle 1977/1978 Signed, dated, and numbered in ink, recto Vintage gelatin silver print 14 x 11 inches (35.6 x 27.9 cm), sheet 10 x 10 inches (25.4 x 25.4 cm), image C...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose ...

Male Nude Backside 1988 Signed in pencil, l.r. Also signed, dated, verso Vintage gelatin silver print 14 x 11 inches Contact gallery for price. This work is offered by ClampArt i...

Mel Fillini in Frame #2 [Male Nude in Cartouche] 1954 George Platt Lynes studio stamp in black ink, verso Vintage gelatin silver print 5.625 x 9 inches (14.3 x 22.9 cm) Contact g...

Miami 1989 Signed, l.r. Gelatin silver print 6.9 x 4.7 inches (17.5 x 11.9 cm), image 13.5 x 10.5 inches (26.7 x 26.7 cm), framed Contact gallery for price. This work is offere...

Mesopotamia 1987 Estate stamp in black ink, verso Vintage chromogenic print (negative sandwich) retouched with ink (Edition 12) 14 x 11 inches, sheet 10.75 x 10.75 inches, image ...

Archival pigment print (Edition of 50) Signed, titled, dated, and numbered in ink, verso This artwork is offered by ClampArt, located in New York City. Jack Pierson was born in 1960 in Plymouth, Massachusetts, and educated at the Massachusetts College of Art in Boston. Pierson's work spans an array of media, including photographs, collages, word sculptures, installations, drawings, and artist's books. He is considered to be part of a group of photographers known as the Boston School, which includes David Armstrong, Philip-Lorca diCorcia, Nan Goldin, Mark Morrisroe, and Doug and Mike Starn...

Signed, titled, dated, and numbered in pencil, verso This piece is offered by ClampArt, located in New York City.