Men Nude Photography

Series: SHADES OF A WOMAN All available sizes and editions: 40" x 40" editions of 18 50" x 50" editions of 7 60" x 60" editions of 3 Archival Pigment Print on Fine Art Baryta paper...

"The Wave" Photography 20"x16" inch Ed. 1/36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2018 ABOUT Rob Woodcox Rob Woodcox is a ...

"Milano, Italia" is an original silver gelatin photographic print by Philip Krejcarek. The artist signed the piece. It features a statue of a nude woman with a figure grabbing onto her shoulder. The photograph is in black and white. 7 1/4" x 9 1/4" art 20 1/4" x 16 1/4" frame EDUCATION: M.F.A. - University of Wisconsin - Milwaukee (1973) B.S. in Art - University of Wisconsin - Oshkosh (1968) POSITION: Professor of Art, Carroll College (began1977) Co-Chairman, Art Dept. COLLECTIONS Milwaukee Art Museum Haggerty Museum of Art, Milwaukee Denver Art Museum Wustum Museum of Fine Arts, Racine City of Milwaukee Milwaukee Journal Sentinel The University of Wisconsin - Milwaukee, Fine Art Gallery The University of Wisconsin Center - Waukesha Oshkosh Public Museum Wisconsin Artists Collection, Carroll College ONE-PERSON EXHIBITIONS 1972 University of Wisconsin Center - Waukesha 1974 Tom Hayes...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

“In the Howling Storm” Photography 30" x 20" inch Edition of 5 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Brian Ziff's...

"Geometry of Color N3" Photography 40" x 30" inch Edition 3/10 by Lika Brutyan "Geometry of Color N 3" Original photography by Lika Brutyan from the ""Geometry of Color" series A...

Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

Attila Richard Lukacs (b. 1962) is one of Canada's most distinctive if not revolutionary Canadian figurative painters. Lukacs established his reputation in the 1980s by creating astonishing large-scale paintings that depicted skinheads, construction workers, and other masculine archetypes in elaborate and erotic scenes. The physical presence of the Lukacs' male subjects stands out as one of the artist's most distinctive aesthetic elements. With meticulous attention to form and proportions, Lukacs skillfully renders his young men with expressive brushwork and an intense, moody palette reminiscent of the old masters. Despite the monumental scale of his canvases, Lukacs begins his creative process with a much more intimate and modern day tool: the Polaroid. Because of its immediacy and simplicity it became an essential part of his process in the 80's and 90's. As a result the artist amassed a trove of over 1,200 Polaroids that depict lovers, friends, and anonymous models in a various poses that serve as a starting point for his paintings. In this grid of Polaroids, "Alex" is a young man posing nude on top of a tarp. The exceptional warmth and rich hues infuse this series of 12 Polaroids with a sensual and painterly quality, a characteristic that is undoubtably present throughout the artist's oeuvre. From 2009-2012 a large touring exhibition devoted to Lukacs' Polaroids was shown at several museums across Canada including Museum London and the Art Gallery of Alberta. Working with Michael Morris...

Sepia photography 2/5 Hand-signed and dated by the artist Françoise Benomar “What photography has to say” " I photograph so that the favorable idea...

No title (No 55) Photography 36" x 29" inch Ed. of 28 by Yevgeniy Repiashenko No title (No 55) by Yevgeniy Repiashenko Year photo was taken: 2020 Limited Edition of 28 Picture size...

Man in the Mist. Lost in thought and cloaked in a veil of mist and smoke, a young black man stands atop a fountain's pilar and ponders the world. The adjacent light post's shape ech...

Jeff Robb Equivalent Lenticular Photograph 46" x 34" Edition 1/15 Provenance: From the artist's studio Additional Information: Available in additional sizes, please inquire with t...

No title (No 55) 45" x 37" in Photography Edition of 18 by Yevgeniy Repiashenko Year photo was taken: 2020 Limited Edition of 18 Photography on Diasec and Dibond This artwork is pa...

No title (No 24) Photography 32 x 32 inch Edition of 25 by Yevgeniy Repiashenko Year photo was taken: 2016 Photography Limited Edition of 25 Picture size: Height: 32" inch Width: 32...

"Evolution Of A Fall" Photography 20"x16" inch Ed. 2/36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 ABOUT Rob Woodcox Rob Woodcox is a fine art and fas...

Black and white photography 2/5 Hand-signed and dated by the artist Françoise Benomar “What photography has to say” " I photograph so that the favorable idea of seeing the body aga...

"Human Tetris" Photography 20" x 20" inch Edition of 36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 ABOUT Rob Woodcox Rob Woodcox is a fine art and fas...

This is a self-portrait with a 1950s girly cut-out set against a dramatic tropical sky. It's is a straight shot. The camera is on a tripod while the photographer slides over to bec...

Edition 1 of 3, 2 APs Large size: 15.25 x 36 inches STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from t...

In this project, Vladimir Clavijo-Telepnev draws a line between sensuality and explicit sexuality in depicting a woman's body. Modern photography offers two main approaches to the su...

Kent, England, 1984 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Availabl...

"The Mountain" Photography 20"x16" inch Ed. 1/40 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 ABOUT Rob Woodcox Rob Woodcox i...

This late 1950s aerial landscape photograph, captured by society photographer Slim Aarons, features group of people snorkelling off a small boat in Malta. This is an estate stamped ...

Black and white original photography by Cyrille Druart. Edition: I/VIII Dimensions: 90 x 60 cm Signed and numbered Cyrille Druart is a French photograph and architect, a book abo...

Edition of 26 Signed, titled, dated and numbered on print margin by Marta María Pérez Bravo. Photogravure, 16 1/2 x 16 1/2 in.

"Desert Wind" Photography 20" x 20" inch Ed. 1/36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 ABOUT Rob Woodcox Rob Woodcox is a fine art and fashion p...

"Solitude" Black & White Photography 40" x 30" inch Edition 1/12 by Ben Cope Not framed. Ships in a tube Ben Cope is a Georgia native graduating from Columb...

"E2" Photography 60" x 60" inch Edition 1/10 by Giuliano Bekor From ELEPHANT series Archival exhibition Giclee Baryta print Not framed. Ships in tube ELEPHANT series “I just fe...

Photography printed on fine art paper Hand-signed and numbered 1/5 on the back by the artist

"Deer Woman" Photography 28" x 20" inch Ed. 1/3 by VLADIMIR CLAVIJO-TELEPNEV Direct print on wood Signed and numbered on the back. Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters. In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design. PRIVATE COLLECTIONS: ELTON JOHN PRINCESS MICHAEL of KENT MARIE CHRISTINE PETER GREENAWAY DMITRY MEDVEDEV NURSULTAN NAZARBAEV Vladimir's work of arts were put up for auction at PHILLIPS de Pury in 2003 in New York, in 2008 in London and New York, in 2010 in New York; at GENE SHAPIRO in 2008, 2009, 2010, 2011 in New York and at HERITAGE AUCTIONS in 2011 in New York. EXHIBITIONS: 2013 Group exhibition at the Gulbenkian Foundation, Lisbon, Portugal; Solo exhibition at the AZOR ROZA Gallery, Moscow, Russia. ​ 2012 Group exhibition of the best iconography for Lewis Carroll's "Alice", "A Mad Tea-Party", The Story Museum, Oxford, UK; Group exhibition "Museum's Centenary: a Photographer's View" at the Pushkin Fine Arts Museum; Solo exhibition at the ZEPPELIN Gallery, Moscow, Russia. 2011 Group exhibition at the ART MOSCOW FAIR. 2010 Pushkin Fine Arts Museum opened a section of photography with the participation of Vladimir Clavijo-Telepnev, the only Russian exhibitor. 2009 "Wayfaring Territory" group exhibition, St. Petersburg, Peter-and-Paul Fortress, Russia. 2008 "Joyance Territory" group exhibition in the Rumyantsev villa, St. Petersburg, Pskov, Belostok, Voronezh, Mikhailovskoye (all in Russia), and also in Berlin, Germany; Solo exhibition at the VINZAVOD Exhibition Center. 2007 Solo exhibition at the MILLIONAIRE FAIR, Moscow, Russia; Participation at the Moscow Fine Art Fair, MANEZH Exhibition Center. 2006 Art London, "Russian Asia", a joint project of Inna Khegai and the Artek Gallery, London, UK; Solo exhibition at the ESPECRTO Gallery in Krasnodar. 2005 Personal exhibition within the framework of the Russian Movie Week in Paris, Paris-Art-Moscow, Espace Cardin, Paris; personal exhibition at the MILLIONAIRE FAIR, Moscow; exhibition at the Grossman Gallery, Williams Visual Arts Buildings, Easton, Penn; personal exhibition at the Grand Hayat Hotel gallery, Dubai, Arab Emirates; exhibition at the STUDIO Gallery, Moscow Russia; exhibition of the Cherry Orchard project jointly with his student, Yulia Bochkova at the JAMES Gallery, Moscow; the Moscow Romanticism exhibition at the Wisconsin University Art Gallery, U.S; exhibition at the Tomsk House of Artists, Russia.2005: exhibition at the Benshaeb art gallery, Paris, France; 2004 Exhibition at the STUDIO Gallery, Moscow, Russia; Exhibition at the LEAGUE Art Gallery, Kolomna, Russia; Exhibition at the Krasnoyarsk Museum Center, Russia.2004: exhibition at Art-Service Gallery Center, Moscow, Russia; Exhibition at the Novosibirsk Art Museum, Russia; Exhibition at the Benshaeb art gallery, Paris, France; Exhibition at the HAY HILL gallery, London, U.K.2004: exhibition within the framework of the Russian Nights festival at the Art Hall of the Pacific Design Center, Los Angeles, California. 2003 Russian Post Modernism Nostalgia exhibition, New York, U.S; Exhibition at the LUMIERE, Moscow, Russia; Exhibition at the Russian Modern History State Central Museum; A participant at the 40 Views as to the Image of Comme de Garcon art...

Photography printed on fine art paper Hand-signed and numbered 1/5 on the back by the artist

Edition of 26 Signed, titled, dated and numbered on print margin. Photogravure

Silver Gelatin print by Ariane Lopez-Huici

LINA SCHEYNIUS (*1981, Sweden) Untitled (Touching) 2021 Fibre-based silver gelatin print Sheet 90 x 60 cm (35 3/8 x 23 5/8 in.) Edition of 3, plus 2 AP; Ed. no. 1/3 Print only Touc...

In this project, Vladimir Clavijo-Telepnev draws a line between sensuality and explicit sexuality in depicting a woman's body. Modern photography offers two main approaches to the su...

Photography printed on fine art paper Hand-signed and numbered 1/5 on the back by the artist

Untitled #9 from Ruven Afanador "Sombra" series, silver gelatin print 2/5 This work is featured in Afanador's 2004 book 'Sombra" which combines elegant, erotic portraits and nudes of...

In this photograph " Classical and Art Deco Bronze and Marble Statues in Monochromatic Light" the traditional elegance of classical and art deco forms expressed in bronze and marble...

Okurimono Pigment Print Images from the Okurimono series is available in 3 different formats : * 50 x 75 cm : edition of 10 + (+2ap) * 80 x 120 cm : edition of 7 + (+2ap) * 113 x 170 cm : edition of 7 + (+2ap) Each print is numbered and signed About the work : Work by contemporary photographer Christian Houge, from the Okurimono series. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays an important role. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays a Okurimono (meaning both “gift” and “that which is in-between” in Japanese) - is a word that binds together this comprehensive project developed over five trips to Japan between 2007 and 2018. The series explores the personal pursuit of identity, at times with an underlying darkness as Houge had the chance to be introduced to Tokyo’s subculture. In exploring this theme, Houge has ventured into delicate matters such as sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The artist wishes to question the viewer and provoke a reflection on topics that are often seen as taboos in our contemporary societies. The viewer’s own associations are important in appreciating this work where ambiguity plays an important role. The project started in the Harajuku district of Tokyo which is known as a center of Japanese youth culture and where Houge found some of his first motifs: teenage girls dressing up in post-Victorian dresses or ‘cosplay’ costumes to identify with a character of their favorite comics. Here, the desire to express one’s uniqueness is central and the photographer explores the tension between personal identity and aesthetics shared by all (or at least by the same youth group). In many of his carefully staged photographs, Houge’s models are masked, so as to echo the many social masks we wear in our day-to-day lives. In our post-modern information society, drained of wonder, these enigmatic masked characters also evoke the world of shamans and pagan rituals, therefore injecting a sense of mystery and spirituality that many people are longing for. Symbolism and the many references to ritual and identity in an otherwise suppressed society, may at times create a sense of unease among viewers. The Okurimono project also explores the topic of identity and sexuality in gender dysphoria with Japan’s nyūhāfu (the transsexual ‘new halfs’). Here, the quest for identity coincides with a search of femininity and body image which results in complex physical transformations. Viewers may look at these portraits not having any clue that models are nyūhāfu. Yet, the photographs are staged so that viewers are placed in a disconcerting voyeuristic role while looking at otherwise closed world. Shibari (the art of tying), which originates from the Edo period (1600s), is another territory explored by Houge in his Okurimono series. His striking photographs of female models tied with red rope on a white background take us into this powerful journey into vulnerability and surrender, power and freedom. Through tradition, symbolism and technology, Okurimono also explores the hugely potent symbols that help define parts of Japanese culture and national identity, between old and new. As Art historian Erling Bugge put it: “Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar.” The images of the Okurimono series share a ghostly, otherworldly quality. In reality and dream, ritual and play merge while the boundaries between the known and the unknown dissolve. Christian Houge – Now – Okurimono Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar. This is pushed to the limit in the technological and virtual wonderland of Akihabara in Tokyo, where shop after shop trade in electronic products and computer games, while a weird costume play, “cosplay”, is being performed in streets. A similar kind of simulation is being acted out in the district of Harajuku, where Houge found some of his motifs. There is no authenticity here, no western “essence” or “reality”; instead, the virtual conquers the carnal body in a purified play of surface, image and the hyperreal. This is exotic. All the while as we are conscious of these notions as pinnacle points in a western idea of the post-modern. But in this sense Japan has always been “post-modern”. It has always integrated the most refined culture and technology from the outside while somehow retained an identity for itself. So, what would this identity be? Houge takes the view of ritual and play. Indeed, Japanese culture seems to be grounded solely on ritual, in business and in sex, in its relation to nature and in religion. This play transcends the notion of authenticity altogether, unlike the West which is haunted by the “ghost” of origin and beginnings. In Japan, “now” would mean just that; it is a “no looking back”, but rather a flow of intensities integrated in the play and ritual of the ever-present, okurimono. There is no threat of being eaten up by western culture and technology here, for, like in Zen practice, the ritual oversees everything and has no historical drag. Japan becomes weightless, shot into orbit outside the material of earth itself. Is acting out the role as Lewis Caroll’s Victorian girl driven by a sense of nostalgia? I think not. It is a striving for a moment of perfected presence, in dialogue with Houge’s optical machine. It is the moment of Now. The girl, the Zen garden and the image shares in a perfection modified by small uncertainties, coincidental imperfections that become somewhat oblique points of entry for us - a discarded handkerchief or seemingly unremarkable shapes and reflections in the prismatic play of surfaces. There is a ghostly, otherworldly quality in these images, even in the fleeting blossoming cherrytree and the play of shadows across a concrete minimalism. The doubly exposed or reflected light on the lens reminds us of the uncertain beginnings in photography’s history, with its widespread belief that the camera was able to perceive more than the naked eye, like spirits and ghosts. In Houge’s images there are different specters, skeletal, natural shapes on the one hand, the machine and the virtual on the other. Here, like some scene from the film Blade Runner, there is an uncanny confusion and mix between the human and non human. Maybe the search for a perfect moment in the perpetual flow of things is a romantic or melancholic longing for transcendent wholeness, a drive that is harnessed in a rigorous attention to visual detail. This compulsive discipline might seem absurd to any western observer, while longing itself form a common ground and will ultimately be the basis in our meeting. Erling Bugge Bio: Christian Houge (born in Oslo 1972) Based in Oslo, Norway, I have been making photographs for over twenty years and new insights continue to open. By exploring the relation, and conflict, between Nature and culture, I get a better understanding about Mans` condition. I am interested in the consequences of Humankinds progression and how science often is the result of our conquering of Nature, both on Earth and beyond. Mans` ego, consumer society, the last remnants of pure Nature and identity are recurring elements in my work. I often juxtapose the visually aesthetic with an underlying uneasiness. This often emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. Looking at our actions and place in environment, which we are so dependent on, is a recurring theme in all my exploration and can use everything from digital cameras to large format and panoramic analog cameras for specific projects. I have exhibited extensively in galleries and museums in my native country Norway, as well as the US, England, France and China. The series `Death of a Mountain`(2016-2021) is nominated for the 2021 Leica Oskar Barnack Award, as well as receiving an arts grant from Norwegian Arts Council. Most recently, my series `Residence of Impermanence` 2017-2019 has been exhibited at five museums and several galleries already (including a solo show at Fotografiska, Stockholm (2019), and Les Recontres d`Arles, Haugar Artmuseum, Preus Muaeum of Photography and 2019 (Galerie Omnius, Arles). In 2021, this series received ten nominations for the Prix Pictet Award with the theme FIRE. `Residence of Impermanence` is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West...

We are all born from Mother Earth. Mimicking a plant or tree, a muscular man standing on his head emerges upward from the desert ground with is legs spread out like branches. Seen f...

A hunched-over nude man on an endless sunset road conjures up big themes. Time, distance, life, death, rebirth, and infinity are weaved together in a purposely enigmatic and dreamli...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

The print is signed, dated, and numbered with an edition of 2/15. It's signed lower right recto. printed later. Other sizes are available and it's unframed. Printed on Hahnemühle F...

Shot on location Near Taos, New Mexico, 4 of an edition of 15, Signed, dated and number lower right recto, Other sizes available unframed, printed later. Printed on Hahnemühle ...

Fawn at Dawn photograph. Golden light pours into the scene and drenches a classic bronze statue with flowers evoking a a timelessness. Signed,...

Shot on location Near Taos, New Mexico, 4 of an edition of 15, Signed, dated and number lower right recto, Other sizes available, unframed, printed later. Printed on Hahnemüh...

Signed and dated on lower right, numbered on verso, 3/15 Printed later, other size available, unframed . Exhibited, Images Gallery, New York

Animal Locomotion: Plate 162 (Man Leaping Forwards), 1887 - Eadweard Muybridge Inscribed with Muybridge's Letterpress credit, series title, plate number and date. Stamped with Museum...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

Golden light pours through trees creating intermittent shadows that dance on the limestone facade of a serene upper eastside townhouse. The shadows frame a bronze relief of a nude ar...

This is a photograph. A perfect balanced art deco sculpture of nude and doe is deftly composed against an ornate gilt frame. The image was taken with available light in keeping wi...

This is a series of black and white Nude abstract contemporary art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired ar...

Elevated view of women sunbathing on basketball court in New York City with unexpected color relationships. The actual color will vary from monitor to monitor. The work is Signed dat...

No title (No 24) Art print Edition 2/28 36" x 36" in by Yevgeniy Repiashenko No title (No 24) by Yevgeniy Repiashenko Year photo was taken: 2018 Art Print Limited Edition of 28 Pic...

"M36" Photography 40" x 40" inch Edition 2/20 by Giuliano Bekor Print size 40x40 Inches trim bleed Artwork finished size 42x42 Inches Limited edition 2 of 20 Artist proof 2 Mediu...

Floria González My love, 2010 Digital photography printed on cotton paper 29.5 x 28 in (74.93h x 71.12w cm) 2/6