Shorts Nude Photography

'The Bottom Line II', 2017, Edition 3/7 plus 2 Artist Proof Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-270 K...

"ELMC3" Black & White Photography 40" x 40" inch Ed. 1/8 by Giuliano Bekor Title of artwork: Echos of Tomorrow The Swimmer ELMC3 Year: 2008 Printed on a high-quality museum-grade ar...

Kneeling, Sandcastles (Bobby Kendall and Jay Garvin), early-1960s Signed, verso Vintage C-print 3.5 x 3.5 inches This work is offered by CLAMP in New York City.

Blue Jeans 2017 - 2018 Archival Pigment print 36 x 24 in. Ed of 10 Unframed Channeling the energy of “water-signs” in astrology, he captures these mysterious men through a romantic ...

Desierto 2, 2023 by Ricky Cohete Archival pigment print Image size: 36 in H x 24 in W. Edition of 10 + 1AP Unframed _________________________ Ricky Cohete was born in a coastal cit...

Fabian (Diptych) by Celso José Castro Daza From The Series Precolombian Fantasy One-of-a-kind Photo collage Overall Sheet Size: 27.5 in. H x 39 in. W Individual Sheet Size: 27.5 in...

Battle for the Sun - 2019 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory ...

This is a series of black and white nude photographs that began with analog photography between 1992 and 2005, followed by a transition period to digital photography. Erkaya is curre...

Sepia Photograph Archival Pigment print 36 x 24 in. Ed of 10 Unframed For this series, he used elements such as water (emotions) to narrate a story. He worked with the color Blanco ...

This side of the Mountain 2019, 20x24 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inven...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò took this opp...

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

Last man standing - part of the series The crazy Adventures of David C. 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and...

Bling Bling #05 [From the series Odd Stories], 87x66cm digital print based on an original Polaroid mounted on Dibond - matt coating Hand signed & numbered by artist edition 2012, 1 o...

The Future's so bright 2019, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventor...

Untitled (Dakota and Ben) Puerto Vallarta, Mexico 2017-2020 Signed and numbered, verso Archival pigment print 22 x 28 inches, sheet 20 x 24 inches, image (Edition of 7) $2,500 12...

'Self' part of the series 'Hands down' 2019, 20x20cm, Edition 2/7 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, not mounted. Signature label with certificate. ...

Dressing up, 2018, Edition 2/7 plus 2 Artist Proofs Based on an original Polaroid, Digital C-print, not mounted. Signed on the back and with certificate. A...

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod alm...

Don't Tell Mamma #16, 1994-2010 by Koray Erkaya From the series of Don't Tell Mamma Hahnemühle Photo Matt Fibre Duo 210 Paper Deckled Edge Image size: 24 in. H x 16 in. W (60 cm H x...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

Bodice of a Man, 2017 - 2018 From The Series Blanco - Sepia Archival Pigment print Frame size: 37 H x 25 W x 1 D in. Image size: 30 H x 20 W in. Edition of 13 White wood frame Fo...

From The Jon Gould Collection of Andy Warhol Photographs Each photo is unique and blind embossed “Andy Warhol” in the lower right corner Provenance: Gift of the Artist to Jon Goul...

Reaching, Sandcastles (Bobby Kendall and Jay Garvin), early 1960s [050] Signed, verso Vintage C-print 3.5 x 3.5 inches This work is offered by CLAMP in New York City.

Untitled (Mirror) 2021 Signed and numbered on label, verso Archival pigment print (Edition of 5 + 1 AP) 12 x 18 inches $1,400 This work is offered by CLAMP in New York City.

From a stunning collection of contemporary nudes from celebrated photographer, Markus Klinko, featuring amongst others, Dita Von Teese, Stoya and Aubrey O’Day This print is availabl...

Helmut Newton is a black and white photograph realized by Alice Springs in 1988 Black and white photograph

Untitled (Nr. 0979) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six...

Untitled (Nr. 7817) Photography 24" x 18" Edition of 20 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul Mitchell, and Vidal Sassoon. He has photographed Selena Gomez...

Zipline 2007 Stamped and numbered, verso Archival pigment print 20 x 24 inches (Edition of 10) This work is offered by ClampArt in New York City.

Untitled (Alan Running), Rye, NY 1974 Vintage copper toned gelatin silver print (Edition of 2) Signed, dated, and numbered in pencil, verso 11 ...

Folsom Street Fair featuring public spanking - Gay Interest This archival color photograph by fine art photographer Mitchell Funk is signed, dated and nu...

Gelatin silver print (Edition of 20) Signed and numbered on label, verso From the series, "Before the Camera" This artwork is offered by ClampArt, located in New York City. Chuck S...

Ed. 2/5, includes black frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classic...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò took this opp...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò took this opp...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò took this opp...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based photographer Andy Lo Pò...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based UK photographer Andy Lo Pò...

The 19th July 2022 was the UK's hottest recorded day. When most were abandoning work for nearby cool spots or sun-drenched parks, Brighton-based UK photographer Andy Lo Pò...

Unmade Beds, East Village, New York, 1976 by Fernando Natalici: Cooler than cool, "Unmade Beds" was photographed on the set of the Amos Poe directed film of...

Edition of 3 1/3 The photograph comes with a certificate of authenticity and a letter of appraisal. Shuki Laufer - 'Izabella' Photography on a Crystal a...

"Unnatural Causes 24", 3D lenticular print, white wooden frame by Jeff Robb. Lenticular printing is a technology in which lenticular lenses are used to produce printed images with a...

"Peak of the Moment 2" Photography 31.5" x 24" inch Edition of 5 by Lukas Dvorak Pigment print on Epson Fine ART paper 2023 Ships rolled in a tube ABOUT THE ARTIST Lukas Dvorak i...

Okurimono Pigment Print Images from the Okurimono series is available in 3 different formats : * 50 x 75 cm : edition of 10 + (+2ap) * 80 x 120 cm : edition of 7 + (+2ap) * 113 x 170 cm : edition of 7 + (+2ap) Each print is numbered and signed About the work : Work by contemporary photographer Christian Houge, from the Okurimono series. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays an important role. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays a Okurimono (meaning both “gift” and “that which is in-between” in Japanese) - is a word that binds together this comprehensive project developed over five trips to Japan between 2007 and 2018. The series explores the personal pursuit of identity, at times with an underlying darkness as Houge had the chance to be introduced to Tokyo’s subculture. In exploring this theme, Houge has ventured into delicate matters such as sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The artist wishes to question the viewer and provoke a reflection on topics that are often seen as taboos in our contemporary societies. The viewer’s own associations are important in appreciating this work where ambiguity plays an important role. The project started in the Harajuku district of Tokyo which is known as a center of Japanese youth culture and where Houge found some of his first motifs: teenage girls dressing up in post-Victorian dresses or ‘cosplay’ costumes to identify with a character of their favorite comics. Here, the desire to express one’s uniqueness is central and the photographer explores the tension between personal identity and aesthetics shared by all (or at least by the same youth group). In many of his carefully staged photographs, Houge’s models are masked, so as to echo the many social masks we wear in our day-to-day lives. In our post-modern information society, drained of wonder, these enigmatic masked characters also evoke the world of shamans and pagan rituals, therefore injecting a sense of mystery and spirituality that many people are longing for. Symbolism and the many references to ritual and identity in an otherwise suppressed society, may at times create a sense of unease among viewers. The Okurimono project also explores the topic of identity and sexuality in gender dysphoria with Japan’s nyūhāfu (the transsexual ‘new halfs’). Here, the quest for identity coincides with a search of femininity and body image which results in complex physical transformations. Viewers may look at these portraits not having any clue that models are nyūhāfu. Yet, the photographs are staged so that viewers are placed in a disconcerting voyeuristic role while looking at otherwise closed world. Shibari (the art of tying), which originates from the Edo period (1600s), is another territory explored by Houge in his Okurimono series. His striking photographs of female models tied with red rope on a white background take us into this powerful journey into vulnerability and surrender, power and freedom. Through tradition, symbolism and technology, Okurimono also explores the hugely potent symbols that help define parts of Japanese culture and national identity, between old and new. As Art historian Erling Bugge put it: “Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar.” The images of the Okurimono series share a ghostly, otherworldly quality. In reality and dream, ritual and play merge while the boundaries between the known and the unknown dissolve. Christian Houge – Now – Okurimono Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar. This is pushed to the limit in the technological and virtual wonderland of Akihabara in Tokyo, where shop after shop trade in electronic products and computer games, while a weird costume play, “cosplay”, is being performed in streets. A similar kind of simulation is being acted out in the district of Harajuku, where Houge found some of his motifs. There is no authenticity here, no western “essence” or “reality”; instead, the virtual conquers the carnal body in a purified play of surface, image and the hyperreal. This is exotic. All the while as we are conscious of these notions as pinnacle points in a western idea of the post-modern. But in this sense Japan has always been “post-modern”. It has always integrated the most refined culture and technology from the outside while somehow retained an identity for itself. So, what would this identity be? Houge takes the view of ritual and play. Indeed, Japanese culture seems to be grounded solely on ritual, in business and in sex, in its relation to nature and in religion. This play transcends the notion of authenticity altogether, unlike the West which is haunted by the “ghost” of origin and beginnings. In Japan, “now” would mean just that; it is a “no looking back”, but rather a flow of intensities integrated in the play and ritual of the ever-present, okurimono. There is no threat of being eaten up by western culture and technology here, for, like in Zen practice, the ritual oversees everything and has no historical drag. Japan becomes weightless, shot into orbit outside the material of earth itself. Is acting out the role as Lewis Caroll’s Victorian girl driven by a sense of nostalgia? I think not. It is a striving for a moment of perfected presence, in dialogue with Houge’s optical machine. It is the moment of Now. The girl, the Zen garden and the image shares in a perfection modified by small uncertainties, coincidental imperfections that become somewhat oblique points of entry for us - a discarded handkerchief or seemingly unremarkable shapes and reflections in the prismatic play of surfaces. There is a ghostly, otherworldly quality in these images, even in the fleeting blossoming cherrytree and the play of shadows across a concrete minimalism. The doubly exposed or reflected light on the lens reminds us of the uncertain beginnings in photography’s history, with its widespread belief that the camera was able to perceive more than the naked eye, like spirits and ghosts. In Houge’s images there are different specters, skeletal, natural shapes on the one hand, the machine and the virtual on the other. Here, like some scene from the film Blade Runner, there is an uncanny confusion and mix between the human and non human. Maybe the search for a perfect moment in the perpetual flow of things is a romantic or melancholic longing for transcendent wholeness, a drive that is harnessed in a rigorous attention to visual detail. This compulsive discipline might seem absurd to any western observer, while longing itself form a common ground and will ultimately be the basis in our meeting. Erling Bugge Bio: Christian Houge (born in Oslo 1972) Based in Oslo, Norway, I have been making photographs for over twenty years and new insights continue to open. By exploring the relation, and conflict, between Nature and culture, I get a better understanding about Mans` condition. I am interested in the consequences of Humankinds progression and how science often is the result of our conquering of Nature, both on Earth and beyond. Mans` ego, consumer society, the last remnants of pure Nature and identity are recurring elements in my work. I often juxtapose the visually aesthetic with an underlying uneasiness. This often emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. Looking at our actions and place in environment, which we are so dependent on, is a recurring theme in all my exploration and can use everything from digital cameras to large format and panoramic analog cameras for specific projects. I have exhibited extensively in galleries and museums in my native country Norway, as well as the US, England, France and China. The series `Death of a Mountain`(2016-2021) is nominated for the 2021 Leica Oskar Barnack Award, as well as receiving an arts grant from Norwegian Arts Council. Most recently, my series `Residence of Impermanence` 2017-2019 has been exhibited at five museums and several galleries already (including a solo show at Fotografiska, Stockholm (2019), and Les Recontres d`Arles, Haugar Artmuseum, Preus Muaeum of Photography and 2019 (Galerie Omnius, Arles). In 2021, this series received ten nominations for the Prix Pictet Award with the theme FIRE. `Residence of Impermanence` is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West...

Eva Maria Lopez (Aarons Estate Edition), 1989 Eva Maria Lopez takes a dip in the sea from the deck of Serena, her boyfriend's luxury yacht off Forment...

Ed. 2/7, includes frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classics with...

"Human Tetris" Photography 20" x 20" inch Edition of 36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 ABOUT Rob Woodcox Rob Woodcox is a fine art and fas...

"Not from Hollywood" Photography 45" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish C...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

Black and white photography of four models jumping and playing in a fountain by the extraordinary Ellen Von Unwerth for her Photo Series The Story of Olga. All prints are limited ed...

From Sylvie Blum´s well-known horses series, a woman walking a horse and holding an umbrella, photographed by Sylvie Blum. All prints are limited edition. Available in multiple size...

"Horizon" Contemporary Queer LGBTQ Portraiture and Landscape Photography by AdeY Horizon 2016 Signed and numbered, verso Archival pigment print (Edition of 3 + 2 APs) 29.5 x 39.4...

This is a black and white photograph by Arthur Tress of a nude male figure. The Voyeur c. 1970s Signed, titled, and numbered in black ink, recto Gelatin silver print (Edition of 2...

Other sizes and high end framing on request. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the most ...