Ralph Eugene Meatyard

Untitled (Boy Making Gesture) [Michael and Christopher]

1959/1974

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7.5 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “Meatyard took his definition of romance from The Devil’s Dictionary (1911) compiled by American writer Ambrose Bierce from the satirical pieces he published weekly in the late nineteenth century. The American grotesque of Bierce’s tall tales is here combined with Meatyard’s Surrealist inclinations and the European, particularly French, interest in primitive masks, perhaps with the intention of creating a parody of high art. Rather than sports fans, the stadium benches...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “This image probably owes some of its inspiration to the abnormal characters in the stories of Flannery O’Connor’s 1955 collection, "A Good Man is Hard to Find." But Meatyard was also looking at Giorgio de Chirico and the European Surrealists and here employs their penchant for the lifeless mannequin figure. A headless dressmaker’s dummy...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 6.5 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “Madelyn Meatyard was an indulgent model. The role her husband usually chose for her was that of mother, posing with one or more of her three children. Here, he stations her before an arched window. The pious atmosphere created by this framing is contradicted by Madelyn’s everyday dress and by the dilapidated Venetian blinds behind her. Unlike a traditional religious icon, this Madonna gazes sternly into space, while her small child stands facing the maternal loins from which she sprang. Many photographers prior to Meatyard—such as Alfred Stieglitz, Edwards Weston and Harry Callahan—had produced series based on their beguiling wives.” —Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), pp. 86-87 An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

Edition of 50 Signed, titled, dated and numbered by Keith Carter Gelatin silver print Paper size: 20 x 16 in., Image size: 15 x 15 in. Keith Carter is an American photographer who i...

Boy with Bee by Keith Carter is a black and white portrait of a child sitting on a bench while holding a bee sculpture. Edition of 50 Signed, titled, dated and numbered by Keith Car...

Muscle Boy is an iconic image by Leonard Freed who was a pioneer in socially conscious photojournalism. In this photo a boy flexes his muscles for the camera perhaps making a state...

Purchased directly from artist. Hand printed silver gelatin photograph,. Mint Condition Signed and titled in pen on recto.