xulong zhang

Untitled - Contemporary, 21st Century, Polaroid, Portrait Photography

2014

'Untitled' 2011, Edition of 10 plus 2 Artist Proofs, Digital C-Print, based on a Polaroid 59, not mounted, 27cm x 21.5cm, not mounted, Signed, embossed stamp and artist certificate. ...

'Untitled' 2015 - Edition of 10 plus 2 Artist Proofs, 21.5 x 27cm. Archival Print, based on an 8x10" Polaroid Negative Scanning. Signed, embossed stamp and artist certificate. Not mounted. Short Bio: Xulong Zhang has been engaged in fashion portrait photography for 30 years and loves the Polaroid medium and began to working with Polaroid photography in 2000. He traveled to 34 countries for his Polaroid projects.. Vita: 1999 Has won the title “Ten Elites” in the 3rd China Portrait Photography. 2000 Named the World Chinese Artist, known as “The Prince of Album” 2001 September, CCTV special report on “Zhang Xulong’s Body Art Photography” gained strong feedback from the community. 2002 January, published “Strategies for Commercial Portrait Photograph” by Zhejiang Photography Publishing. 2002 February, launched the concept of “Tang Yun” and greatly accepted by the market. His idea has spread across whole China’s photography industry. 2002 July, launched the concept of “Picasso’s scene backdrop” for kids photography and shocking the whole industry. 2002 August, published “Ms.Tang’s Body Art Portrait Album”, the first female body photography in China, by People’s Arts Publishing 2002 September, a personal exhibition entitled “seeing memory” in the ancient city of Shanxi Province, the 2nd session of the Pingyao International Photography Festival. In December of 2002, he was invited to give lectures in Malaysia and auction off the “Fruitful Achievements” exhibition in Kuala Lumpur, donating all money to the Kuala Lumpur Charitable aid for nursing homes and orphanages, won the "goodwill ambassador" title of honor in Kuala Lumpur. 2003 February-March, held the exhibition of “White Valentines” at Beijing International Trade and Exhibition Centre. December 2003, pioneered the new concept of "Royal Wedding", and completed the album of “Invasion 2004” wedding photography books published by Jilin art press. In December 2003 was awarded the 2003 annual contribution of the Chinese human body photography. 2003 Published “China Portrait Culture”. 2004 January, published Body Art & Portrait album “Chun Hua Qiu Shi”. 2004 March, held the exhibition of “Body Art & Portrait photography” in Chengdu. 2004 May, featured on a special report of “Match En China” in Paris. 2004 September, Pingyao international photography festival held entitled "the ambiguity of ancient legacy" xu-long Zhang body art exhibition 2005 August. 2005 August, accept the German star weekly "Der Stern" special report of “China nude” photography...

'Untitled' 2013, Edition of 10 plus 2 Artist Proofs, Digital C-Print, based on a Fuji FP-100C Instant Film, not mounted, 27 x 21.5 cm, Signed, embossed stamp and artist certific...

'Untitled' (Chinese Classical), 2002, Edition 2/50 plus 2 Artist Proofs, Archival Pigment Print based on a POLAROID 809 Emulsion Transfer, 16.5x23.5inches, mounted on Aluminum, Signe...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

Her-Untitled 3, 2018 by Ying Chen From the Her series Archival pigment print Image size: 24 in. H x 20 in. W Edition of 5 + 1AP Unframed This is a photo contemporary collage project based on modern art. Greatly influenced by natural figures and artificial textures. I love to collect black and white photos of female portraits, cutting out the parts and stripping them from the original context, combining them with the abstract design figure, to get a new composition. This project is about 'she', every single piece has a unique female image, and each composition has a different character. Mysterious women are always a very attractive point to me. Ideally, behind every independent female figure, I want the audience to see a gentle but strong female image. Its basic sense is to make her seem to have life, when she smiles or looks up, every move is gentle and beautiful. "Memory" is another word I would like to mention in this project. Behind every one of my works, there is a memory of different-sometimes or that one day. It almost mirrors my time, my thoughts, and my personality. like a quote from Kurt Cobain's journals "I use bits...

Her-Untitled 2, 2018 by Ying Chen From the Her series Archival pigment print Image size: 24 in. H x 20 in. W Edition of 5 + 1AP Unframed This is a photo contemporary collage project based on modern art. Greatly influenced by natural figures and artificial textures. I love to collect black and white photos of female portraits, cutting out the parts and stripping them from the original context, combining them with the abstract design figure, to get a new composition. This project is about 'she', every single piece has a unique female image, and each composition has a different character. Mysterious women are always a very attractive point to me. Ideally, behind every independent female figure, I want the audience to see a gentle but strong female image. Its basic sense is to make her seem to have life, when she smiles or looks up, every move is gentle and beautiful. "Memory" is another word I would like to mention in this project. Behind every one of my works, there is a memory of different-sometimes or that one day. It almost mirrors my time, my thoughts, and my personality. like a quote from Kurt Cobain's journals "I use bits...

Her-Untitled 9, 2018 by Ying Chen From the Her series Archival pigment print Image size: 24 in. H x 20 in. W Edition of 5 + 1AP Unframed This is a photo contemporary collage project based on modern art. Greatly influenced by natural figures and artificial textures. I love to collect black and white photos of female portraits, cutting out the parts and stripping them from the original context, combining them with the abstract design figure, to get a new composition. This project is about 'she', every single piece has a unique female image, and each composition has a different character. Mysterious women are always a very attractive point to me. Ideally, behind every independent female figure, I want the audience to see a gentle but strong female image. Its basic sense is to make her seem to have life, when she smiles or looks up, every move is gentle and beautiful. "Memory" is another word I would like to mention in this project. Behind every one of my works, there is a memory of different-sometimes or that one day. It almost mirrors my time, my thoughts, and my personality. like a quote from Kurt Cobain's journals "I use bits...