Still-life Photography

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the pink and green ranunculus, and her own colla...

In Anastasia Samoylova's "Breakfast With" series, photo books are splayed open and the iconic images therein mingle with the first meal of the day, reading as affectionate homages to...

Large and wonderful B & W photograph by American photographer Andreas Feininger (1906-1999). Photograph is of a gorilla rib cage. Printed in 1951, it measures 8ft. 10 in. x 10ft. Photograph is attached to linen and can be rolled for easy storage and shipping. Feininger was born in Paris, France, the eldest son of Julia Berg, a German Jew, and the American painter and art educator Lyonel Feininger (1871-1956). His paternal grandparents were the German violinist Karl Feininger (1844–1922) and the American singer Elizabeth Feininger, (née Lutz), who was also of German descent. His younger brother was the painter and photographer T. Lux Feininger (1910–2011) In 1908 the Feininger family moved to Berlin, and in 1919 to Weimar, where Lyonel Feininger took up the post of Master of the Printing Workshop at the newly formed Bauhaus art school.[2] Andreas left school at 16, in 1922, to study at the Bauhaus; he graduated as a cabinetmaker in April 1925. Afterwards he studied architecture, initially at the Staatliche Bauschule Weimar (State Architectural College, Weimar) and later at the Staatliche Bauschule Zerbst. (Zerbst is a city in the German state of Saxony-Anhalt, about 20 km from Dessau, where the Bauhaus moved to in 1926.) The Feininger family moved to Dessau with the Bauhaus. In addition to continuing his architectural studies in Zerbst, Andreas developed an interest in photography and was given guidance by neighbour and Bauhaus teacher László Moholy-Nagy.[3] In 1936, he gave up architecture and moved to Sweden, where he focused on photography. In advance of World War II, in 1939, Feininger immigrated to the U.S. where he established himself as a freelance photographer. In 1943 he joined the staff of Life magazine, an association that lasted until 1962. Feininger became famous for his photographs of New York...

Trade Wind (Sidewinder) 58x56 cm, 2005, Edition 1/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid. Sig...

A photograph by Andy Warhol. “Perugina Candy Box” is a Polaroid, Polacolor by American Pop Artist Andy Warhol. The artwork is numbered FA09.02294 and AWL134 ...

Artist Commentary: Original cut and paste collage using imagery from vintage books and magazines. This collage was created for a social m...

Bird Print - Still Life Black and White Photographic Print Framed Pia Clodi’s works have a beautiful way of breathing life into the everyday. Taking moments from throughout her life...

Bunny Lambert Mellon’s trompe l'oeil potting shed in Upperville, Virginia, 31 May 2010 Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival ...

Wallace Nutting Antique Hand Colored Photograph Photo dimensions 75" wide x 9.5" high The frame measures 14" wide x 18" high The pho...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the pink, yellow and green flowers, and her own ...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the pink and green Ranunculus, and her own colla...

Across (Strange Love), 2006 - 126x125cm Edition of 5. Analog C-Print printed on Fuji Archive Paper, hand-printed by the artist, based on a Polaroid. Signature label and certif...

Flora 07 is a vibrant Digital C-Type print in an Edition of 15 in this size by contemporary photographer duo Tortora & Travezan. All prints are produced to order. Lead times betwee...

This abstract floral photography has dominant grey and pink colors. Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, b...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

Pair of Early 20th Century Hand Tinted Interior Scene Photographs by Wallace Nutting C.1910 Antique photographs - highly detailed - hand colored Signed by Nutting One photo measur...

Passionate, sensitive and an eye for detail, light and color, this is the working method of Dutch photographer Ursula van de Bunte (1969). She is a...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the ivory and greens of the Fritillaria, and her...

Oscar - Signed limited edition archival pigment print, Edition of 5 Provenance : Ian Sanderson’s Estate This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Named Oscar the time to photograph it, this lobster returned to live in the sea... No animals were mistreated during the photoshoot. Signed + numbered by artist with certificate of authenticity, unframed Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Available sizes ( Image size , the white margin is not counted): 39 x 35 cm / 15,35" x 13,77" - Edition of 5 60 x 67 cm / 23,62" x 26,38" - Edition of 5 ( 4 available ) 102 x 91 cm / 40,15" x 35,82" - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Styles: Colour photography, 21st century, Archival print, Long room, kitchen decorative...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the pink and yellow dahlia, and her own collage ...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the blush pink dahlia, and her own collage work,...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

In Anastasia Samoylova's "Breakfast With" series, photo books are splayed open and the iconic images therein mingle with the first meal of the day, reading as affectionate homages to...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the pinks, blush and greens of the Peony, and he...

Asparagus in Bloom, limited edition photograph, archival ink, signed and numbered Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgi...

Stunningly beautiful, this digital pigment print was created by Neil Seth Levine in 2006. Chrysanthemum is hand-monogrammed, titled, dated, and numbered in pencil and measures 30 x ...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the pink/blush of the Anenome, the green and whi...

This print features the playful relationship between natural forms and botanicals handmade out of hand-dyed papers, by Yuk Wah Leung. In this image Erin uses the natural composition ...

Untitled (Black Hand with Thimble Ring), 2003 by Chema Madoz Toned gelatin silver print, 13 1/4 x 9 7/8 in. Signed, dated and inscribed by Chema Madoz Ch...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

'White Leaf' Oversize Archival Pigment Print - Signed Limited Edition Fine Art photograph of a banana leaf. by Stuart Möller. Beautiful mint condition Limited Edition Archival ...

These limited edition photographs are Mandalas made from pieces of Candy or toys or fruit. Loyal and True is 20x20 with plexifacemount framing. It is an edition of 20. It is fun ...

"Emily Dickinson", 2005 1885 letter to Benjamin Kimball "Though the Great Waters Sleep" Archival Pigment Prink on Hahnemuhle Photo Rag Matte Paper, edi...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and their personalities. Tapes are significant in both their live...

Flora 13 is a vibrant Digital C-Type print in an Edition of 15 in this size by contemporary photographer duo Tortora & Travezan. All prints are produced to order. Lead times betwee...

Rabbit Ears, limited edition, archival pigment ink print, signed and numbered Holding Arabesque investigates our relationship with food and nostalgia and how both are used as marke...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photogra...

limited_edition PHOTOGRAM Archival Chromagenic Photographic Print Edition number 12 Image size: H:100 cm x W:77 cm Complete Size of Unframed Work: H:100 cm x W:77 cm x D:2.5cm Frame...

This work is unique. Stamped on the reverse by The Andy Warhol Foundation for the Visual Arts. Foundation number also on verso. The work comes with an Authentication Letter from the ...

High Tea, limited edition photograph, archival ink, signed and numbered Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and how...

Bending the Rule, limited edition photograph, archival ink, signed and numbered Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the color saturated 1980's. "Queen" featuring a red rose, paint, a cameo portrait locket, makeup, a chess piece, a pocket watch and a red lucite dice piece . Audrey L. Flack (born May 30, 1931 in New York City, New York) is an American artist. Her work pioneered the art genre of photorealism; her work encompasses painting, sculpture, and photography. From Audrey Flack: 12 Photographs 1973 to 1983. A set of this portfolio is in the collections of the Harvard Art Museums. The Kodakchrome photos were photgraphed with a NIkon camera, the Ektachrome photographs were taken with a Hasselblad camera. Each negative was printed on a 20 X24 inche fiber based paper, dry mounted wth seal MT5 dry mounting tissue to 4 ply 100% cotton fiber board by Arnon Ben-David and Ari Rivera Gonzales under the supervision of Carol Brower. Flack has numerous academic degrees, including both a graduate and an honorary doctorate degree from Cooper Union in New York City. Additionally she has a bachelor's degree in Fine Arts from Yale University and attended New York University Institute of Fine Arts where she studied art history. In May 2015, Flack received an honorary Doctor of Fine Arts degree from Clark University, where she also gave a commencement address. Flack's work is displayed in several major museums, including the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Solomon R. Guggenheim Museum. Flack's photorealist paintings were the first such paintings to be purchased for the Museum of Modern Art’s permanent collection, and her legacy as a photorealist lives on to influence many American and International artists today. J. B. Speed Art Museum in Louisville, Kentucky, organized a retrospective of her work, and Flack’s pioneering efforts into the world of photorealism popularized the genre to the extent that it remains today. Flack attended New York's High School of Music & Art. She studied fine arts in New York from 1948 to 1953, studying under Josef Albers among others. She earned a graduate degree and received an honorary doctorate from Cooper Union in New York City, and a Bachelor of Fine Arts from Yale University. She studied art history at the Institute of Fine Arts, New York University. 1953 New York University Institute of Fine Arts, New York City 1952 BFA, Yale University, New Haven, Connecticut 1948-51 Cooper Union, New York City Career Flack's early work in the 1950s was abstract expressionist; one such painting paid tribute to Franz Kline. Most influential amongst her early supporters was the Bauhaus artist Josef Albers. It was he who persuaded Flack to take up a scholarship at Yale with the mission of shaking up the institution's stuffy academic reputation. The ironic kitsch themes in her early work influenced Jeff Koons. But gradually, Flack became a New Realist and then evolved into photorealism during the 1960s. Her move to the photorealist style was in part because she wanted her art to communicate to the viewer. She was the first photorealist painter to be added to the collection of the Museum of Modern Art in 1966. Between 1976 and 1978 she painted her Vanitas series, including the piece Marilyn. The critic Graham Thompson wrote, "One demonstration of the way photography became assimilated into the art world is the success of photorealist painting in the late 1960s and early 1970s. It is also called super-realism, radical realism, or hyper-realism and painters like Richard Estes, Chuck Close, and Audrey Flack as well, often worked from photographic stills to create paintings that appeared to be photographs." In the early 1980s Flack's artistic medium shifted from painting to sculpture. She describes this shift as a desire for "something solid, real, tangible. Something to hold and to hold on to." Flack discusses the fact that she is self-taught in sculpture. She incorporates religion and mythology into her sculpture rather than the historical or everyday subjects of her paintings. Her sculptures often demonstrate a connection to the female form, including a series of diverse, heroic women and goddess figures. These depictions of women differ from those of traditional femininity, but rather are athletic, older, and strong. As Flack describes them: "they are real yet idealized... the 'goddesses in everywoman.'" Flack has claimed to have found the photorealist movement too restricting, and now gains much of her inspiration from Baroque art. Flack is currently represented by the Louis K. Meisel Gallery and Hollis Taggart Galleries. Her work is held in the collections of museums around the world, including the Metropolitan Museum of Art, The Museum of Modern Art, the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the Allen Memorial Art Museum, and the National Gallery of Australia in Canberra, Australia. She was awarded the St. Gaudens Medal from Cooper Union, and the honorary Albert Dome professorship from Bridgeport University. She is an honorary professor at George Washington University, is currently a visiting professor at the University of Pennsylvania and has taught and lectured extensively both nationally, and internationally. Flack lives and works in New York City and Long Island. Audrey Flack is best known for her photo-realist paintings and was one of the first artists to use photographs as the basis for painting. The genre, taking its cues from Pop Art, incorporates depictions of the real and the regular, from advertisements to cars to cosmetics. Flack's work brings in everyday household items like tubes of lipstick, perfume bottles, Hispanic Madonnas, and fruit. These inanimate objects often disturb or crowd the pictorial space, which are often composed as table-top still lives. Flack often brings in actual accounts of history into her photorealist paintings, such as World War II' (Vanitas) and Kennedy Motorcade. Women were frequently the subject of her photo realist paintings. In her Neoclassical public sculpture of gilded bronze...

Heidler & Heeps B Side Vinyl Collection Six Piece Set. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising ...

This abstract floral landscape photography has pastel soft dominant color of grey, pink and white. Belgian photographer Isabelle Menin creates portraits of flowers that are not on...

Cupcake Sundae, limited edition photograph, archival photograph, signed Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and how...

This abstract floral photography has dominant grey and pink colors. Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, b...

Heidler & Heeps B Side Vinyl Collection Six Piece Set. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising ...

Fleurice M8 2020 Signed and numbered on label, verso Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP) 24 x 24 inches (61 x 61 cm) This work is offered...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the bright orange peony, and her own collage wor...

Edition: 25 Signed, dated and numbered in ink on label affixed verso COA provided In Sherman's photographs she is experimenting with groupings of different objects with my porcelain...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Abstract still life photograph of yellow flowers against a white sky background Photograph printed on Japanese Kozo paper infused with encaustic on four panels Edition 3/12, 36 x 45....

Artist Commentary: This romantic pano looks as much like a watercolor as it does like a photo! Words that describe this piece: garden, flower, flowers, peonies, gladiolas Artist B...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the yellow and green fritillary, and her own col...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the soft orange and yellow peony, and her own co...