Small Still-life Photography

Sango Aristocrat with Apple, limited edition photograph, archival, signed Eating is a physical need, but meals are a social ritual. Utilizing the passed down heirlooms of friends a...

Marchesa Camellia with Rhubarb, limited edition photograph, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizing the passed-down heirlooms of fri...

Noritake Hertford with Tomato, limited edition photograph, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizing the passed down heirlooms of frien...

Lenox Garden Grove with Spring Onion, limited edition photograph, archival, signed and numbered Eating is a physical need, but meals are a social r...

Lenox Chirp with Plum, limited edition photograph, archival, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizing the p...

Gracie Lemonata with Lemon, limited edition, archival ink, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizing the passed down heirlooms of fri...

Aram Black Orchid with Berries, limited edition photograph, archival, signed and numbered Eating is a physical need, but meals are a social ritual. ...

D. Angell Madison’s April in New York with Currant, limited edition photograph, archival ink, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizin...

Adelaide Blue with Pineapple, limited edition photograph, archival, signed and numbered Eating is a physical need, but meals are a social ritual. Util...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With a burst of light irradiating a pink flower in a blue china porcelain vase...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

These are vintage prints from the 1980's. The last photo shows of a label from an accompanying piece (there were three sequence shots in this series) but is not on this piece. They l...

A Bientot, Flower, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak profession...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Artist Commentary: This image was taken in Michigan on a frozen lake. I like how the texture of the ice plays against the black lines of the tree branches Keywords: water, winter, o...

Sunday Coffee, New York, NY 1996 photographed by downtown New York art scene photographer, Fernando Natalici. Archival Inkjet Print, 13 x 19 inches including borders. Hand signed o...

SUSANNAH HAYS approaches her photographic practice as a philosopher experiences poetic material renderings of our phenomenological world. Investigating tangible objects, each of her ...

SUSANNAH HAYS approaches her photographic practice as a philosopher experiences poetic material renderings of our phenomenological world. Investigating tangible objects, each of her ...

SUSANNAH HAYS approaches her photographic practice as a philosopher experiences poetic material renderings of our phenomenological world. Investigating tangible objects, each of her ...

Ice Cream Truck Digital C-Print / Archival Pigment Print Available sizes: 24” x 18” - Edition of 20 36” x 27” - Edition of 5 44” x 33” - Edition of 5 60” x 45” - Edition of 5 Luszty...

Dragon Fly , Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pap...

Chromogenic photo print. hand signed, titled and dated. This is a vintage print, printed in 1987 and editioned 2/10. Jane L. Calvin (born April 27, 1938) is an artist based in Chicago, Illinois. Jane Calvin was born in Chicago, Illinois. Her father was an avid art collector and Calvin was brought up in the art world from the time she was born. She attended classes at the Art Institute of Chicago as a young child and went on to pursue a degree in Art History from Bryn Mawr College in Pennsylvania in 1959. Calvin worked as a private art dealer for some time before deciding to continue her education and become a fine art photographer. She graduated from the Art Institute of Chicago with her MFA in 1982.[1] Calvin later went on to be a Professor of Photography at The School of the Art Institute, Illinois Institute of Technology, and Beloit College. She was Adjunct Professor of Photography at Columbia College in Chicago until 2005. Since she started making photographs, Calvin has had exhibits across the nation as well as in Germany and China. Calvin constructs her photographs by montaging multiple slide projections and found objects into room-sized assemblages in her studio. She then photographs it, making a tableaux into which layers of meaning are woven. She does not use computer editing, just straight photography. Calvin stated, "The images can be seen as my commentary on the political and social roles projected onto society whose desires, manipulated by language and image, conflict with concerns of gender, sexuality, race and female identity." She says,“I make photographs, I don’t take them,” and in so stating she follows in the path of many Dada and Surrealist precursors, for example, German Kurt Schwitters’ famous Merzbau or Junk House (1923 and following), or Joseph Cornell’s metaphorically vast but physically modestly scaled, even private sculptural interiors of boxes (1930s and following). In her use of projected imagery within and upon the setup of her photographs, Calvin gestures toward earlier 20th century American surrealist photographer Man Ray photographic work, one example of which is Space Writing (Self-Portrait) acquired last year by the Bowdoin College Museum of Art. Calvin’s more recent kindred spirit – although comparatively minimalist in nature and junior chronologically – is Sandy Skoglund. The latter’s photographed installations are a hybrid of unnatural, spectral, coloration and suspended narrative. "I am a maker of meaning, not an observer of it. My medium is photography, although it is includes the processes of sculpture and installation . I build room-sized sets onto which I project images and text, recording the final result with the camera. There are no darkroom or digital tricks. The process is straight photography." For over 25 years, Calvin has been exploring contemporary society’s approach to issues of gender, female identity, sexuality, vulnerability, and love & desire. Eschewing linearity, the work stands in opposition to the simplicity and minimalism prevalent in earlier 20th century image-making. Her images are elliptical, fragmented, layered, reflecting the contemporary world as one of discontinuity and ambiguity with myriad connections, a world less temporally and spatially fixed than ever before. Through the content carried in found materials and appropriated texts, –she addresses— the social and political conditions that are just out of sight, but remain like some kind of background radiation exerting a subtle but undeniable influence on our society. Pop and pulp references throw a humorous light on cultural identity and gender roles projected onto society. The subject matter, appearing disconnected from its place and time, mysteriously overlaps our own collective awareness. –She asks the viewer to see what has been there all along.–—/> Exhibition publication, Gallery 210, University of Missouri, St Louis, 2005, 'Jane Calvin Sentences' Introduction by Terry Suhre, Director, and Essay "Jane Calvin's Phantasmagoric Spaces" by Dr. Mark White. This is a Set-Up: fab photo/fictions This exhibition looked at photographers who utilize fabricated imagery and constructed subjects to create their work. These deliberate fictions, and their position in the realms of photography and art, were explored through the work of several highly acclaimed artists: Jane Calvin, James Casebere, Gregory Crewdson, Barbara Kasten, Abelardo Morell, Patrick Nagatani...

Pink Cosmo, Photo, The Tappen House, Little Compton, RI (Rhode Island). Hand signed and numbered. small edition of 15, This one is marked proof. (these are on Kodak professional pape...

THE THEATER OF INSECTS Insects depicted larger than life, approach a human scale. One can confront them face to face and wonder at their structure and designs. In these images, the...

THE THEATER OF INSECTS Insects depicted larger than life, approach a human scale. One can confront them face to face and wonder at their structure and designs. In these images, the...

THE THEATER OF INSECTS Insects depicted larger than life, approach a human scale. One can confront them face to face and wonder at their structure and designs. In these images, the...

Thomas Ruff (German, b. 1958) Flieger, 2022 Medium: Digital print on Epson Archival Matte paper Dimensions: 48.3 x 32.9 cm Edition of 50: Hand-signed and numbered Condition: Mint

These limited edition photographs are Mandalas made from pieces of Candy or toys or fruit. Throw It, Fly It Toss It is 20x20 with a white frame in a 24x24 framed size. It is also available with plexifacemount framing. It is an edition of 20. Wonderful for kids room decor...

The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...

Carduus Nutans Sways by Marcy Palmer presents a small gathering of musk thistles, illuminated in a background of gold. This photograph is made of 24k gold...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

This is an archival pigment photograph by artist Paul Cava depicting a highly detailed autumn leaf in a minimalist arrangement on a textured background. It is printed on Hahnemuhle P...

Edition of 15 Signed, dated and numbered in pencil on print verso by Chema Madoz Paper size: 24 x 19 3/4 in., Image size: 22 3/4 x 18 in. Chema Madoz is one of the most important co...

This elegant silver edged crystal bowl once sat on her mother’s dresser. One of a series of photographs taken by Shani Mootoo—the ‘History Revisited Series’ captures images of object...