Outdoors Still-life Photography

Archival pigment print Signed and numbered, verso 18 x 24 inches 30 x 40 inches 40 x 53 inches 48 x 64 inches (Total edition of 15) This artwork is offered by ClampArt, located in ...

Black and white. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition of 10. Matte Finish gives the piece a painting feel. About the A...

Archival pigment print Signed and numbered, verso 16 x 20 inches (Edition of 7) 20 x 24 inches (Edition of 7) 30 x 40 inches (Edition of 7) This artwork is offered by ClampArt, l...

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Photogravure on Holland Van Gelder tissue Known for his remarkable documen...

Black and white. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition of 10. Matte Finish gives the piece a painting feel. Surfboard pa...

Pilings at beach. Black and white. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition of 10. Matte Finish gives the piece a painting...

Black and white. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition of 10. Matte Finish gives the piece a painting feel. Shot in NYC. About the Artist: Keith Ramsdell...

Archival pigment print Signed and numbered, verso 12.5 x 50 inches 15 x 60 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note t...

SIGNED, Limited Edition by Stuart Möller Beautiful large Archival pigment print of a shoreline in Sri Lanka, heavily textured, jagged rocks and cacti. 20x16" inches paper size - si...

Archival pigment print Signed and numbered, verso 40 x 52 inches 48 x 65 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note tha...

Archival pigment print Signed and numbered, verso 20 x 24 inches 30 x 40 inches 40 x 53 inches 48 x 65 inches (Total edition of 15) This artwork is offered by ClampArt, located in ...

Afar #8, 2015 Digital photography printed on Hahnemuhle paper 17h x 45w in Edition of 5 + A.P.

Afar #5, 2015 Digital photography printed on Hahnemuhle paper 17h x 45w in Edition of 5 + A.P. Lujan Candria is a multidisciplinary artist who uses a wide array of media, such as p...

Afar #2, 2015 Digital photography printed on Hahnemuhle paper 11.50 h x 52w in Edition of 5

FONTANA FRANCO (b 1933.) Sunset 30 x 39 cm Signed and Dated 1973 Photography Franco Fontana was born in Modena, Italy, 9 December 1933. He is known as the inventor of the photogr...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Gelatin silver print Signed, titled, dated, and numbered (11/25), verso 20 x 16 inches, sheet This photograph is offered by ClampArt, located in New York City.

Archival pigment print Signed and numbered, verso 30 x 42 inches 40 x 56 inches 48 x 66.5 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Archival pigment print Signed and numbered, verso 20 x 24 inches (Edition of 3) $2,900 30 x 40 inches (Edition of 3) $6,500 40 x 50 inches (Edition of 2) $6,500 This photograph is...

Digital C-print Signed and numbered, verso 17.5 x 21.25 inches, sheet (Edition 3/10) This photograph is offered by ClampArt, located in New York City. About the artist: Vadim Gushch...

Archival pigment print Signed and numbered, verso 20 x 24 inches (Edition of 5) $3,335 30 x 40 inches (Edition of 3) $4,200 40 x 50 inches (Edition of 2) $6,500 This photograph is...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Berg Park I is a stunning Archival Inkjet Print by contemporary photographer Morgan ...

30"x40" available unframed edition 1 of 5 Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. Th...

Archival pigment print Signed and numbered, verso 20 x 24 inches (Edition of 5) $2,900 30 x 40 inches (Edition of 3) $4,880 including mounting/framing 40 x 50 inches (Edition of 2)...

Archival pigment print Signed and numbered, verso 20 x 24 inches (Edition of 4) $3,200 30 x 40 inches (Edition of 4) $5,880 (The price of this edition includes mounting and framing)...

From the series Fragile Land

From the series Fragile Land

Canadians have a funny kind of national identity, meaning specifically we do not really have one. To say that there is a national identity is to enter into a discussion without end -because there are just too many different kinds of people in Canada- it would be impossible to pin identity to anything, let alone a top-down Multicultural Act, or a Group of Seven. Strangely though, in art, that is exactly where Canadian begins, with a Group of Seven. In Diana Thorneycroft’s new series Group of Seven Awkward Moments, the momentous humor Canada is famous for is contrasted with the nation’s dirty little secret: that it is not funny at all, and in fact, much too serious, bordering on menacing. The new series of works falls into a line of art objects created by Canadian artists within the last few years that utilize parody and play to explode the hallowed imagery of nationalized corporatism. In the case of Thorneycroft, the use of backdrops that are reproduced works of the Group of Seven and Tom Thompson...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Climate change, traffic, construction cone dots a landscape of ice in this provocative museum matted Archival Pigment Print - photograph from Robert Von Sternberg who has lived and worked all his life in Los Angeles County, identifying human incursions into the natural world as a recurring theme at the heart of his photographic practice. Von Sternberg is drawn to capturing images of man intruding on nature more than any other and this is the visual thread that runs through the body of his work. Avid travelers, von Sternberg and his wife Patricia are especially fond of road trips, where the photographer delights in the offbeat side of the American touristic tradition. Far from focusing on the most canonical or scenic destinations, the artist seizes on the visual possibilities of overlooked roadside attractions and chance conjunctions. The surreal artificial lighting that illuminates the American nighttime often provides the "definitive photographic images - which sometimes also include the photographer himself. More often, though, von Sternberg captures scenes in which human figures are distant or absent. In this, his decisive moments are very unlike the densely populated ones pictured by Henri Cartier-Bresson. Still, Von Sternberg's roadside moments are crowded despite their ostensible vacancy. Through the roads, fences, signage, buildings, and all the other material structures of civilization, humanity marks the land; even in our bodily absence, we make our presence insistently known. Image captured digitally. Von Sternberg prints his own images on a 3880 Epson professional printer using archival Epson Ultrachrome pigment inks. Moab Juniper Baryta cotton rag paper stock, which is archival / 100 yrs. Papers are 13 x 19 inches. Outer dimension of the museum matting: 17 ½ x 23 ¼ inches. Robert Von Sternberg's photographs are collected worldwide and included in some of the world's most prestigious public and private institutions. 'Columbia Ice Field' is including in the permanent collections of the following Museums. Boca Raton Museum of Art, Boca Raton, Florida Norton Simon Museum, Pasadena, California Crocker Art Museum, Sacramento, California Princeton University Art Museum, Princeton, New Jersey Fred Jones Jr. Museum of Art, Norman, Oklahoma Fitchburg Art Museum, Fitchburg, Massachusetts Southeast Museum of Photography, Daytona Beach, Florida Mt. Holyoke College Art Museum, South Hadley, Massachusetts Laura Gallery, Lynchburg College, Lynchburg, Virginia Orlando Museum of Art, Orlando, Florida Wichita Art Museum, Wichita, Kansas Lismore Regional Gallery, Lismore, New South Wales, Australia University of Northern Iowa Art...

Carla van de Puttelaar's photographs allow the eye to touch skin on many levels. Although her primary subject is often the female body, in recent years she has also begun to examine...

Carla van de Puttelaar's photographs allow the eye to touch skin on many levels. Although her primary subject is often the female body, in recent years she has also begun to examine...

LA-852HZ (Green) Archival pigment print on Aluminum 24 x 36 inches Edition of 5 The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing color or...

Black and White, Trees, Botanical, Nature, Study, Still Life, Ecological, black & white, b&w, texture, trees, bark, leaves, photography, contemporary photography, woodlands, botanica...

"I create glowing, jellied scale models of urban sites, transforming ordinary physical surroundings into something unexpected and ephemeral. Lit from below, the molded shapes of the ...

Listing is for UNFRAMED print. Inquire within for framing. CURRENT EXHIBITION - runs through December 18th, 2016. Any framed photographs purchased during the show will be available...

Canadians have a funny kind of national identity, meaning specifically we do not really have one. To say that there is a national identity is to enter into a discussion without end -because there are just too many different kinds of people in Canada- it would be impossible to pin identity to anything, let alone a top-down Multicultural Act, or a Group of Seven...

Canadians have a funny kind of national identity, meaning specifically we do not really have one. To say that there is a national identity is to enter into a discussion without end -because there are just too many different kinds of people in Canada- it would be impossible to pin identity to anything, let alone a top-down Multicultural Act, or a Group of Seven. Strangely though, in art, that is exactly where Canadian begins, with a Group of Seven. In Diana Thorneycroft’s new series Group of Seven Awkward Moments, the momentous humor Canada is famous for is contrasted with the nation’s dirty little secret: that it is not funny at all, and in fact, much too serious, bordering on menacing. The new series of works falls into a line of art objects created by Canadian artists within the last few years that utilize parody and play to explode the hallowed imagery of nationalized corporatism. In the case of Thorneycroft, the use of backdrops that are reproduced works of the Group of Seven and Tom Thompson...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston. Negative Code 15S.

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories. Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...

Kelly Ludwig began designing professionally since graduating from the University of Kansas with a B.F.A. in Visual Communications. Before joining DEG Digital as Associate Creative Di...

A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984. Slim Aarons Pool on the Amalfi Coast Chromogenic Lambda ...

You an Orchestra You a Bomb explores the photographer’s relationship with life itself. It is a series about paying attention to and appreciating the fragile present. You an Orchestra...

Gorgeous Still life colored photographies .Limited edition, numbered, signed and certificated. About the artist: Born in 1948 in the French Alps, Jean Turco spent his adolescence in...

Jakub Dolejš is an artist who lives and works in London. Jakub Dolejs' work been included in exhibitions at the National Gallery of Canada, Vancouver Art Gallery, East International...

Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...

Maggie Taylor creates evocative single-scene narratives in her whimsical and often elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objec...

Cyanotype print, 16 x 12 in. Signed, dated, print type and numbered in pencil on print verso.

Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...

With a varied career as both an artist and art director, Cy has collaborated with many of America’s best photographers. His works are close, intimate portraits of almost infinite dep...

Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...

"I create glowing, jellied scale models of urban sites, transforming ordinary physical surroundings into something unexpected and ephemeral. Lit from below, the molded shapes of the ...

"I create glowing, jellied scale models of urban sites, transforming ordinary physical surroundings into something unexpected and ephemeral. Lit from below, the molded shapes of the ...