Antelope Photography

Frida with Granizo by Nickolas Muray is a portrait of Frida Kahlo with her pet deer, Granizo. She places her hand lovingly on the deer while looking towards the viewer, with a cigare...

Early sepia-toned landscape photograph of Popocatepetl, a large mountain peak in central Mexico. The work highlights a donkey staged in the foreground with the mountain standing in t...

Archival pigment print on Fine Art paper 305g (Matt Appearance). Limited edition of 30. Title : " Asphalte est la couleur de ma nuit" (EN : Asphalt is the color of my night) Artist :...

Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw a giraffe poking its head over a fence ...

Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw a giraffe poking its head over a fence ...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Edition of 15 Signed, titled, dated, numbered, and copyright. Paper size: 17 x 13 in. Image size: 14 x 11 in. From the Chattel series. AVAILABLE SIZES: 13 x 17 in. , Edition of 15 $...

"""Noble Arch"" A speckled horse photographed in vivid detail against a black backdrop A speckled horse with a braided mane stands out against a black backdrop in this incredible d...

The American Dream abandoned in surburbia perhaps…. on the outskirts of its cities the reality of life can be both beautiful and harsh. – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest part of a road trip is not the arriving but all the crazy stuff that happens along the way”. – A larger format bespoke edition is also available on request. This custom edition of 3 pieces is produced to a client’s specifications. Typically this is for pieces greater than 150cm and up to 230cm on the longest side. Please contact us for further details. Edition of 10 Presentation: Photographic print...

Burn to Shine, limited edition photograph, archival pigment, signed and numbered From Tom Chambers' series Animal Visions All my life I have held a fas...

Human and Animal Locomotion. Plate 693. Elk; galloping. 14 x 20 inch original vintage collotype print from 1887 Image size 9 1/4 x 12 1/8 inches Muybridge copyright imprint below i...

Incredible portrait of a Mundari cattle camp with a tree in the background Expansive photograph of the Mundari cattle camp in Sudan In these scenes of life from South Sudan, experi...

"Churchill In Richmond Park" by Terry Fincher British wartime prime minister Winston Churchill (1874 - 1965) feeds the deer in Richmond Park, accompanie...

In this series, Zilberberg creates animal montages as an expression of self-therapy, drawing attention to mindfulness and nature conservation. As an urbanite, functioning day-to-day ...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Churchill in Richmond Park (1963) - Silver Gelatin Fibre Print (Photo by Terry Fincher/Express/Hulton Archive/Getty Images Archive) British wartime pri...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

Oh Deer (Japan) by Erik Pawassar from a series of urban observations of contemporary Japan 40 x 27 inches (102 X 69cm) signed edition of 25 71 x 48 inches (180 x 122cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on certificate label ____________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado, Raghubir Singh...

Kingman Haunted #52, 2007 [From the series Schoffie] Published in her book The Eyes of the Fox, 2018 Digital color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMO...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

Albania - Skanderbeg Mausoleum - Photograph is a vintage photograph in color. Good conditions.

"Watusi in Profile" Portrait of an ancient breed of cattle with sky high towering horns In these scenes of life from South Sudan, experience the surreal, roving camps of the Mundar...

The American Dream abandoned in surburbia perhaps…. on the outskirts of its cities the reality of life can be both beautiful and harsh. – Cawston’s eye for colour, structure and the...

Maverick had mighty horns—a set much curvier than most steers. Uniquely symmetrical, I wanted to highlight their near-perfect shape by centering the image. I like to imagine a mirror...

"Creation" Expansive portrait of life in the stunning cattle camps of the Mundari on the banks of the Nile River In these scenes of life from South Sudan, experience the surreal, r...

"Creation" Expansive portrait of life in the stunning cattle camps of the Mundari on the banks of the Nile River In these scenes of life from South Sudan, experience the surreal, r...

The Gamekeeper's Charge, limited edition photograph, archival, signed and numbered I present unspoken stories that illustrate fleeting moments in time and which are intended to evok...

Oh Deer by Erik Pawassar 71 x 48 inches (180 x 122cm) signed edition of 7 40 x 27 inches (102 X 69cm) signed edition of 25 archival fine art pigment print signed & numbered by a...

"Laundry on the Mandare" Berenty, Madagascar, 2008 20 x 30 in / Edition of 6 - $7,500 Also available: 32 x 48 in / Edition of 6 - $14,500 40 x 60 in / Edition of 6 - $17,500 50 x...

14 x 14 inches, Edition of 20, $750 20 x 20 inches, Edition of 20, $1200 30 x 30 inches, Edition of 10, $2300 Tom Chambers is an American born photographer who creates seamless and ...

From the Still Beating Series Narrative Art refers to visual imagery which tells stories, engages the imagination, and stirs the emotions. These stories transcend culture and are re...

Animal Visions All my life I have held a fascination with the animal kingdom, which began in my childhood growing up on a farm and extended into my adult years. On some inexplicab...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

"Watusi in Profile" Portrait of an ancient breed of cattle with sky high towering horns In these scenes of life from South Sudan, experience the surreal, roving camps of the Mundar...

The Old Days  Photo - Animals is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, royal families,...

Frida with Granizo by Nickolas Muray is a black and white portrait of Mexican surrealist painter Frida Kahlo with her pet fawn, Granizo. Platinum Print Image size: 11 x 10.5 in. Pa...

Elk is a Vintage Photograph was realized in the 1960s. Good conditions. Stamped on the rear.

Human and Animal Locomotion. Plate 750. Sloth; walking suspended on a horizontal pole. 14 x 20 inch original vintage collotype print from 1887 Image size7 3/4 x 13 3/4 inches Muybrid...

Photographer Jerry Siegel was born and raised in Selma, Alabama and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” w...

Edition of 25 Signed, titled, dated and numbered in pencil on print verso. Paper size: 22 x 17 in. Image size: 20 x 16 in. Series: Ghostland Keith Carter is an American photographer...

Archival pigment print Signed and titled, verso 18 x 12 inches, image (Edition of 10) This artwork is offered by ClampArt, located in New York City.

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...

This is an unframed photographic print. Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw...

Lela #1 by Kevin Horan presents a portrait of a dark haired goat looking off to the side, from Horan's series Chattel. This photograph is a 11 x 14 inch print, with the paper size me...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition AP 1 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Edition of 15 Signed, titled, dated, print date, numbered and copyright by Kevin Horan Archival pigment print Paper size: 17 x 13 in., Image size: 14 x 11 in. AVAILABLE SIZES: 13 x ...

Edition #4/45 - Original gampi print by Pete Zaluzec. Signed. Framed Size: 26 X 40

Edition of 8 Signed, titled, dated and copyright. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on projects which look at animals as people, people ...

Edition of 8 Signed, titled, dated, print date, numbered and copyright by Kevin Horan Archival pigment print 30 x 24 in. AVAILABLE SIZES: 13 x 17 in., Edition of 15, $1000 24 x 30 i...

Michael WOLF (1954 – 2019, Germany) Street View: A Series of Unfortunate Events #2, 2011 C–print Sheet 151.9 x 121.4 cm (59 3/4 x 47 3/4 in.) Edition of 3 plus 1 AP; Ed. no. 1/3 Pri...

Patrick Chelli invents collections of photographs from different points of view, looking at the viewer at the back. In his new series, spectators are captured in galleries as they wa...

Unique silver gelatin contact print Provenance: The Estate of Dora Maar

Vintage gelatin silver print Paper size: 11 x 14 in. Signed, titled and inscribed by Paul Greenberg Paul Greenberg became interested in taking pictures when he was in the 5th grade....

Edition of 8 Signed, titled, dated, print date, numbered, and copyright. Paper size: 30 x 24 in. Image size: 25 1/2 x 20 in. From the Chattel series. AVAILABLE SIZES: 13 x 17 in., ...

Edition of 8 Signed, titled, dated, numbered and copyright. AVAILABLE SIZES: 13 x 17 in. $1000 24 x 30 in. $2100 Kevin Horan is a photographer based in Langley, Washington, USA. He...

Edition of 8 Signed, titled, dated, print date, numbered, and copyright. Kevin Horan is a photographer based in Langley, Washington, USA. He is working on projects which look at ani...