Hat Photography

Sunbathing In Antibes Dani Geneux (left) and Marie-Eugenie Gaudfrin sunbathing at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. Pape...

From the horse crazy world of City Riders by Roberta Fineberg, a black-and-white photograph of girls in costumes while riding horses in the streets of New York City. The young ride...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Early Signed Portrait of Giuseppe Garibaldi is an albumen print signed on clichè and dated 26 June 1860. Excellent conditions, size 11 x 17,5 This very rare and unpublished photogr...

Gelatin silver print 16 x 20 inches, sheet This photograph is offered by ClampArt, located in New York City. About the artist: Yvette Marie Dostatni is a Chicago native who has been...

Posing II (Wastelands), 2003 Edition of 10, 38x37cm, Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No 117...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

Black and white action shot of the Irish Mafia - James Cagney, Pat O'Brien, Frank McHugh, and Spencer Tracy at the races, 1947. This listing is for a limited edition archival print....

Rue Mouffetard Size: 23.6 x 15.7 inches. Edition 6 ex. 5AP Unframed Printed later 1964, Uwe Ommer, a young 20-year-old photographer who recently arriv...

Attached is a certificate from the Carmen Tatche Gallery and press clippings from the exhibition held in 2000 in Spain.

A contemplative Audrey Hepburn with a dove perched on her shoulder, 1966. TITLE: Hepburn with a Dove 1966 PHOTO: Terry O’Neill SIGNED LIMITED EDITION (LAST AVAILBLE COPY OF THIS SIZ...

Ron Brouillette, Mulholland Drive 1966/2001 Signed, titled, dated, and numbered, recto Cibachrome print (Edition of 50) 24 x 20 inches, sheet 18 x ...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistica...

Her-Untitled 4, 2018 by Ying Chen From the Her series Archival pigment print Image size: 24 in. H x 20 in. W Edition of 5 + 1AP Unframed This is a photo contemporary collage project based on modern art. Greatly influenced by natural figures and artificial textures. I love to collect black and white photos of female portraits, cutting out the parts and stripping them from the original context, combining them with the abstract design figure, to get a new composition. This project is about 'she', every single piece has a unique female image, and each composition has a different character. Mysterious women are always a very attractive point to me. Ideally, behind every independent female figure, I want the audience to see a gentle but strong female image. Its basic sense is to make her seem to have life, when she smiles or looks up, every move is gentle and beautiful. "Memory" is another word I would like to mention in this project. Behind every one of my works, there is a memory of different-sometimes or that one day. It almost mirrors my time, my thoughts, and my personality. like a quote from Kurt Cobain's journals "I use bits...

ABOUT THIS ARTIST: Tropico Photo is the collaborative work of Forrest Aguar and Michelle Norris. Forrest loves pairing shapes and lines to create captiva...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the b...

Black and white fine art landscape - cityscape photography. Gondoliere in a side canal in the fabulous harbor city of Venice, Italy. Archival pigment ink print, edition of 9. Signed,...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

Andros Island (1957) Limited Estate Stamped (Photo By Slim Aarons) Sunbathers by a swimming pool at the Hotel Punta Tragara on the island of Capri, Italy, August 1974. Additional Information: Unframed Paper Size: 20x20'' Printed Later Limited Estate Stamped NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 12 x 12'' 16 x 16'' 20 x 20'' 30 x 30'' 40 x 40'' FRAMING AVAILABLE ON REQUEST About the Artist: Slim Aarons (American, October 29, 1916–May 29, 2006) was a photographer well-known for his portraits of the rich and famous. Born George Allen Aarons, he spent his youth in New Hampshire and New York before joining the army during World War II, where his photography career began. Working throughout his career with magazines like Life, Holiday, and Town & Country gave Aarons the chance to document the jet-set lifestyle of Hollywood stars, American and European socialites, and other celebrated figures. His approach was simple; using no make-up artists or artificial lights, he let the natural opulence of his subjects and their surroundings illuminate his lens. Typical scenes from Aaron’s photography take place in the sun, and in front of a pool surrounded by bathing beauties. The Slim Aarons Prints...

Gino Bramieri and Aldo Fabrizi - Vintage Photograph is a vintage black and white photograph realized in the 20th Century. Good conditions.

Original pencil signed silver gelatin photograph of a workman among building debris by Shirley Carter Burden, 1953. Signed " S.C. Burden" in pencil lower right. From a personal por...

ABOUT THIS PIECE: Beauty, elegance and fierce attitude defines Elena’s eye-catching work. She is known for her high impact colorful portraits. Her style is permeated with the passion for highly aesthetic, strong and elegant imagery, with saturated colors and play of light. Diving into her world means opening the doors of a minimalist and stylized world in which sublime female models play freely to the camera. ABOUT THIS ARTIST: Originally from Russia, Elena Iv...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

"Carry On Tea Break" by Larry Ellis Collection British actors Sid James and Kenneth Williams eating jellied eels from paper cups during the filming of 'Carr...

Poolside Secrets 1961 by Slim Aarons Slim Aarons Limited Estate Edition Flo Smith (left) and Lily Pulitzer at a pool party, Palm Beach, Florida, April 1961. unframed c type prin...

Sunbathing In Capri 1974 by Slim Aarons Slim Aarons Limited Estate Edition Sunbathers by a swimming pool in Capri, Italy, August 1974. unframed c type print printed 2023 20 × 16 ...

Signed limited edition print of Bassist Paul Simonon and lead singer Joe Strummer of British punk rock band The Clash backstage at the Agora Theatre in Cl...

Frames Of Frank (1955) - Silver Gelatin Fibre Print (Photo by Murray Garrett) circa 1955: Contact sheet of American actor and singer Frank Sinatra singing in front of a music stan...

The gentleman… a man of calm dignity and endessly kind eyes in Old Havana in 2016. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic chan...

Hank Williams III, Nashville, Tennessee, 1998. On August 17, 1952, Hank Williams was jailed overnight in Alexander City, Alabama for drunken and disorderly behavior. 46 years, 2 months and 10 days later in 1998. photographer Jim Herrington paid homage to that moment whilst photographing his grandson Shelton Williams, aka Hank III, in the stench-y alley behind the Ryman Auditorium. The “jail door...

Last man standing - part of the series The crazy Adventures of David C. 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Finding a Spot 1973 by Slim Aarons Slim Aarons Limited Estate Edition A man contemplates the sunbathers by a swimming pool in Capri, Italy, August 1974 unframed c type print prin...

Monte Mano 1973 by Slim Aarons Slim Aarons Limited Estate Edition A young woman by the pool at Monte Mano, the villa of architect Jacques Couelle in Sardinia, August 1973. unfram...

On the Rocks (Long Way Home) - 1999, 58x57cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print based on a Polaroid, hand-printed by the artist on Fuji Crystal Archive Paper. ...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the b...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the b...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

'Wendy Flaming Eyeball', from Richard Heeps 'Man's Ruin' Series. This contemporary portrait is part of a sequence of artworks photographing Wendy at the Rockabilly Weekender, Viva La...

'Sun Kissed Wendy', from Richard Heeps 'Man's Ruin' Series. This contemporary portrait is part of a sequence of artworks photographing Wendy at the Rockabilly Weekender, Viva Las Veg...

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday life in "Ideology in Paradi...

Untitled from the Dwell Series, 2018, Edition 1/10 plus 2 Artist Proof, 24x20cm, Digital Print based on a Polaroid photograph on Hahnemühle photo rag paper, not mounted. Signature l...

The Royal Ascot Car Park Picnic England 1985 by Homer Sykes oversize 60x40 inches / 152 x 101 cm paper size signed limited edition print edition of 5 only this size printed 2022 Certificate of authenticity provided Note Other sizes available Homer Sykes Sykes's father, Homer Warwick Sykes, was a Canadian-born American of English extraction who worked for the China National Aviation Corporation in Shanghai; his mother, Helen Grimmitt, was Canadian-born and raised in Hong Kong. The couple were married in August 1947, but in June 1948, in an early stage of his wife's pregnancy, Homer was killed in an accident at Lunghua airfield. Helen returned to her family home in Vancouver, and the son was born three weeks later, in 1949.[1][2] When the boy's mother remarried in 1954, the family moved to England.[3] Homer was a keen photographer as a teenager, with a darkroom both at home and at boarding school. In 1968 he started a three-year course at the London College of Printing (LCP),[1][3] while sharing a house in St John's Wood.[4] In the summer vacation during his first year, he went to New York, and was impressed by the work of current photographers – Cartier-Bresson, Davidson, Friedlander, Frank, Uzzle and Winogrand – that he saw at the Museum of Modern Art.[3] Solo exhibitions "Traditional British Calendar Customs", Arnolfini Gallery (Bristol), 1977;[14] Side Gallery (Newcastle), 31 August – 25 September 1977.[15] "Shanghai Odyssey", Open Eye Gallery (Liverpool), 24 May – 20 June 2003.[14][16] Festival of Photography and Contemporary Art (Biella), 2005.[14] "On the Road Again", Hereford Town Hall (Hereford Photography Festival), 2002.[17] "Green Man and Friends, photographs from the 1970s", WPS (Hastings), 2009.[18] "England 1970–1980", Maison de la photographie Robert Doisneau (Gentilly, Paris), 27 June – 12 October 2014.[10][11][19][20] "My Britain 1970–1980", Les Douches la Galerie, Paris. 5 September – 31 October 2015.[21][22][23] "Once a Year – Homer Sykes", Lucy Bell Gallery, St Leonards-on-Sea, May–June 2021[24] Other exhibitions "Personal Views 1850–1970", British Council touring exhibition, 1970.[3] "Traditional Country Customs" (with work by Benjamin Stone), ICA (London), 1971.[3][14] "Young British Photographers", Museum of Modern Art (Oxford), 1971.[14] Exhibition of photographs by Stone and Sykes of festivals, customs and pageants, Southampton and Birmingham, 1973.[7] "Reportage Fotografen", Museum des 20. Jahrhunderts (Vienna), 1978.[14] "Il Regno Unito si diverte". British Council, Milan, 1981. With Chris Steele-Perkins and Patrick Ward.[25] "The Other Britain", National Theatre (London), and touring in Britain, 1982.[26] "A British Eye on the World", Museum of Modern Art (Rio de Janeiro), 1986.[14] "Viva, une agence photographique", Jeu de Paume (Paris), 2007.[27][28] "How We Are: Photographing Britain." Tate Britain (London), 2007.[29][30] "No Such Thing as Society: Photography in Britain 1968–1987", Aberystwyth Arts Centre; Tullie House (Carlisle); Ujazdów Castle (Warsaw).[31] "Unpopular culture." De La Warr Pavilion (Bexhill), 2008.[32] "The Other Britain Revisited: Photographs from New Society", Victoria and Albert Museum, 2010.[26] "Goodbye London: Radical art and politics in the seventies", Neue Gesellschaft für Bildende Kunst (Berlin), 26 June – 15 August 2010. With Stuart Brisley, Victor Burgin, David Hall, Margaret Harrison, Derek Jarman...

Zoë (Paris) - 1995 Edition of 5, 60x50cm including white borders. Analog C-Print, hand-printed by the artist and based on a Polaroid, Signature label and Certificate. Artist In...

Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by. This artwork is a limited edition of 25, gloss photographi...

Captured on a visit to Samuel Field's grandparents in Eastbourne, this collection is a beautiful reminder of days gone by. This artwork is a limited edition of 25, gloss photographi...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Nazareno #6, 2002 by Celso José Castro Daza From The series Buscando Papá. Photo Collage One of a kind photo collage Sheet size: 40 in. H x 27.5 in. W Unframed The root of these uni...

Untitled #5 (Man Glasses Tower Bridge) from the series Eternal London is a Limited Edition Silver Gelatin print by Giacomo Brunelli. This size of 9" x 12" from a Limited Edition of 10. As the edition sells through, the print increases in price to reflect rarity. Giacomo Brunelli was commissioned by The Photographer's Gallery, London, to capture the heart of the capital city where he lives. Made over the course of 2 years, Eternal London takes Brunelli's distinctive film noir aesthetic to create an evocative and atmospheric view of London, full of powerful light and shadow work. Framed by boldly abstract silhouettes of people and animals, London's famous landmarks are presented in a less-than-obvious way, reflected in the puddles that typify English weather or looming as a mysterious structure in the background. Captured during daily morning walks, Brunelli randomly chose a person to follow before focussing his camera on them. Working discreetly, like early 20th century photographers such as Jacob Riis...

Potral - 2020 Edition of 10 plus 2 Artist Proof. Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper. Signature label and certificate. Not mounted. Lisa...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

11 x 14" vintage silver gelatin photograph of Gloria Swanson, in her dressing room during the Broadway run of “Butterflies are Free” her stage swan song, 1971. Signed by Jack Mitche...

'In Bloom', 2020 Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper. Edition of 10 plus 2 Artist Proofs, 20x25cm, Signature label and certificate. Not mount...

Audrey Hepburn (1958) Silver Gelatin Fibre Print - Oversized (Photo by Pictorial Press / Alamy Archives) AUDREY HEPBURN film actress (1929-1993)...

Warm-tone gelatin silver print (Edition of 20) Signed and numbered on label, verso From the series, "Before the Camera" This artwork is offered by ClampArt, located in New York City...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

La Rumba (2012) Edition of 10 - 40 x 40 cm Digital C-Print based on a Polaroid, not mounted. Signed on back and certificate. Clare Marie Bailey Works and Lives: UK Clare Marie B...