Jungle Photography

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

"Tulle no. 51_v2" is a color photograph, limited edition, signed and numbered by Thomas Jackson. Thomas Jackson's Emergent Behavior is inspired by the instinctual self-organizing sy...

large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle paintings by artist Henri Rousseau Cloud Forest...

Bosque Alto Andino Vélez and Andino II Diptych, 2022 by Miguel Winograd From the Enjambre Series Pigment Prints Overall size: 43 in H x 65 in W Image Size: 43 in H x 32.5 in W Edi...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-769 2017 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed ‘Water Mirror’is a condensation of ...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-788, 787 (diptych) 2017 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed ‘Water Mirror’i...

signed on reverse, this diptych is two separate prints that go together, each image size 18"x27". Printed on archival matte paper. These are sold as a pair for $1600, unf...

This work is the result of an artistic residence outside his 'study'.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

'Fern Forest III' is a bird's-eye view Archival Inkjet Print by photographer Morgan Silk. It is available in this size of 17" x 24" in a limited edition of 25. 'Fern Forest III' i...

Jung LEE (*1972, South Korea) Sanyuhwa (The Poem ‘Flowers on the Hills’ by Kim Sowol), 2012 C-Type Print, Diasec 148 x 185 cm (58 1/4 x 72 7/8 in.) Edition of 5, plus 2 AP – Biograp...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

Tree - Signed limited edition archival pigment print - Edition of 5 South West France , 2015 Monochrome Art Print This print that is being offered is a high-quality Archival Pigment print which has been printed on fiber based paper, Hahnemühle Photo Rag® Baryta 315 gsm which is a premium quality paper that is acid-free and lignin-free. Overall, this Archival Pigment print is a stunning piece of art that is sure to impress. The combination of high-quality paper and inks ensures that the print will remain in pristine condition for many years, making it a great investment for any art collector or enthusiast. Signed + numbered by artist with certificate of authenticity Please note. There are three sizes of this print; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested. Available sizes ( Image size , the white margin is not counted): 23 x 52 cm / 9,05 x 20,74" - Edition of 5 34 x 75 cm / 13,38 x 29,53" - Edition of 5 54x 120 cm / 21,26 x 47,24" - Edition of 5 Geoff Halpin...

Edition of 5 more sizes on request A mountain Gorilla in the rainforest in the Volcanoe National Park, Rwanda. ​For years, Joachim Schmeisser has been photographing the last giants...

Shot from above a beautiful, tiny cenote in Tulum, Mexico. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing options available upon request.

Chalk Streams 5 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. This print is now 5 from the Li...

CRISTINA SCHEK Pretty Fly For A Fungi In The Forrest, 2020 Signed certificate of authenticity included. Giclée Print on Hahnemühle Anti-Reflective Museum Glass 60 x 60 cm 23 5/8 x 23...

The Gloaming 2 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size only from the Limited Edition of 7 + 2 Artist Proofs. This is print 5 from the ...

Indian Summer III (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist Inventory No 18549. Not mounted. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018 / 2019. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) What makes Stefanie Schneider’s work so unique is that it’s immediately recognizable. Perfect ‘wabi-sabi’ in appearance and content. Dream like, colorful with depth and vision. From start to finish, a truly self made artist with a distinctively female perspective. Exhibitions Selected (selected) 2018 Participation Bombay Beach Biennale, Bombay Beach, USA (G) March Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt 2017 BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Rosegallery, Bergamot Station, Santa Monica (G) Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G) 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky The Ballery in Heat, The Ballery, Berlin (G) 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
 Heather's Dream, Short, German Competition Short Film Festival Oberhausen 
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth...

Edition of 8 Dye-sublimation print on aluminum Signed, titled, dated and numbered by Jeanine Michna-Bales Series: Through Darkness to Light: Seeking Freedom on the Underground Railroad...

a large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of the California redwood forest Redwoods by Erik Pawassar 48 x 135 inches (122 x 335cm) six panels of 48 x 22 inches signed edition of 7 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ About the artist Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

Half Angels Half Demons #2, 2004 by Mauricio Velez Medium Color Photograph Color Photography Archival Pigment Print Image size: 40 in. H x 60 in. W Edition 3/9 + 2AP Unframed "In...

The subject is the conflation of women and the home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she performs domestic trickery. The photographs are vignettes of women hidden behind drapes containing one figure and drapery, with an occasional prop or piece of furniture. In this series, “Reconstructed,” the woman becomes part of her domestic trappings and activities. I am creating narrative, full-size, still-life images comprised of many objects. “Reconstructed Series” is a commentary on our obsession with collecting, accumulating designing, and decorating, inviting hilarity and pathos about our relationship with “things.” They are installations made in the studio for the camera that play with color, space, and scale, and use household objects as subject matter. We are making a life-size box in the studio as a substitute for the home. A mannequin substitutes for the woman, who is camouflaged among her domestic objects in the space. The final outcome is a photograph and/or a short video. Growing up in the suburbs of Chicago provided the basis of all of my work, and I continually seek to come to terms with it. I grew up when suburban life was idealized; the home was a place of perfection and harmony, free from the harsh realities of the city, without crime, or messy interiors, where everyone’s drapes and sofa matched, where people were normal, without dark little secrets. It was at a time when the “woman’s place...

a large scale photograph of lush emerald green nature oasis, a highly detailed observation of the soothing natural beauty of the California redwood forest Redwoods (hexaptych) by Erik Pawassar 48 x 132 inches (122 x 335cm) six panels of 48 x 22 inches / each "frameless" acrylic glass face mount edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity __ "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. _______________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

The Gloaming 3 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size only from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in th...

Larger size hand-printed photograph than the other two listings of the same name. These iconic Monterey pines can be found all up and down the coast of northern California from San F...

Bosque Húmedo Tropical II Nuquí, 2021 by Miguel Winograd Selenium-Toned Gelatin Silver Prints From the Enjambre Series 11 in H x 14 in W Edition of 7 + 2AP Black and white Edition ...

Elvis Presley, Tropical Jungle, by Paloma Castello From The Castelloland series Digital photographs on glossy pearlescent paper 40" x 30" inches Edition of 5 + 1 AP 2023 Castellolan...

Bosque Alto Andino Vélez, 2022 by Miguel Winograd From the Enjambre Series Pigment Prints Image Size: 43 in H x 32.5 in W Edition of 5 + 2AP Color Edition Unframed The artist lo...

Indian Summer III (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist Inventory No 892. Not mounted. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018 / 2019. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) What makes Stefanie Schneider’s work so unique is that it’s immediately recognizable. Perfect ‘wabi-sabi’ in appearance and content. Dream like, colorful with depth and vision. From start to finish, a truly self made artist with a distinctively female perspective. Exhibitions Selected (selected) 2018 Participation Bombay Beach Biennale, Bombay Beach, USA (G) March Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt 2017 BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Rosegallery, Bergamot Station, Santa Monica (G) Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G) 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky The Ballery in Heat, The Ballery, Berlin (G) 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
 Heather's Dream, Short, German Competition Short Film Festival Oberhausen 
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth, Philip-Lorca diCorcia, Charles and Ray Eames, Robert Mapplethorpe, Lisa Oppenheim, Andy Warhol and others, (catalog)
 Road Atlas - Straßenfotografie, DZ Bank Collection: Kunsthalle Erfurt (Spring), Art Foyer DZ Bank, Frankfurt/Main, (G) with Helen Levitt, Pieter Hugo, Nobuyoshi Araki, Pietro Donzelli, and others (catalog)  2012
 Stranger Than Paradise, Christian Hohmenn Fine Art, Palms Desert, (S) Stefanie Schneider, Gallery at Cliff Lede Vineyards, Napa Valley, CA, (S) Bienale Art Auction 2012, Museum of Contemporary Art San Diego, (G), with Ai Weiwei, John Baldessari, Christo, Ed Ruscha, Christopher Russell, and others. MUSES, Galerie Catherine et André Hug, Paris, France (G) with Kourtney Roy and Eric Weeks Polaroid (IM)POSSIBLE - THE WESTLICHT COLLECTION, NRW Forum Kultur und Wirtschaft, Düsseldorf (G), (catalog) Road Atlas - Straßenfotografie, DZ Bank Collection: Kunstmuseum Dieselkraftwerk, Cottbus, (G), (catalog) Studio Scholorship, Centro Cultural Andratx, Mallorca, May 2012 Selling Sex, ShowStudio Gallery, London (G) with Cortney Andrews, Una Burke, Liz Cohen, Inge Jacobsen Stranger Than Paradise, Scott White Contemporary, San Diego, (S) 

2011 
Kunst zu verlosen !  // Art to raffle off !, KW Institute for Contemporary Art, (G) with Monica Bonvicini, Tim Eitel...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

Listing includes free shipping for unframed prints and a 14-day return policy. Paul Fusco RFK Funeral Train Portfolio, 1968/2008 16 x 24 inch fujiflex print Edition of 10 Signed and editioned on separate certificate Biography - In the middle of 1968, two events shook the nation - the assassination of Martin Luther King on April 4th and the assassination of Robert Kennedy on June 5th. Hastily arranged, Robert Kennedy’s funeral train took place on June 8th – a swelteringly hot early summer day. Paul Fusco, then a staff for LOOK Magazine, was given a place with other journalists on the train. As the train made its progress down the eastern seaboard, hundreds of thousands of mourners came out to line the railway tracks and pay their final respects to Bobby Kennedy and all he stood for. From inside the train, Fusco began to take pictures of the mourners – people from every section of society – black, white, rich, poor, in large groups and on their own. For the eight hours it took for the train to make the usually four-hour journey Fusco never put down his camera except to reload film shooting approximately 2,000 pictures. The resulting images are one of the most powerful and affecting series of photographs ever taken. Shot on Kodachrome film – a film with a particularly vibrant palette favored at the time by photojournalists – Fusco's pictures blend the spontaneous look of snapshots with artistic precision of the decisive moment. If there was ever an example of a photographer being “in the zone” Fusco’s beautifully composed frames are like Zen arrows each hitting their target. Each photograph carries its own weight and tells its own story, but cumulatively the series is an epic vision of America. Because LOOK Magazine's bi-weekly schedule caused it to come out a week after its rival LIFE, the magazine chose to print a retrospective album of pictures of RFK rather than pictures of the funeral, and so Fusco's RFK Funeral Train photographs...

Please be aware that all prints are produced to order and lead times are between 5-10 days. This is a 30x30cm Digital Print on 50x50cm Cotton Paper. Edition of 9 plus 2 Artists’ Pr...

Stars 2 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the forests of...

'Ray of Light', part of Richard Heeps Vietnam series 'This is Not America', this unusual photograph of trees has a spiritual quality. This artwork is a limited edition of 25 gloss ...

Where My Heart Belongs II - 2017 - 40 x 62 cm, Edition of 10. Digital C-Print based on a 35mm film photo, not mounted. Numbered and signed on the back by the artist. Artist Sta...

This is an exclusive limited edition black and white Giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This beautiful black and white high contrast photograph...

Beach Near Portinatx 1989 by Slim Aarons Slim Aarons Limited Estate Edition Holidaymakers seen through the trees, at a beach near Portinatx, Ibiza, Spain, 1989. unframed c type ...

Between the Trees 13 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in t...

Between the Trees 5 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in th...

Tropicarios #5 by Paloma Castello From Tropicarios series Digital photography print on chroma luxe. 33" x 21,6" inches Edition 3/5 + 1AP Similar to the travel logs of the ancient e...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

Between the Trees 9 is a stunning Digital C-Type Print on Fuji Maxima Matte paper available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in th...

This work is the result of an artistic residence outside his 'study'.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

Knit One, Pearl One 9 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the forests ...

Fires 9 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the forests o...

Seascapes 9 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the forest...

Seascapes 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size from a Limited Edition of 7 + 2 Artist Proofs. Ellie has been working in the fores...

This work is the result of an artistic residence outside his 'study'.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

Bosque Alto-Andino Charrascal, 2021 by Miguel Winograd From the Series Sin título Selenium- Toned Gelatin Silver Prints Sheet Size: 14 in H x 11 in W Image size: 12.5 in H x 10 in W...

Manglar Nuquí, 2021 by Miguel Winograd From the Series Sin título Selenium- Toned Gelatin Silver Prints Sheet Size: 14 in H x 11 in W Image size: 12.5 in H x 10 in W Edition of 7 ...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

Manglar Nuquí, 2021 by Miguel Winograd From the Series Sin título Pigment Prints Sheet Size: 24 in H x 20 in W Image Size: 23.13 in H x 18.5 in W Edition of 7 Black and white Edit...

Bosque Alto-Andino Charrascal, 2021 by Miguel Winograd From the Series Sin título Pigment Prints Sheet Size: 43.3 in H x 36.2 in W Image Size: 37.8 in...

Part of Richard's Vietnam series 'This is Not America', this unusual photograph has a spiritual quality. This artwork is a limited edition of 25, gloss photographic print. Accompan...

Selva Oscura Macizo Colombiano, 2018 by Miguel Winograd From the Series Bruma Pigment Prints Sheet Size: 11 in H x 24 in W Edition of 7 Black and white Edition Unframed What be...

Forest, 2018 by Salvatore Arnone From Paranoia series Digital print on Hahnemuhle Photo Rag Ultra Smooth Image size: 27.5 in. H x 39.4 in. W Edition of 5 + 2AP Unframed Paranoia...