People Photography

'Bath Time Story II' 2016, Edition 1/7 plus 2 Artist Proofs Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Arti...

The photography belongs to a cycle of photographies of NY, published in the book "New York", Verlag und Volk, Berlin 1967. Signed by the author on the back, certificate will be inclu...

Madison Square Garden (1953) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Madison Square Garden marquee night, west 49th street, Manhattan, New York, USA, circa 1953 Additional Information: Unframed Paper Size: 40x60'' Printed Later Silver Gelatin Fibre Print NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' 30 x 40'' 40 x 60'' FRAMING AVAILABLE ON REQUEST About the Artist: H. Armstrong ROBERTS (1883-1947) is an artist born in 1883 The oldest auction result ever registered on the website for an artwork by this artist is a photography sold in 2012. ACTORS ON SET, Bette Davis, Ladies Fashion...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

"Pipe Tee" by artist Paul Cava is a one-of-a-kind (unique) archival pigment print of a nude man and woman from a historical glass plate on a historic mechani...

Star Wars (retroactively titled Star Wars: Episode IV – A New Hope) is a 1977 American epic space-opera film written and directed by George Lucas, produced by Lucasfilm and distributed by 20th Century Fox. It stars Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, David Prowse, James Earl Jones...

A black and white photograph of a perfect woman's buttocks and her handcuffed hands giving a finger. Original gallery quality print signed by the artist. Digital archival pigment p...

Carlos, 2001 by Celso José Castro Daza From The series Buscando Mamá One of a kind photo collage Sheet Size: 39.5 in. H x 27.5 in. W 2001 Unframed The root of these unique photograp...

3 Stefanie Schneider Polaroid-sized unlimited Minis 'Radha Mind Screen' - 1999 - triptych signed in front, not mounted. 3 Digital Color Photographs based on the 3 Polaroids. 10.7...

"Bob Marley" by Michael Ochs Archives Bob Marley Los Angeles 1979. Unframed Paper Size: 16"x 12'' (inches) Printed 2022 Silver Gelatin Fibre Print

The Cold Light of the Morning (Bombay Beach) - 2024 - 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certifica...

The final judgment of Giotto- Padua is an original vintage photograph realized in "Cappella degli Scrovegni all'Arena" in Padua. With the description on the lower. Good conditions....

'Las Brisas Hotel' Acapulco (Slim Aarons Estate Edition) Apartments and pools at the La Concha Beach Club in Las Brisas resort in Acapulco, Mexico, January 1968. This photograph ep...

This rare photograph #26, taken during The Central Park Gates Project in 2005 by Christo and Jeanne-Claude, was never released to the public as the couple were not satisfied with the image. Every initial photograph, numbered #25 to #30, had to be retaken by their primary photographer, Wolfgang Volz. This copy is from the unpublished edition, making it a unique and highly collectible piece. The project, which consisted of 7,503 gates along 23 miles of pathways, transformed the park into a vibrant, immersive art...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

Como comiendo mamón. El Nene, 1993 Fom the series Guerreros Unique Photo collage Sheet size: 27.5 in. H x 19.5 in. W Unframed Signed, titled and dated by the artist The root of the...

COLD WINTER SPECIAL...$900...FRAMED. Rare 1940s Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of model JERRY SCHEMANSKY. Schemansky w...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

Alas Tres, by Ricky Cohete From the series "Acto Uno" Archival Pigment print Medium size: 24 in H x 36 in W. Edition of 10 + 1AP Unframed 2020 Black and White Photograph All prices...

Love Scene against the Wall (Sidewinder), part 4 - 2007 40x40cm, Edition of 10. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 3277. ...

Beauty and the Beast, 1959 Lady Daphne Cameron (Mrs George Cameron) on a tiger skin rug in the trophy room at socialite Laddie Sanford’s home in Palm Beach, Florida. 12 x 12” / 30 ...

Letters from Madame - Touch, from the series mme.xposed, 2006, Archival C print based on the Polaroid, beautiful on Fine art Bright white by Hahnemuhle, mounted on Dibond - uncoated in shadow frame, Hand signed & numbered by the artist edition of 7 - nr 2 25x25cm Carmen De Vos - Artist statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

A documentary portrait of Helen Frankenthaler (1925-2011) in her studio in New York in the 1950s. Frankenthaler has remained a major American woman artist and female force of nature ...

Beaton, Cecil & Daniela Palazzoli (Editor) Cecil Beaton – Portfolio, 1981; Electa Editrice Portfolios - LIMITED EDITION Milano, Italy: Electa Editrice Publishers, 1981. Limited Edition Portfolio. This is no. 785 out of an edtion of 1000. A portfolio of twelve heliogravure plates with tissue guard-leaves and limitation leaflet with preface. Housed in portfolio and slipcover, portfolio: 16 1/4 x 12 1/2 in (415 x 317 mm); each print approximately 8 5/8 x 6 5/8 in (220 x 170 mm). Subjects include Gary Cooper, 1930s; Buster Keaton, 1931; Marlene Dietrich, 1935; John Wiessmuller, 1933; Greta Garbo, 1946; Marlon Brando, 1947; Audrey Hepburn, 1954; Frank Sinatra, Sammy Davis Jr., Dean Martin in "High Society", 1956; Marilyn Monroe, 1952; Rudolf Nureyev, November, 1962; Edith Sitwell, 1962; and Pablo Picasso...

Wild Child (Chicks and Chicks and sometimes Cocks) - 2019 - 20x20cm, Edition of 10 plus 2 Artist Proofs. digital C-Print, based on a Polaroid Artist inventory 22252. Signature l...

Jack Mitchell mid-20th Century bold male nude from 1971. Highly collectible vintage original silver gelatin print, stamped verso by the photographer "Copyright 1971 JACK MITCHELL 356 East 74, New York City...

Iconic and rare limited edition print direct from the negative, signed lower right hand margin and stamped with photographers own blind stamp. This is Number 3/25. Paper size 25 x 17...

Black and white glamour portrait of actress Audrey Hepburn posed smiling in a gown, walking poodles on leashes. Audrey Hepburn was a British actress. Hepburn had a successful career...

Vintage silver print Western Photography Guild studio stamp in purple ink, verso Numbered "118-11" in purple ink, verso Also inscribed in pencil, ...

Norberto con Trombón 1, 1996 by Celso José Castro Daza From The series Guerreros One-of-a-kind Photo collage Sheet Size: 27.5 in. H x 19.5 in. W Unframed The root of these unique ph...

Stretch - Signed limited edition archival pigment print - Edition of 10 This image was captured on film in 1982. From the same photoshoot, the so-called 'Zip' print by Ian San...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With a burst of l...

Jack Mitchell vintage mid-20th Century nude photograph of actor Robert La Tourneaux best know as ‘Cowboy’ in the original Broadway and also the film version of Mart Crowley’s ‘The Boys in the Band...

Lunch Hour by Alain Le Garsmeur A lunchtime crowd relaxes in front of Marc Chagall’s Mosaic ‘Four Seasons’ in Chase Tower Plaza, Chicago, Illinois, USA, 197...

COLD WINTER SUPER SPECIAL...$960... Framed. Rare 1950s Iconic Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of popular physique model...

COLD WINTER SUPER SPECIAL...$825...FRAMED Rare 1940s Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of bodybuilder and Mr. America con...

'Christmas Swim' 1954 Slim Aarons Limited Estate Edition Print Premium Rates Apply. Rita Aarons, wife of photographer Slim Aarons, swimming in a pool festooned with floating bauble...

48 x 60 inches - edition of 5 Chromogenic Print – Unframed Signed by the artist - Certificate of Authenticity Free Shipping – Ask us foar custom framing options. As a world-renowned...

Nassau, 1967: In 'Sea Drive,' a genuine Slim Aarons estate edition photograph, film producer Kevin McClory, his wife, Bobo Sigrist, and their family enjoy a leisurely drive in a vibrant red vintage Amphicar across the scenic turquoise Nassau harbour. This idyllic 1967 scene embodies Slim Aarons signature style, mixing casual glamour and vintage cool; the unique midcentury charm of this iconic landscape is completed with a pink parasol. This is an estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons Estate Edition Chromogenic Lambda print Modern printing from original transparency Captured 1964, printed later Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition We are pleased to offer the entire archive of the Slim Aarons Estate. This is a genuine Slim Aarons Estate photograph, estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Complimentary dealer shipping to your framer, worldwide. Kevin O'Donovan McClory (8 June 1924[1] – 20 November 2006) was an Irish screenwriter, film producer, and film director. McClory was best known for producing the James Bond film Thunderball, popular in the 60s and 70s. Internal: The location for Slim Aarons midcentury photograph, Sea Drive, is Vintage Nassau, which fits curated collections for Vintage Yachting, Vintage Boating, modern graphic, midcentury modern, Vintage Slim Aarons, Vintage Sport Photography...

Mythology is a modern artwork realized by Nobuyoshi Araki in 2001. Black and white gelatin silver print. Signed on the back. Provenance Taka Ishii Gallery Tokyo . Certificate of ...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport, and are unforgettable. Taylor's images are built, layer by layer and object by object, through a...

The Westin Excelsior Hotel on the Lido in Venice, 1957. Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Slim Aarons Grand Hotel Excelsior, Ve...

image size: 10 x 8 inches Young male sitting against dark background Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom right corner. ed...

This photograph from 1972 captures a stylish, vibrant scene featuring two people on a small airplane. A young woman, wearing a pink floral dress and sunglasses, lounges gracefully on...

Underwater photograph of a naked young woman standing on her hands on the bottom of a pool. Her perfect body on the red background and classic heavy breasts leave spectators speechle...

Algebra - 2021 - 25x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1018. Not mou...

Squares - 2021 - 20x24cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1048. Not mount...

Slim Aarons' Saint-Tropez Beach, an Estate Edition photograph, is a vintage scene of sunbathers on the French Riviera, August 1971. Colorful coral red an...

Leonard Freed’s authenticated/stamped vintage (back of photo), 16" x 20", gelatin silver print, Kate #14, is from the Kate series, 2002. A photographer herself, model and yogini Kate remains complicit in striking dramatic poses for the Kate nude series by Freed. In this image Kate is supine, arms outstretched, body arched on the backside of a person in a downward dog yoga pose. On the edge of a cliff with the ebb and flow of the sea and waves many feet below, the duo remain in balance above swirling waters. Kate's trust in the universe, a face of abandon, reveals youthful fearlessness and love of freedom. Freed captures a self-possessed modern woman and partner in a dance of sorts that Kate shares on the edge of time...

With a socially critical eye and Berlin humor, the prints by Heinrich Zille (1858 - 1929) capture the milieu of the "little people" around 1900. The fact that the famous artist was a...

Spellbound 2019, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019-751...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

This 2007 photograph features six beautiful blondes posing on a bed. The photograph is from John Stoddart’s, “Risqué” series, where he explored a form of photography that seeks to shed any barriers between the subject and the camera, by using a human body in a nude or semi-nude form. John Stoddart is known as the “Photographer to the Stars” and recognized as one of the world’s most renowned photographers. Born in the United Kingdom, his work includes photographing glamorous celebrities such as Catherine Zeta-Jones, Sir Anthony Hopkins, to big name bands such as “The Rolling Stones”. By the early 1980’s, John had photographed every major record label band, establishing himself as a legend photographer. A notoriously fast photographer, he has a preference for working with film as opposed to digital. John’s passion for photography carries over to the complete printing process and also includes his collection of beautiful, era gone by cameras. He is not just a photographer; he is an artist and his work capture not just a picture but a story that can be told to the viewer through the eyes of his subjects. He has worked for major publications and brands that included Vogue, Harper’s, EMI and Virgin and is often credited for the return of glamour to popular culture. Stoddart has exhibited world-wide, including galleries in London and Paris. The Sofitel Hotel, Beverly Hills in 2017 held an “A” list invitation only exhibition and has continued to use his celebrity images as framed art throughout the hotel. Limited Numbered Edition, on premium quality Archival Rag paper, signed by John Stoddart are available in the sizes below. We ship world-wide and shipping is free. Your choice of one or many artworks will be given the highest standard care and delivery. Limited Edition print orders, due to risk of damage, value and high shipping and insurance costs are not framed. All limited-edition prints are professionally packaged and shipped in sturdy tubes. Contemporary Bold Fine Art Print, Iconic Photography...

Zarina - Limited edition archival pigment print, 1987 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which is then printed ...

Muhammad Ali, 1963 Cassius Clay during a training session at White City, London, before his fight with British Heavyweight Champion Henry Cooper, 29 May 1963 Fine art giclée print....