Rock Photography

Monks Praying at Golden Rock by Steve McCurry presents a group of men praying next to a giant rock. The four men are dressed in red, with their hands in prayer raised to their forehe...

Luigi Tenco by Pietro Pascuttini is a vintage photographic print on baryta paper. Photograph realized by famous portraitist Pietro Pascuttini. Artist's ink stamp and pen notes on th...

This late 1980s landscape photograph, captured by society photographer Slim Aarons, features Rudulph Ellis Carter holding a picnic in Newport in 1987. This is an estate stamped and ...

Circa 1950: Swimmer diving into rough water lashing against rocky cliffs at Acapulco, the Riviera of Mexico. (Photo by Evans/Three Lions/Getty Images) As ...

"A dark horse rears up with the backdrop of dramatic sandstone formations A dark horse rears up against a backdrop of sandstone formations in this black and white image This power...

Old days Photo -Trees and ibex s a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical and Nostalgic album includi...

Old days Photo - Old Tower is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgic album includin...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

'Il Pellicano Beach' A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Paper size 30 x ...

"Syrens No3" Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Comes wit...

Edition of 12 more sizes on request A Portrait of big majestic male lion lying on a rock and waits for the sun. Born in Germany in 1958, Joachim Schmeisser is best known for his ma...

The Old Days Photo is a black and white vintage photo, realized in the early 20th century.  It belongs to historical album including historical moment, royal families, and political...

"A horse rears up, silhouetted against the darkening sky and rock formations A horse rears up in the distance between two tall rock formations at dusk and i...

"Rock in the Water, Lakeside Park" is a black & white landscape photograph measuring 24x36" unframed. All of Rick's photographs are printed on Hahnemühle Fine Art Paper using archival pigment-based inks. There are other edition sizes available, namely 11.5x17" and 6.5x10". Photographs are rolled carefully and shipped in a tube. Framing is optional and quoted separately. Rocks in the Water, Lakeside Park is part of a series of studies of rocks in shallow waters. This time near the city of Oakville, west of Toronto. The use of 10-stop ND filter helps to create the smooth texture of the water. Rick uses this technique often, not only for the look that it produces but also because it forces the process of producing the image in the field to slow down. Rick Bogacz...

This photography series corresponds to the artist's "restless being" paintings. After completing the painting series, which depicts rocks covered with various lichen varieties, Williams took the painted rocks...

Konrad Lorenz is a vintage black and white photograph realized in the 1980s. Good conditions.

Yves Montand is a vintage black and white photograph realized in the 1960s. Good conditions.

All Quiet on the Western Front  is a vintage black and white photograph realized in the 1930. Good conditions.

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

Dream No. 4 (Sidewinder), diptych, 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 25x4...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories. Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...

Legendary photographer Slim Aarons relaxes in a self portrait shot in Athens, near the Acropolis. Slim Aarons said, "I love a solo holiday. It tends to refresh the part of oneself that is most depleted by modern life — patience. "Let me dispel a few myths. You will be lonely. No: you won’t. My solo travels in Paris have brought many perfect hours of being alone but not a moment of loneliness. People who depend on other people are often in hiding from themselves. Two and a quarter million people live in the City of Light: you will see many of them and you will pass them in the street, but when you see Notre Dame after dark and walk home and perhaps stop to have a drink in the Marais, you can feel that the only thing that is missing from your experience is the common dependency on someone to distract your attention. "I’ve had solo pints of Guinness in the pubs of County Kerry and County Cork. I’ve walked across the sage- and juniper-scented maquis of Corsica on a spring day, where you can still find the world of Napoleon’s childhood. More than once I went to the Isle of Iona in the Scottish Hebrides...

'Il Pellicano Beach' A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Paper size 30 x 40 inches / 76 x 102 cm Estate S...

This late 1980s landscape photograph, captured by society photographer Slim Aarons, features Rudulph Ellis Carter holding a picnic in Newport in 1987. This is an estate stamped and ...

Archival inkjet print Signed, titled, dated, and numbered on label, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City. About the artist: In his ...

'Monte Mano' A swimmer in the seaside-style pool at architect Jacques Couëlle's home 'Monte Mano', on the Costa Smeralda, Sardinia, Italy, August 197...

Archival pigment print (Edition of 5 + 2 APs) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Frances F. Denny writes: “During the research process for a prior series of photographs, I discovered two related facts about my family tree: a) Mary Bliss Parsons, my 8​th​ great-grandmother, was accused of witchcraft in 1674 in Northampton, Massachusetts, and b) less than two decades later in 1692, my 10t​h​ great-grandfather, Samuel Sewell, presided as a judge in the Salem Witch Trials. One body of work came and went, but this ancestral coincidence stayed with me. What is a witch? Who does that word belong to—now? “Major Arcana: Witches in America​ is a collection of portraits of women from across the United States who identify as witches. As early as 15th-century Europe, people condemned as witches faced a cruel fate: torture, and in many cases, death. Yet despite its history, recent decades have seen a reclaiming of the word ‘witch.’ In the mid-20th century, emerging pagan communities in the United States and Europe began embracing the term, and since then, ‘witch’ has been adopted by a diverse group of people. “Major Arcana​ explores the various ways the notion of witch-ness belongs to those who claim it, representing the witch as a self-sought identity that both empowers and politicizes its bearer. Each woman photographed for ​Major Arcana​ (including genderfluid and trans individuals) pursues a form of witchcraft, whether aligned with a religion (like Wicca or Voudou) or a self-defined practice. No two individuals inhabit the term ‘witch’ in quite the same way, but many consider themselves pagan, and engage in a diversity of traditions, including: mysticism, engagement with the occult, politically-oriented activism, polytheism, ritualized ‘spell-craft,’ and plant-based healing. Among those included in the series are self-proclaimed green witches, white witches, kitchen witches...

"Untitled (Nr. 0289)" Landscape Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminat...

Love Bridge is a photograph taken by Amanda Ludovisi in 2018. It represents a dreamlike landscape in Iceland, with dark tones. This is a giclée print ...

MIKE + MECHANICS - Signed limited edition archival pigment print - Edition of 5 Record cover for Mike + The Mechanics 'Living Years’ 1988 This image was captured on film. The...

Peanut and Jill (Chicks and Chicks and sometimes Cocks) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventor...

Hand printed photograph by the artist. Original photograph signed and numbered in pencil on verso and signed, numbered and stamped on verso. Excellent condition.!! 1/90

Hand printed by the artist. Original photograph. Edition 1/90. Dry mounted onto board with signed in pencil on recto and signed stamped dated on verso.

This piece is an original photograph printed from the original camera negative, shot by Bill Carroll in 1945, and printed in 2010. This image depicts a young Norma Jeane at the begin...

The Bikini 1946 Fashion model Natahli (Natalie) Nickerson Paine wearing a bikini, lying on a platform near water, Montego Bay, Jamaica, 1946. (Toni Frissell) “Model Dovima was d...

Fly me to the Moon (The Girl behind the White Picket Fence) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inve...

Women at Work - Vintage Photograph About Women Rights is an original black and white photograph realized by Danilo De Marco. With the note on the rear....

A Beach In Capri 1959 by Toni Frissell A beach scene on the island of Capri, Italy, 1959. (Toni Frissell) 40x30 inches / 101 x 76 cm paper size Archival pigment print unframed (...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

In Hiding (29 Palms, CA) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #5723. Not...

Hawaiian Scenes 1957 A diver prepares in the surf, Hawaii, 1957. by Toni Frissell 16 x 20" inches / 41 x 51 cm paper size Archival pigment print unframed (framing available se...

Two couples out rowing off the coast of Sicily near Taormina, 1975. Gorgeous print measuring 30 x 20" inches / ca 76.2 x 50.8 cm’s paper size. Estate Stamped Collection Edition t...

Cara II - Signed limited edition archival pigment print, Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and l...

Sand Shaped by Miller Null is a vintage photographic print on baryta paper. Print came from the work “ Riva di Pò” realized between 1956 and 1961 by famous american photographer Harold Miller...

Inisheer Limestone Walls By Arthur Steel Paper size: 44 x 33.5" / 112 x 85 cm Silver Gelatin Print 1960 (printed later) unframed hand signed limited edition of 30 note other pri...

A waterfall hidden from plain sight in a canyon tucked away in the American West The American West is home to more beauty than one can ever comprehend Explore the National Parks an...

Canoeing In Capri 1959 Canoeists set out from a beach in Capri, Italy, 1959 by Toni Frissell 12 x 16" inches / 30 x 41 cm paper size Archival pigment print unframed (framing a...

Unforgiven Rocks and cacti near a coastline. by Stuart Möller Born in Kabul, part German and Anglo-Indian and having grown up all over the world, Stuart ...

Holidaymakers at a cove in Ansedonia, near Porto Ercole, Tuscany, Italy, 1986. Gorgeous print measuring 24 x 20" inches / ca 60.9 x 50.8 cm’s paper size. Estate Stamped Collecti...

Circa 1950: Swimmer diving into rough water lashing against rocky cliffs at Acapulco, the Riviera of Mexico. (Photo by Evans/Three Lions/Getty Images) As ...

'Porto Ercole' A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole, Italy, August 1973. Paper Size 24x20...

Sabina Spear Fishing 1947 Sabina spear fishing, 1947. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing available see examples...

This is a black and white photograph of a river underwater. The image feels almost like an abstracted piece of art. One can see all the water and texture from the light above the riv...

Artist: Stuart Klipper (American, 1941-) Title: Betataken, Anasazi Places Year: 1980 Medium: C Print (Chromogenic print) Size: 12 x 38 inches image, 16 x 44 inches sheet, 18 x 45 inches matted, 20 x 45 framed Signature: Signed, titled, dated on the mat and on reverse Condition: Very good This photograph depicts the Anasazi settlement of Betataken in New Mexico. It is a chromogenic print, also called a C-print on Kodak paper. It is from Klipper’s series called Anasazi Places done in 1980 under the auspices of the National Endowment for the Humanities. The photograph is in very good condition. The mat is in very good condition. The bronze metal frame and Plexiglas are in fair to good condition with some small scratches. Stuart Klipper was born in the Bronx in 1941. He then lived in Stockholm, Sweden, moved to Minneapolis in 1970 and currently resides there. He has made six visits to Antarctica to photograph, and has also worked in Greenland, Iceland, Svalbard, Alaska and Lapland (in the area irradiated by the Chernobyl disaster). Other major forays have taken him across Northern Australia; the deserts of Israel and Sinai; the tropical rain forests of Costa Rica, Patagonia and Tierra del Fuego; and Sri Lanka and Pakistan. He has logged many thousands of miles at sea, photographing on all of the Earth's oceans... and seas. For over 30 years, he has made photographs in all 50 states, distilling and crystallizing the defining characteristics of American regions. Other undertakings include extensively photographing the First World War cemeteries and memorials of the Western Front, major physics and astronomy research installations throughout the U.S. and the Anasazi ruins of the Southwest. His photographs have been exhibited in, and collected by, major museums in the U.S. and overseas; foremost, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Minneapolis Institute of Arts, the Walker Art Center, The Jewish Museum, the Israel Museum, the Victoria and Albert Museum, the Kunsthalle Bonn and the Moderna Museet. He has been the recipient of several major grants, including two each from the Guggenheim Foundation and the Bush Foundation, and three each from the McKnight Foundation and the Minnesota State Arts Board. He is a recipient of the U.S. Navy's Antarctic Service Medal. He was also visiting professor, Art Department, Colorado College, 1978 to 2008. Solo exhibitions • Disparate Geographies, Schmidt Dean Gallery in Philadelphia, 1998. • Sixteen polar photographs, Arktis -Antarktis, the Kunsthalle des Deutschesrepublic, Bonn, Germany. 1998 • Cardinal Points, at the University of Iowa Museum of Art. (Photographs from polar regions: Antarctica and Greenland, the tropical rain forests, the desert regions of Israel and the Sinai, the agricultural Great Plains)-- an exhibition catalogue was published. 1998 • At Sea Near the Poles, at the Spencer Gallery, Wickford, R.I. 1999 • Antarctica 99/00, Yancey Richardson Gallery, NYC, 2000 • Selected Antarctic Work, Berler Gallery, Washington D.C., 2001 (Also shown in Denver and Christchurch, N.Z. • Selected American photographs, The Center for American Places, Harrisonburg, Va., 2001 • Photographs from the Arctic and Antarctica, Smith-Dean Gallery, Phila., PA, 2001 • Wyoming, Univ. of Wyoming Museum Art, Minneapolis Institute of Art, 2001/02 • In the Australian Outback, Gallery 360, Minneapolis, 2002 • The United States, Candace Perich Gallery, Katonah, NY, 2002 • Rock art, bush fire, termite mounds and other aspects of the outback of the Top End of Australia, Gallery 360, Mpls.,2002 • Portraits about Pakistan, 1987, Icebox Gallery, Mpls., 2002 • Antarctic 1: Views Along Antarctica’s First Highway, Center for Land Use Interpretation, Los Angeles, 2002 • The Louisiana Purchase, Groveland Gallery, Minneapolis & Olson-Larsen Gallery, Des Moines, 2003 • Selected photographs, Medtronics Corp. corporate headquarters, Minneapolis, 2006 • Antarctica, Electrolift Artworks, Minneapolis, Minn. 2006 (+ other venues) • 20 Years of photographing Louisiana, The Ogden Museum, New Orleans, 2008 • Antarctic Photographs, City Museum of Charleston, S.C., 2009 • Local Places – Remote Terrains, Olson Larsen Gallery, Des Moines, Iowa, 2009 • The Dead Sea Region, Israel, The Basilica of St. Mary, Minneapolis, 2010 Group exhibitions • Photography of New York City, Minneapolis Institute of Art. 1998 • Sea Change, The Center for Creative Photography, Univ. of Arizona, Tucson. (An eponymous book was published in conjunction with the exhibition and is in national distribution), 1998/99 • American farms and farming, Candace Perish Gallery, Katonah, NY. (Traveled to Washington D. C.), 1998/99 • Views from the Edge of the World, Marlborough Gallery, NYC. 1999 • Claiming Title: Australian Aboriginal Artists and the Land, St, Olaf & Carleton Colleges, Northfield, Minn., 1999 • The Infinite and the Intimate; Waterscapes of Stuart Klipper and Frank Gohlke, Dorsky Gallery, N.Y.C. 1999 • An Eclectic Focus: Photographs from the Vernon Collection ( + catalogue), Santa Barbara Museum of Art, 1999 • Aqua, Gallerie Thierry Marlat, Paris, France 1999 • Restructuring the Prairie, Grinnell College, 1999 • The Mural as Muse, Deutsches Bank Gallery, NYC, 2000 • earth sky, Jackson Fine Art, Atlanta, GA, 2000 • Western Panoramas, Huntington Museum, Sta. Barbara, CA, 2001 • I Love New York (W. T. C benefit), NYC, 2001 • Melodrama, inaugural show, ARTIUM, Vitoria, Spain, 2002 • Contemporary Desert Photography...

Sabina Spear Fishing 1947 by Toni Frissell 40 x 60" inches / 101 x 152 cm paper size Archival pigment print unframed (framing available see examples - please enquire) Limited...

Landscape Costa Amalfitana, 2018 Contemporary Art, Photograph Printed on Siena paper in acrylic glass and aluminum support Limited Edition

Hawaiian Scenes 1957 Boys in a waterfall, Hawaii by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing available see examples - pl...

This black-and-white photograph captures a serene moment in Natural Bridges National Park, Utah, from 1968. The image showcases one of the park's iconic rock arches, towering above t...