Screen Photography

Richard Heeps' Dream in Colour Series beautifully captures 1950's chic, the nostalgic vibe and warm colours paired with an iconic Clarke Gable movie still make it incredibly seductiv...

Vintage Americana inspired Drive-In movie theatre, from the glamorous Goodwood Revival, featuring a classic Cadillac and Marilyn Monroe on the big sc...

Motel Nights (29 Palms, CA) Edition 1/10, 20x20cm, 1999. Digital C-Print, based on an expired original Polaroid. Artist inventory Number 21038. Signature label and Certificate. Not m...

ABOUT THIS ARTIST: Laura Hendricks is a photographic and mixed media artist. She combines her own photo images from different locations and times to create new scenes that are a coll...

Field of Dreams (Sidewinder), 4 analog test strips combined to make a unique piece, 203x82cm. Edition 1/1, signed. Analog C-Prints, hand-printed by the artist on Crystal Fuji Archiv...

Richard Heeps' Dream in Colour Series beautifully captures 1950's chic, the nostalgic vibe and warm colours paired with Without Love movie still, make it incredibly seductive. This ...

Albrecht Fuchs Drew Straker at Work Giclee on heavy Baryta Rag 2018 24.01 x 18.5 inches (61 x 47 cm) Edition: 20 - BAT (respectively "Archive") Signed, da...

'TV Capsule' Castelloland 27.5 in. H x 19.6 in. W Edition of 1/3 Digital photographs on glossy pearlescent paper 2015 _______________________ Paloma Castello born 1988 Bogotá, Colo...

Queen Elizabeth and Edinburg Duce - Vintage press print  realized in the 1950s by Edward Blackbrow Good conditions and aged.

Just Looking by B A T I K signed limited edition POP ART print Paper Size Oversize 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print Limited to 10 only Featuring Audrey Hepburn in Breakfast At Tiffany's looking at tv monitors...

Initially taken as part of Cawston’s series juxtaposing images from Banksy’s Dismaland with its host town of Weston-super-Mare for his book Are We There Yet?, The Perfect Fish and C...

Richard Heeps' Dream in Colour Series beautifully captures 1950's chic, the nostalgic vibe and warm colours paired with a movie still of the end, make it incredibly seductive. This ...

Just Looking II by B A T I K signed limited edition POP ART print Paper Size Oversize 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front Archival Pigment print Limited to 10 only Pop Art featuring Audrey Hepburn in Breakfast At Tiffany's looking at tv monitors...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. TV3 is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is avai...

Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their ca...

Marlon Brando by Paloma Castello From the CastelloLand Series Digital photographs on glossy pearlescent paper 47.2 x 33 inches Edition 1/ 3+ 1AP 2018 _______________________ Paloma ...

"Coming In Too Fast!!" Signed Limited Edition By Blank Barbie Printed 2022 Archival pigment print 40 x 30 inches / 101 x 76 cm paper size signed and ...

Richard Heeps' Dream in Colour Series beautifully captures 1950's chic, the nostalgic vibe and warm colours paired with a movie still from 'Red River', make it incredibly seductive. ...

Just Looking II by B A T I K signed limited edition POP ART print Paper Size Oversize 20 x 24" inches / 51 x 61 cm Signed & numbered by artist on front Archival Pigment print Limited to 25 only this size Pop Art featuring Audrey Hepburn in Breakfast At Tiffany's looking at tv monitors...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...

TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...

Television Test Pattern, limited edition photograph, signed, archival ink A self-taught model maker and photographer, Tuschman painstakingly crafted miniature sets of his childhood ...

Pondering Life at Age 4, limited edition photograph, signed, archival pigment in A self-taught model maker and photographer, Tuschman painstakingly crafted miniature sets...

Vintage Photo. The Italian Actress Enrica Bonaccorti with the Italian writer and presenter Giancarlo Magalli. 

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

'Richard Ashcroft Of The Verve' at recording studios Limited Edition originally shot for Q Magazine, London 2002. Beautiful Large 20x24" inches C type pr...

Women's Rights - Historical Photos is a vintage black and white photograph realized in the 1970s in Italy, it belongs to an album of women rights, protests, manifestation for their r...

Painting-  Vintage Photo is a black and white photograph of the mid-20th century. Good conditions and aged.

TPI 250 Personal Information Terminal is a vintage black and white photograph realized in the 1970s. Good conditions.

One of the guest room of Hotel Playalinda in Roquetas de Mar, Andalusia, Spain 1980s. From the Hotel Lobbies, Rooms and Bars - Selection, Photo taken by Walter Rudolph, a German Tra...

'Red River' photograph from Richard Heeps Dream in Colour series. The vintage television set plays Red River, set in a warm wood-panelled interior. Thi...

'The Misfits' photograph from Richard Heeps Dream in Colour series. The vintage tv plays The Misfits, set in a warm wood panelled interior. This artwork is a limited edition of 25, ...

'Without Love' photograph from Richard Heeps Dream in Colour series. The vintage tv plays Without Love, set in a warm wood panelled interior. This artwork is a limited edition of 25...

Hadar takes euphoric moments and try to generate a three dimensional feeling with every image inviting the viewer to jump into the game and to be part of it. There's a hidden message...

Village Motel - heated Pool (The Last Picture Show) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1...

Archival pigment print 20 x 16 inches (Edition of 8) 29 x 24 inches (Edition of 8) This photograph is offered by ClampArt, located in New York City. During the 2012 football seas...

Silence Void (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 2116. Not mounted. Stefanie...

Portrait of Maurizio Nichetti is a vintage black and white photograph in the1980s Good conditions. Maurizio Nichetti is a well-known Italian actor and director. Filmography: 197...

Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...

"The Yellow Brick Road" is 1 of a set of 4 digital prints whose titles were inspired by the iconic film The Wizard of Oz starring Judy Garland. The other three are titled: The Land o...

Hotel Chelsea, New York. Second Floor, North, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013)....

Stamped, Allen Ginsberg Trust; numbered 1/1, verso This work is offered by ClampArt in New York City.

Urb is an artwork realized by Sergio Picciaredda in the 2010s. Mixed colored print on Matte Photo Paper. Good conditions. Give a touch of contemp...

FAITH (neon artwork) by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, se...

Computer Generation is an original black and white photograph realized by an Anonymous photographer. Good conditions.

Mind Blender (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Numb...

Hotel Chelsea, New York. Room 507, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 20 H x 30 W in. Edit...

Tobaccos is one of the best photo realized by the italian artist Carlo Caboni in 2020. Always passionate about landscapes and photography, the artist then devoted himself to landsca...

The Jam In The City By Martyn Goddard Signed Limited Edition The Jam, In The City LP cover viewed through 1974 Hasselblad camera. Shot 1977 All prints are signed and numbered by ...

Hotel Chelsea, New York. Room 23, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size:...

Optical reader and synthetic voice is an original black and white photograph realized by an Anonymous photographer. Typed notes on the rear, the description in Italian. Good condit...

Patty deGrandpre’s “Broken Television 316” is a striking predominantly black and white 5 x 5 inch abstract unique inkjet digital print. Appearing architectural and minimalist, radian...

Hitachi TV, photograph by Richard Heeps captured at the top of Victoria Peak in Hong Kong. A sense of nostalgia with seventies inspired mustard wallpaper as a retro kitsch backdrop for a black and white vintage Hitachi TV. This artwork is a limited edition of 25 gloss photographic print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass, signed and numbered on reverse accompanied by a certificate of authenticity. Handmade to order. This artwork is available in other sizes and pairs well with Richard's other artworks so be sure to look at our 1stdibs store to see more of his work. “Richard Heeps' seductive, highly-saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for this subject matter – be it cool, descriptive interiors, still life or landscape.” His distinctive style pushes the limits of photography. The collectable and affordable, hand-printed colour photographs combine the best in traditional processing with the latest archival products – from photographic paper to mounting with a 100% cotton museum board. His artwork has been bought by many international collectors. Exhibitions Include: Royal Academy of Arts London, Photoville Brooklyn, The Photographers Gallery London, The Spitz Gallery London, Kettle's Yard Cambridge, Norwich Arts Centre. The Civic Centre Thurrock, 20-21 Visual Arts Centre Scunthorpe, Rochester Art Gallery, Preston Hall...

Immerse yourself in the chromatic depths of Owen Kydd's @owenkydd "Blue Studies" (2013), a single-channel video projection now presented at ADDITION. Initially exhibited at Monte Cla...