Shirt Photography

Into the Light (Stage of Consciousness) - 2016 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inv...

Vintage Portrait of Giorgio Gaber Photograph , hand dedicated lower center. 1980s. 20 x 29 cm <; 27 x 37 cm with frame. Good conditions!

Gianni Morandi - Vintage Photo is a vintage black and white photograph realized in the 1970s. Good conditions.

House wife's Chores I (Suburbia) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1671 Not mounted. ...

Gasoline IIb (Stranger than Paradise) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #270b Not mounte...

Melancholy (Haley and the Birds) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #16950 Not mounted. ...

Indian Summer VII (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Arti...

Lila and Sam (Stay) with Ewan McGregor and Naomi Watts - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Ranieri Grimaldi, Prince of Monaco is vintage photograph realized in the 1960s. Good conditions.

Fountain Head (Stay) - 2006 featuring Ryan Gosling 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5248 Not...

Pete Townshend – Smoking Joint, Twickenham, London, 1977 Guitarist and songwriter with British rock band The Who. Townshend’s trademark windmill action and smashing of guitar on s...

Portrait by Vernn Smith-  Vintage Photo is a black-and-white photograph that was realized in the 1960s. Good conditions.

Entro Organizzazione, PSI - Vintage Photograph is a black and white photograph realized in the 20th century. Hand-written on the rear. Good conditions.

Big Boy (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 2266 Not mounted. Stefanie Schneide...

Lady Diana and Prince Harry is a vintage black and white Photograph realized in the 1980s. Good conditions. The description on the rear.

Prom, Holidaysburg High School PA, 1994 Signed, titled, and dated in pencil, verso (Total edition of 5) Vintage gelatin silver print 16 x 20 inches, she...

Giulietta Masina and Gianni Bisiach - Golden Period of Italian Cinema is a vintage black and white photograph realized in the 1980s. Good conditions. Giulietta Masina is considered one of the best Italian actresses best known for her performances as Gelsomina in La Strada directed by her husband Federico Fellini. Her portrayal of an innocent woman served as the emotional focal point for some of Fellini’s best films. Masina began acting in student theatre productions when she was in her teens. Although she enrolled as a student at the University of Rome in 1938, she continued to devote a good deal of time to acting in university plays and on the radio . In 1939 she made her professional debut in an Italian translation of Thornton Wilder...

Time Traveller (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory N...

Vintage Photo. The British Actor Stewart Granger.

Into Eternity (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 893. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Lonely Hearts (The Girl behind the White Picket Fence) - 2013 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No. 16346. Not mounted. In Stefanie Schneider's evocative piece "Her Last Call," she presents a poignant scene featuring the talented actor Heather Megan Christie. The composition centers around a captivating image of Christie holding a red rotary phone...

Sudden Urge (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 809. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Farewell (Haley and the Birds) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # ...

Vintage Photo. "La fotografica" photo reportage agency - Torino By Studio Gherlone. Good condition.

Last Chance (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 24104. Signature label and...

Candidate for U.S. Vice Presidency Acknowledges Ovation is a black and white photo realized in 1944. In acknowledgement of the ovation accorded senator Harry S. Truman by cheering delegates a the Democratic Party...

'Reno' 1979 by Alain Le Garsmeur Signed Limited Archival Pigment Print A group of Reno City Casino Staff on a break, Nevada, USA in 1979. Paper size : 40x30 inches / 101 x 76 cm Limited edition Edition Size 5 only this paper size Printed 2024 certificate of authenticity provided All prints are on archival photographic papers and limited edition per paper size offered. 10x12 inches edition size 25 12x16 inches edition size 20 20x16 inches edition size 20 20x24 inches edition size 15 30x20 inches edition size 8 40x30 inches edition size 5 60x40 inches edition size 5 72x48 inches edition size 2 Alain Le Garsmeur was born in France in 1943 and after assisting the likes of Helmut Newton, Guy Bourdin and Donald Silverstein became a prolific editorial documentary photographer for publications which included Fiagaro Magazine, The Independent, Newsweek and the The Observer as well as The Sunday Times. See photo Bio for more details. 1970s 1970 70s Vegas Worker Uniform Casino Nevada Gamble USA Car Vintage Parking lot...

Vintage Photo. The Italian former actress, television and radio presenter, and lyricist Enrica Bonaccorti. Photo by ADN Kronos.

Sergey (Sentenced for Murder): Juvenile Prison for Boys Russia 2009 Signed and numbered, verso Archival pigment print (Total edition of 7 + 2 APs) This work is offered by CLAMP in...

Isletas Family by Alain Le Garsmeur Banana plantation workers outside their homes, Isletas banana plantation, Honduras, Central America, 1981. Paper size 20 x 24 inches / 50 x 60 cm Printed in 2022 - produced from the original transparency Archival Pigment Print and limited edition per paper size offered. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Galerie Prints is proud to share with you this extraordinary body of Alain Le Garsmeur's insightful and beautifully captured photographic work, from the late 1970s and early 80s. Alain Le Garsmeur (1943 - ) is an award-winning editorial documentary photographer for publications which included Figaro Magazine,
The Independent, Newsweek, and The Observer
as well as The Sunday Times. Born in France, he later moved to London where he studied at The Ealing College of Art Photography School. He soon became an assistant to great photographers such as Helmut Newton, Guy Bourdin, and Donald Silverstein, working in both Paris...

Model In A Red Dress 1959 A fashion shoot featuring a model in a red dress in front of a yellow aeroplane by Toni Frissell 30 x 20" inches / 76 x 51 cm paper size Archival pigm...

Mr. and Mrs. Harry M. Warner is an original b/w photograph about Hollywod '40 realized by De Wan Studios. On the back "Mr. and Mrs. Harry M. Warner shown in th...

Vintage Photo. The Italian Actor Marcello Mastroianni receiving a slap on the set of a movie. Good condition.

Being a multiple-disciplinary visual artist has been his driving force to challenge everything that told him that a black boy from West Baltimore, MD had no place in the world. Patri...

Bruce Springsteen by Neal Preston is a vintage photographic print on double coated paper. Ink stamp of "London Features International LTD" whit mention of photographer and ink stamp of Italian agency Grazia Neri. Slight ink traces on the front that do not create problems to the image. Very good conditions. Dim: cm 15 x 20 A rare and beauty print...

Another Monday Morning (29 Palms, CA) 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory nu...

Unpredictable (29 Palms, CA) 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory number: 883...

Waiting (29 Palms, CA) - 1999 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate, Artist inventory number: 99...

Vintage Photo. The Italian former actress, television and radio presenter, and lyricist Enrica Bonaccorti. Photo by ADN Kronos.

Vintage Photo. The American Actor Paul Newman on the set of a movie.

Vintage Photo. The American Actor Paul Newman with Mario Andretti.

Gianni Morandi - Vintage Photo is a vintage black and white photograph realized in the 1990s. Good conditions.

Portrait of Ray Bradbury Vintage Photo by Mizuno, is a black and white photograph realized in 1996. Good conditions.

Monica Vitti is a black and white photo of the Italian actress, taken in 1980s. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to th...

Norah Jones 2022 by Kevin Westenberg Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists an...

Carl Sagan by Randy O'Rundke- Vintage Photo is a black-and-white photograph that was realized in the 1980s. Good conditions.

Carl Sagan by Randy O'Rundke- Vintage Photo is a black-and-white photograph that was realized in 1991. Good conditions.

The American film director and actor John Huston on one of his sets. Vintage Photo. Good condition.

Archival pigment print Signed, titled, and dated, verso (Edition of 5) This photograph is offered by ClampArt, located in New York City. About the artist: Chris Ironside is a Toront...

Izar Portrait Color Photography on Dibond Back Lady In Stock Billy und Hells are two photographers: Anke Linz (Nürnberg, 1965) and Andreas Oettinger (Munich, 1963). They met in 1986...

What does he mean? (Heather's Dream) - 2013 with Udo Kier and Heather Megan Christie part of "The Girl Behind the White Picket Fence" 38x48cm, Edition of 10 plus 2 Artist Proofs. ...

The Doctor (Heather's Dream) - 2013 part of "The Girl Behind the White Picket Fence" starring Udo Kier 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on th...

Washington Monument Fashion Shoot 1949 Fashion model posing in an evening gown with Tidal Basin and Washington Monument in the background, USA by Toni Frissell 60 x 60” / 152 x 1...

Andy Warhol Smiling with Eyes Closed (Between his Friend and JudiJupiter) Studio 54, NY, NY July 1977 Signed, titled, dated, and numbered, verso Gelatin silver print 20 x 16 inch...

Uncertainty (Haley and the Birds) - diptych - 2013 100x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the 2 original Polaroids. Certificate and Signature l...

Vintage photo of Harvey Keitel from the movie "Dear Gorbachev" directed by Carlo Lizzani.

Vintage Photo. The American Actor John Belushi. Lightly Blurry.

One Hundred Years of Alberto Sordi # 6 is a vintage photographic print on single-coated paper. Photograph realized by Italian famous Photographer Pierluigi Praturlon...