Shorts Photography

Tina Turner (b.1939), born as Anna Mae Bullock, began singing professionally as a teenager after meeting the established performer Ike Turner (1931–2007). ...

January 1970: The Kaufmann Desert House in Palm Springs, California, designed by Richard Neutra in 1946 for businessman Edgar J. Kaufmann and now owned by Nelda Linsk (right, in yell...

The entrance to the Carlton Hotel, Cannes, France, 1958. Slim Aarons Carlton Hotel Lambda Print 4 sizes available Slim Aarons Estate Edition Printed later. 60 x 60 inches $5100 48 x 48 inches $4500 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $3000 Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Slim Aarons photographed the Carlton Hotel, in Cannes, in 1958. The hotel was built in 1911, located at 58 La Croisette in Cannes on the French Riviera. It was designed by architects Charles Dalmas and Marcellin Mayère and built for Henry Ruhl, a Swiss hotelier. It is famous for hosting movie stars from around the world during the annual Film Festival. Famously, the hotel was a central location for the Alfred Hitchcock film To Catch a Thief starring Grace Kelly and Cary Grant. In 1970 it featured in the Peter Sellers/Goldie Hawn comedy There's a Girl in My Soup and exterior scenes were filmed at the entrance to the hotel and on the hotel beach. The hotel lobby scene and interior scenes were done on a film set. While staying at the Hotel Carlton during the 1955 Cannes Film Festival, Academy Award winning movie star Grace Kelly had an arranged meeting and photo shoot with Prince Rainier III of Monaco; they married in 1956. In the summer of 1983 the hotel and its private beach featured prominently in the music video for the Elton John song I'm Still Standing. (The video also appears in the 2019 film Rocketman.) During the shooting of the video the Carlton was the scene of a drunken party involving John and the band Duran Duran that has since become something of a legend at the hotel. Significant damages to the rooms in John's suite resulted.[2] Both exterior and interior shots appear in New Order's 1993 music video for the single, "World (The Price of Love)", and exterior shots of the front of the hotel and the jetty leading out of the beach appear in Steps´ 1999 music video for their single "Love's Got a Hold on My Heart". The Carlton Cannes has been the target of several high-profile jewelry...

A group of young men playing handball at a court in the 95th Street playground, Central Park, New York City, 1948. Slim Aarons Handball in Central Park Chromogenic Lambda print Slim...

20" x 16" Unframed Open Edition Print Hand Signed by Adam Stoltman

The Jackson Five, 1971, TIME Photographed at the Jackson Family Home in Beverly Hills. Silver Gelatin Print Edition Size: 15 Unframed size: 16 x 20 inches - $7,350 Artist Bio: A...

Jack and GeeGee Entz beneath the rose-canopied steps which lead to the entrance of the tennis courts at the Villa d'Este at Tivoli, near Rome, Italy, ...

Patterns abound in this black and white photograph by Kirill Polevoy. The stairs, the woman's patterned tunic, the shadows all take us to the two children in the background, sneakin...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Spring Break, 1955 Fiber print Estate edition of 150 Signature stamped and hand numbered with Certificate of authenticity High schoolers picnic on the beach at Bonita Springs...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later by Cole Weston from the original...

Artwork #1 / 5 sold in perfect condition printed on baryta heavyweight paper & framed (black metal border) From the collection called "Art 2014", format 30x42 cm. SERIES OF 5 PRINTS...

"Unity" (FRAMED) Photography 40" x 30" inch Edition 1/24 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) Size: 40" x 30" inch Size framed: 46" x 36" inch 2018 ABO...

Slim Aarons Esther Williams Slim Aarons Estate Edition Legendary American swimmer and actress Esther Williams (1921 - 2013) lounging on a white trampoline in a green swimsuit, circa...

Photographic lenticular. Edition of 5. Repeated image of young woman dancing

Steve Schlackman is a lawyer by profession and a photographer by choice. Fascinated by the magical world of photography since his youth, he honed this skill over time, meticulously p...

Jack and GeeGee Entz beneath the rose-canopied steps which lead to the entrance of the tennis courts at the Villa d'Este at Tivoli, near Rome, Italy, ...

This listing is for the unframed photograph. Rice proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a few newcomers. This ...

black + white toy-camera image from the series 'my affair with diana' 10 x 10 image size in edition of 50 (price increases as edition sells). printed on hahnemuhle bamboo sust...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

These Mardi Gras partiers in matching costumes are entering the front doors of Dixie's Bar of Music. Dixie's was a safe space for the gay community of the French Quarter at a time wh...

Black and white photograph on baryta paper, title "The Boys" - Fabio Donato, with frame Fabio Donato, a lecturer at the Academy of Fine Arts in Naples, was born in 1947. A photograph...

Audrey Hepburn Washes Car, c15_29 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot for the December 7, 1953 issue of LIFE. Image size is 10" x 15" (for 11"...

Model at Disneyland with Baby Elephant -- Photographed on location at Disneyland in California, Mark Shaw's 1964 image for Ladies Home Journal features a...

"Unnatural Causes 24", 3D lenticular print, white wooden frame by Jeff Robb. Lenticular printing is a technology in which lenticular lenses are used to produce printed images with a...

This piece is an original photograph from the original negative, shot by Bill Carroll in 1945 and printed at a later date. It depicts a young Marilyn Monroe (then known as Norma Jean...

Historical Photo- Children is a black and white vintage photo, realized in the 1980s by Giuseppe Moneta. Good conditions, with some decoloration spots and aged margins. and signed l...

Nick Vedros Road to Paradise Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 8x15in Edition: 15 Signed, dated and numbered by ha...

Homage to Ali: Neil Leifer pays tribute to the legendary Muhammad Ali in an exclusive set of classic photographs. Clay vs. Liston I, Convention Center, Miami Beach, February 25, 19...

This late 1960s figurative photograph, captured by society photographer Slim Aarons, features a young blonde woman preparing to go paragliding in Acapulco. This is an estate stampe...

Old Days  - Historical Photo is a vintage black and white photograph realized in the Early 20th Century. Good conditions.

Old Days - Reception Office is a vintage black and white photograph realized in the 1970s. Good conditions.

Prof. Christiaan Barnard is a vintage black and white photograph realized in the 1970s. Good conditions.

Alberto Sordi is a  vintage photo Collage, realized in the Mid-20th Century . The artwork is a well-balanced composition.

Old Days - In Pose is a vintage photograph realized in the Mid 20th Century.  The photo belongs to Albumen of historical photographs, meticulously captured. Good conditions and aged

Sculptor Aurelio Mistruzzi Playing Bowls is a  vintage photo, realized in the Mid-20th Century . The artwork is a well-balanced composition.

At the train between Nagpur and Kalkutta, vintage, excellent condition

Portrait of Louis Malle is a  vintage photo, realized in the 1970s . The artwork is a well-balanced composition.

Okurimono Pigment Print Images from the Okurimono series is available in 3 different formats : * 50 x 75 cm : edition of 10 + (+2ap) * 80 x 120 cm : edition of 7 + (+2ap) * 113 x 170 cm : edition of 7 + (+2ap) Each print is numbered and signed About the work : Work by contemporary photographer Christian Houge, from the Okurimono series. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays an important role. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays a Okurimono (meaning both “gift” and “that which is in-between” in Japanese) - is a word that binds together this comprehensive project developed over five trips to Japan between 2007 and 2018. The series explores the personal pursuit of identity, at times with an underlying darkness as Houge had the chance to be introduced to Tokyo’s subculture. In exploring this theme, Houge has ventured into delicate matters such as sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The artist wishes to question the viewer and provoke a reflection on topics that are often seen as taboos in our contemporary societies. The viewer’s own associations are important in appreciating this work where ambiguity plays an important role. The project started in the Harajuku district of Tokyo which is known as a center of Japanese youth culture and where Houge found some of his first motifs: teenage girls dressing up in post-Victorian dresses or ‘cosplay’ costumes to identify with a character of their favorite comics. Here, the desire to express one’s uniqueness is central and the photographer explores the tension between personal identity and aesthetics shared by all (or at least by the same youth group). In many of his carefully staged photographs, Houge’s models are masked, so as to echo the many social masks we wear in our day-to-day lives. In our post-modern information society, drained of wonder, these enigmatic masked characters also evoke the world of shamans and pagan rituals, therefore injecting a sense of mystery and spirituality that many people are longing for. Symbolism and the many references to ritual and identity in an otherwise suppressed society, may at times create a sense of unease among viewers. The Okurimono project also explores the topic of identity and sexuality in gender dysphoria with Japan’s nyūhāfu (the transsexual ‘new halfs’). Here, the quest for identity coincides with a search of femininity and body image which results in complex physical transformations. Viewers may look at these portraits not having any clue that models are nyūhāfu. Yet, the photographs are staged so that viewers are placed in a disconcerting voyeuristic role while looking at otherwise closed world. Shibari (the art of tying), which originates from the Edo period (1600s), is another territory explored by Houge in his Okurimono series. His striking photographs of female models tied with red rope on a white background take us into this powerful journey into vulnerability and surrender, power and freedom. Through tradition, symbolism and technology, Okurimono also explores the hugely potent symbols that help define parts of Japanese culture and national identity, between old and new. As Art historian Erling Bugge put it: “Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar.” The images of the Okurimono series share a ghostly, otherworldly quality. In reality and dream, ritual and play merge while the boundaries between the known and the unknown dissolve. Christian Houge – Now – Okurimono Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar. This is pushed to the limit in the technological and virtual wonderland of Akihabara in Tokyo, where shop after shop trade in electronic products and computer games, while a weird costume play, “cosplay”, is being performed in streets. A similar kind of simulation is being acted out in the district of Harajuku, where Houge found some of his motifs. There is no authenticity here, no western “essence” or “reality”; instead, the virtual conquers the carnal body in a purified play of surface, image and the hyperreal. This is exotic. All the while as we are conscious of these notions as pinnacle points in a western idea of the post-modern. But in this sense Japan has always been “post-modern”. It has always integrated the most refined culture and technology from the outside while somehow retained an identity for itself. So, what would this identity be? Houge takes the view of ritual and play. Indeed, Japanese culture seems to be grounded solely on ritual, in business and in sex, in its relation to nature and in religion. This play transcends the notion of authenticity altogether, unlike the West which is haunted by the “ghost” of origin and beginnings. In Japan, “now” would mean just that; it is a “no looking back”, but rather a flow of intensities integrated in the play and ritual of the ever-present, okurimono. There is no threat of being eaten up by western culture and technology here, for, like in Zen practice, the ritual oversees everything and has no historical drag. Japan becomes weightless, shot into orbit outside the material of earth itself. Is acting out the role as Lewis Caroll’s Victorian girl driven by a sense of nostalgia? I think not. It is a striving for a moment of perfected presence, in dialogue with Houge’s optical machine. It is the moment of Now. The girl, the Zen garden and the image shares in a perfection modified by small uncertainties, coincidental imperfections that become somewhat oblique points of entry for us - a discarded handkerchief or seemingly unremarkable shapes and reflections in the prismatic play of surfaces. There is a ghostly, otherworldly quality in these images, even in the fleeting blossoming cherrytree and the play of shadows across a concrete minimalism. The doubly exposed or reflected light on the lens reminds us of the uncertain beginnings in photography’s history, with its widespread belief that the camera was able to perceive more than the naked eye, like spirits and ghosts. In Houge’s images there are different specters, skeletal, natural shapes on the one hand, the machine and the virtual on the other. Here, like some scene from the film Blade Runner, there is an uncanny confusion and mix between the human and non human. Maybe the search for a perfect moment in the perpetual flow of things is a romantic or melancholic longing for transcendent wholeness, a drive that is harnessed in a rigorous attention to visual detail. This compulsive discipline might seem absurd to any western observer, while longing itself form a common ground and will ultimately be the basis in our meeting. Erling Bugge Bio: Christian Houge (born in Oslo 1972) Based in Oslo, Norway, I have been making photographs for over twenty years and new insights continue to open. By exploring the relation, and conflict, between Nature and culture, I get a better understanding about Mans` condition. I am interested in the consequences of Humankinds progression and how science often is the result of our conquering of Nature, both on Earth and beyond. Mans` ego, consumer society, the last remnants of pure Nature and identity are recurring elements in my work. I often juxtapose the visually aesthetic with an underlying uneasiness. This often emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. Looking at our actions and place in environment, which we are so dependent on, is a recurring theme in all my exploration and can use everything from digital cameras to large format and panoramic analog cameras for specific projects. I have exhibited extensively in galleries and museums in my native country Norway, as well as the US, England, France and China. The series `Death of a Mountain`(2016-2021) is nominated for the 2021 Leica Oskar Barnack Award, as well as receiving an arts grant from Norwegian Arts Council. Most recently, my series `Residence of Impermanence` 2017-2019 has been exhibited at five museums and several galleries already (including a solo show at Fotografiska, Stockholm (2019), and Les Recontres d`Arles, Haugar Artmuseum, Preus Muaeum of Photography and 2019 (Galerie Omnius, Arles). In 2021, this series received ten nominations for the Prix Pictet Award with the theme FIRE. `Residence of Impermanence` is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West...

Charles Aznavour is a photograph realized in the 1960s. Good conditions.

Silvana Mangano is a vintage black and white photograph realized in the 1970s. Good conditions.

Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation fo...

Edward L. Rubin is an award-winning fine art photographer, a film and television production designer, and a fine art painter. He lives in his hometown of Los Angeles, studied archite...

Daniela Goggi is a vintage black and white photograph realized in 1976. Good conditions.

Gabriel Byrne and Alberto Lattuada on the Set of "Cristoforo Colombo" - 1985 Good conditions.

The Photo of Louis Malle is a vintage black and white photograph realized in 1980. Good conditions.

Slim Aarons Desert House Party, 1970 C print Estate stamped and numbered edition of 150 with Certificate of authenticity A poolside party at a desert house, designed by Richard Ne...

“Bait and Tackle 2” Photography 24" x 36" inch Edition 1/7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Park Drive" series The n...

Contemplating the Galaxy, Jaipur, India 1957 Archival pigment print Edition of 5 Estate stamped, signed and numbered by Andrea Derujinsky with certificate of authenticity The entire Gleb Derujinsky Collection available exclusively at IFAC Arts on 1stdibs. Groundbreaking fashion photographer Gleb Derujinsky invigorated the fashion industry with his glamorous, exotic, and often unconventional photographs. Gleb Derujinsky's career as a fashion photographer took hold in the golden age of European haute couture, when Balenciaga and Pierre Balmain were at the top of their game and Yves Saint Laurent and Karl Lagerfeld were designing their first runway shows. Although air travel was still reserved for the happy few, Derujinsky convinced his editors Carmel Snow and Diana Vreeland to send him around the world to photograph beautiful models like Carmen Dell Orefice and his future wife, Ruth Neumann draped in expensive gowns juxtaposed against rough desert dunes or a glittering ocean at sunset. His ideas were revolutionary and they gave rise to the mystique and glamour that is now pervasive in fashion. Derujinsky was the quintessential Renaissance man photographer, award-winning cinematographer and commercial director, inventor, WWII veteran, world traveler, jewelry designer, musician, ski instructor, Ferrari America race-car driver, and champion glider pilot. His passion for photography started at the tender age of six, by ten, he had built a photo enlarger, and as a teenager, he became the youngest member of the Camera Club of New York. His photographs appeared in major lifestyle magazines and extensively in Harper's Bazaar from 1950 to 1970 Derujinsky’s best fashion photographs are typified by the frisson between high fashion in the 1950s and 1960s with the dynamism of locations and urban scenarios." Louis Vuitton Fashion...

Edition of 50 Signed, titled, dated and numbered in pencil on print verso. Gelatin silver print From Uncertain to Blue series Paper size: 16 x 20 in., Images: 15 x 15 in. Keith Cart...

From The Jon Gould Collection of Andy Warhol Photographs Each unsigned photo is unique and blind embossed “Andy Warhol” in the lower right corner Provenance: Gift of the Artist to...

“Olé” Photography 24" x 36" inch Edition 1/7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Not framed. Ships in a tube. American Dreams - From "Park Driv...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Surfboards in the Sand by Al Satterwhite is a 16 x 20 inch archival pigment print, available in an edition of 25. This photograph features a group of teenagers with their surfboards ...

"Peak of the Moment 2" Photography 31.5" x 24" inch Edition of 5 by Lukas Dvorak Pigment print on Epson Fine ART paper 2023 Ships rolled in a tube ABOUT THE ARTIST Lukas Dvorak i...

Guests at the entrance to the Carlton Hotel, Cannes 1958 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. CAPTION: Guests a...

Eva Maria Lopez (Aarons Estate Edition), 1989 Eva Maria Lopez takes a dip in the sea from the deck of Serena, her boyfriend's luxury yacht off Forment...