Sign Photography

Jen's love of photography began as a child, when her grandfather, a photographer, gave her a camera. However, it wasn't until she graduated from UC Berkeley that photography became a...

Jen's love of photography began as a child, when her grandfather, a photographer, gave her a camera. However, it wasn't until she graduated from UC Berkeley that photography became a...

Jen's love of photography began as a child, when her grandfather, a photographer, gave her a camera. However, it wasn't until she graduated from UC Berkeley that photography became a driving force in her life. She loves to photograph America's worn-out, offbeat, and forgotten corners. Working with color Jen takes ordinary scenes just a bit beyond our everyday view. Many of her photographs depict California highway establishments and signage, revealing an appreciation for their dated aesthetic and patina of rust and neglect. "Palm Reader...

Jen's love of photography began as a child, when her grandfather, a photographer, gave her a camera. However, it wasn't until she graduated from UC Berkeley that photography became a...

Jen's love of photography began as a child, when her grandfather, a photographer, gave her a camera. However, it wasn't until she graduated from UC Berkeley that photography became a...

Black and White, Urban, American, Los Angeles, hollywood, street sign, street, highway, black & white, b&w, vignette, high contrast, car, driving, motion Listing is for UNFRAMED pri...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Available UNFRAMED or FRAMED. Listing is for UNFRAMED print. Inquire within for framing. Edition of 7. Price is subject to availability. The Robin Rice Gallery reserves the right t...

Alleman's interesting use of perspective makes this photograph almost collage-like. The angle of his camera completely throws off the scale of the airplane and stop sign, merging the...

black and white toy camera image from the series 'sand people' 10 x 10 image size in edition of 50 (price increases as edition sells). printed on hahnemuhle bamboo sustainable pape...

Poolside In Kenya, 1958 Chromogenic Lambda Print Estate edition of 150 A signpost indicating various ski slopes and toboggan tracks in the resort of St Moritz, Switzerland, March 19...

"Cocktails" Photography 30" x 40" inch Edition of 5 by Oleg Char Medium: Hahnemühle Baryta Paper Not framed. Ships in a tube. Other sizes available: Edi...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essic...

"Malibu Pier" Photography 23" x 32" inch Edition of 10 by Oleg Char Medium: Hahnemühle Baryta Paper Not framed. Ships in a tube. Other sizes available: ...

'NV 95' is a black and white landscape photograph of a highway sign in the desert of Nevada. This print is edition 1 of 20. This listing is for an unframed print - a framed print is also available. Chris Little is inspired by the work of Ernest Hass, Jay Maisel, Walker Evans and Jack Spencer...

A signpost indicating various ski slopes and toboggan tracks in the resort of St Moritz, Switzerland, March 1963. Slim Aarons Estate Edition, Certificate of Authenticity included N...

A signpost indicating various ski slopes and toboggan tracks in the resort of St Moritz, Switzerland, March 1963. Slim Aarons Estate Edition, Certificate of Authenticity included N...

"More of the Same 03" Photography 23" x 33" inch Edition 1/5 by Patricio Gonzalez Photographs intervened (1/5 ) / 300gr paper museum quality Not framed. Ships in a tube. From "Tell me how to behave" series "The simulacrum is not what hides the truth. It is the truth that conceals that there is no truth. The simulation is true " TELL ME HOW TO BEHAVE Series of photographs digitally intervened and road signs transformed (life-size), who wonder about the infinite possibilities, without losing sight of the fact that in all of them. There is the possibility of death. With this in mind, the work seeks to relate to the viewer, in terms of the experience lived, decisions in time, or personal history, which are common to all. Functioning as a counter-proposal to the expectations that the group expects from the individual. The dislocated-edited reality makes us ask about our reality and to what extent. Sample freedom of choice is influenced by external agents, mass control systems, mass media, etc. Waste, immaturity, successes, time lived. The series plays with the presentation of bad possibilities, absurd and impossible, and their relationship with time. Letting you see the paradox of memories and experience, raising its relationship with the present. Where the image of the road, as an American space of freedom, opens up to the idea of ​​a space large enough to imagine the possibility of reinvention in every second. Curriculum vitae Born on February 14, 1974, Santiago, Chile. Study at the School of Fine Arts of t he University of Chile and the University Complutense Hotels guest, Spain. He also attended workshops in painting, drawing and engraving the Circulo de Bellas Artes in Madrid. Work in the study of Guillermo Muñoz...

"Fooling Around 03" Photography 23" x 33" inch Edition 1/5 by Patricio Gonzalez Photographs intervened (1/5 ) / 300gr paper museum quality Not frame...

"Fooling Around 03" Photography 23" x 33" inch Edition 1/5 by Patricio Gonzalez Photographs intervened (1/5 ) / 300gr paper museum quality Not framed. Ships in a tube. From "Tell me how to behave" series "The simulacrum is not what hides the truth. It is the truth that conceals that there is no truth. The simulation is true " TELL ME HOW TO BEHAVE Series of photographs digitally intervened and road signs transformed (life-size), who wonder about the infinite possibilities, without losing sight of the fact that in all of them. There is the possibility of death. With this in mind, the work seeks to relate to the viewer, in terms of the experience lived, decisions in time, or personal history, which are common to all. Functioning as a counter-proposal to the expectations that the group expects from the individual. The dislocated-edited reality makes us ask about our reality and to what extent. Sample freedom of choice is influenced by external agents, mass control systems, mass media, etc. Waste, immaturity, successes, time lived. The series plays with the presentation of bad possibilities, absurd and impossible, and their relationship with time. Letting you see the paradox of memories and experience, raising its relationship with the present. Where the image of the road, as an American space of freedom, opens up to the idea of ​​a space large enough to imagine the possibility of reinvention in every second. Curriculum vitae Born on February 14, 1974, Santiago, Chile. Study at the School of Fine Arts of t he University of Chile and the University Complutense Hotels guest, Spain. He also attended workshops in painting, drawing and engraving the Circulo de Bellas Artes in Madrid. Work in the study of Guillermo Muñoz Vera, Madrid. SOLO EXHIBITIONS 2018 Kadoshiro Art Gallery “Looking for Happiness” Eduardo Lira Art Gallery “IT ́s not here” 2017 Off the wall / serie Golden Bitches/Beaches>(march 9) Galeria Artium-Miami,Usa 2016 ”Razones para la venganza” Galeria Artium-Miami,Usa. 2015 "Out Doors", Gallery Latam Santiago-Chile. 2013 "Coming down like flies" Latam Gallery Santiago, Chile. 2012 "Coto de Caza" Artium Gallery, Santiago, Chile. 2010 "Reasons for permanecia" Praxis Gallery, Santiago, Chile. 2009 "Fissure postcard" fifhy one Dot Gallery, Miami USA. 2008 "Connotations Sinister Galeria Trece, Santiago-Chile. 2007 "From the periphery to the center" Gallery 000 ", Santiago-Chile. 2005 "Lost Time" Gallery Forest, Consepcion- Chile. 2006 "Permanent Revolution" Artium Gallery, Santiago-Chile. 2005 Providencia Santiago Chile-Cultural Center, “Carrera” 2004 "personal mythologies", Praxis Gallery, Santiago-Chile GROUP EXHIBITIONS 2019 West palm Beach Art...

Signage on Beale Street in Memphis, TN in 1965. Silver gelatin print on Ilford Galerie Baryta paper Edition of 25 Estate signed and stamped 14" x 21" print on 20" x 24" paper We ...

Signed and stamped. Ektacolor

"Coffee" Photography 29" x 40" inch Edition of 5 by Oleg Char Medium: Hahnemühle Baryta Paper Not framed. Ships in a tube. Other sizes available: Edition of 5: 29" x 40" inch Ed...

This is Bank of America from my recent Series, photographed this year (2022) in Palm Springs, California. The artwork/photo is sold unframed (only the art print) This is a 50 Limi...

black and white toy camera image from the series 'sand people' 10 x 10 image size in edition of 50 (price increases as edition sells). printed on hahnemuhle bamboo sustainable ...

Photographic Fine Art Paper 325 g, ed. 1/7 Luca Battaglia is an Italian architect and photographer born in 1970 who lives and works in Paris, France. Luca met the Italian photograph...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization. These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant. Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response. Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.” Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...

archival dye-sub print on aluminum. 14"x20" edition of 25 signed on reverse This photograph depicts the iconic fallout shelter sign, that designated locations of safety from nuclea...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essic...

Mitchell Funk is a "Street Photographer" - Literally. Painted stripes of lemon yellow lead the eye into an expanse of cerulean blue over San Francisco Bay. Signed and dated on lo...

Stanislaus County, California by David Graham is a 20 x 24 inch C-Print, available in an edition of 25. This photograph features a barren field with an orange sign that reads "Really...

During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...

During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...

During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...

Manhattan Bridge and Yellow Sign is a trailblazing work done decade ahead of it's time. The work depicts a common New York scene but rendered in deep saturated blues and eye poppin...

Archival Pigment Print + Stamp on Hahnemühle Photo Rag ® Ultra Smooth 305 gsm "During my six weeks in LA, I let go of control and simply went with the flow. I spent my time creating...

Archival Pigment Print + Stamp on Hahnemühle Photo Rag ® Ultra Smooth 305 gsm "During my six weeks in LA, I let go of control and simply went with the flow. I spent my time creating...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...

Artist : David K. Pugh Title : Residential Beauty Series No.1 Grimes, Iowa Materials : Archival Pigment Print Date : 2019 David has been a photographer for 10 years. After having p...

Signed with edition number, titled and dated on the back of the mount. 32.5 x 40 inches, mounted on Dibond. Original negative made in 1979 with digital color added in 2015. A show w...

Signed with edition number, titled and dated on the back of the mount. 27.5 x 40 inches, mounted on Dibond. Original image made in 2014, digital color added 2015. A show with Brett...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. Aft...