Sitting Photography

Brigitte Bardot Braids Hands in Lap, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of B...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

St. Tropez Model in Yellow Ensemble -- Yellow clad model photographed by Mark Shaw on St. Paul de Vence street for the Jan. 9, 1956 article in Life “Su...

Brigitte Bardot Braids Crossed Ankles, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of...

Audrey Hepburn, r23_8 -- Informal portrait of Audrey Hepburn. Out take from the cover shoot for the April 19, 1954 international issue of Life. Image size is 10" x 10" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A black and white photograph of Audrey Hepburn reclined on a striped sofa with a striped pillow. She is wearing just a white collared shirt. She has a book in front of her on the pillow. She looks up and smiles at the camera. She has one hand holding the book open. The other hand is behind her head. Above her, there is a matching striped cloth with fringes.

St. Tropez Model in Yellow Ensemble -- Yellow clad model photographed by Mark Shaw on St. Paul de Vence street for the Jan. 9, 1956 article in Life “Su...

Elsa Martinelli Wearing Teal in Portofino, 1955 -- Actress and Socialite Elsa Martinelli, a favorite model of Mark Shaw's, was photographed for the LIFE January 1955 article "Promise at Portofino". Image size is 32" x 48" (for 36" x 52" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of Elsa Martinelli wearing a teal romper. The romper has sleeves, a collar, and a bow in the front. She is leaning her shoulder against a metal structure. In her right hand, she has a pink basket...

Beach White Chair -- A classic 1950s beach image photographed by Mark Shaw for Mademoiselle. Image size is 10" x 12.8" (for 11" x 17" paper size). All Mark...

Audrey in Striped Sweater Reads, 1953 -- Shot for Life in 1953. Audrey Hepburn often ate dinner alone on the floor while reading classical drama "with heavy helpings of Shaw and Shakespeare." Image size is 10" x 10" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A black and white photograph of Audrey Hepburn. She is sitting on the floor of her home. She has a small table to hold her book while she reads it. Next to her is a round tray with a sandwich, an apple, a saucer, a jar, and a glass. She is sitting with both legs on either side of the small table. She is wearing pants and a striped long sleeve shirt...

Brigitte Bardot Braids Hands in Lap, 1958 -- Brigitte Bardot was photographed by Mark Shaw in 1958. Mark, who often predicted who would become stars, thought one of these images of B...

Audrey Hepburn, r15_10 -- Informal portrait of Audrey Hepburn. Out take from the cover shoot for the April 19, 1954 international issue of Life. Image size is 16" x 16" (for 17" x 22...

Audrey Hepburn at home -- This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine. Image size is 10" x 10" (for 11" x ...

Audrey on Striped Sofa, r15_11 -- Initially Audrey Hepburn did all she could to avoid Mark Shaw's cameras. When she realized they shared intense devotion to their work, she began to ...

Audrey Hepburn on Striped Sofa, r17_2 -- Audrey Hepburn at home. This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazi...

Audrey Hepburn, r16_4 -- Audrey Hepburn looked incredible no matter what she was doing. This image is an out take from the photo shoot for the cover of the April 19, 1954 internation...

Audrey Hepburn, r15_6 -- Informal portrait of Audrey Hepburn. Out take from the cover shoot for the April 19, 1954 international issue of Life. Image size is 16" x 16" (for 17" x 22"...

Chanel Sits on Stairs with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film proc...

Audrey Hepburn, r16_10 -- Audrey Hepburn at home. This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine. Image size ...

Audrey Hepburn, r15_10 -- Informal portrait of Audrey Hepburn. Out take from the cover shoot for the April 19, 1954 international issue of Life. Image size is 10" x 10" (for 11" x 17...

Audrey Hepburn, r18_4 -- Audrey Hepburn at home. This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine. Image size i...

Audrey Hepburn, r15_5 -- Audrey Hepburn at home. This image is an out take from the photo shoot for the cover of the April 19, 1954 international issue of Life magazine. Image size i...

Audrey Hepburn on Striped Sofa, r17_7 -- Audrey Hepburn looked incredible no matter what she was doing. This image is an out take from the photo shoot for the cover of the April 19, ...

Audrey Hepburn Getting Shampooed and Reading, Wide, c7_14 – Photographed for Life in 1953, part of Audrey Hepburn's nightly ritual was a shampoo given at the studio. Image size is 22...

Audrey Hepburn in Dressing Room, c16_22, 1953 -- Out take from the photo essay shot for the December 7, 1953 issue of LIFE. Image size is 22" x ...

Audrey Hepburn Under the Dryer Holding Cigarette, c10_10 – While working on the film Sabrina, Audrey Hepburn was shampooed every night -- She of...

Cary Grant Seated Looks Left -- Photographed by Mark Shaw for a 1955 issue of Mademoiselle. Cary Grant was called one of the "Charm Boys." Image size is 22" x 22" (for 24" x 36" pape...

Cary Grant Seated Looks Left -- Photographed by Mark Shaw for a 1955 issue of Mademoiselle. Cary Grant was called one of the "Charm Boys." Image size is 16" x 16" (for 17" x 22" pape...

Cary Grant Seated Looks Left -- Photographed by Mark Shaw for a 1955 issue of Mademoiselle. Cary Grant was called one of the "Charm Boys." Image size is 32" X 32" (for 36" X 36" pape...

Audrey Hepburn Under the Dryer Holding Cigarette, c10_10 – While working on the film Sabrina, Audrey Hepburn was shampooed every night -- She often conducted business with her agents...

William Holden Portrait, 1954 -- This image of William Holden is an outtake from a photo shoot for the May 31, 1954 cover of LIFE. Holden was deemed the...

Kennedy nb_120 -- A Portrait of Jackie by Mark Shaw. Image size is 22" x 22" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle phot...

William Holden Portrait, 1954 -- This image of William Holden is an outtake from a photo shoot for the May 31, 1954 cover of LIFE. Holden was deemed the...

Mark Shaw Seated on Boat. Image size is 16" x 16" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is ...

Mark Shaw Seated on Boat, Looks Left. Image size is 16" x 16" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Ea...

Caroline Feeds Flower to JBK, JFK looks on, nb_081a -- The Kennedys at Hyannis Beach. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in...

Mark Shaw Seated on Boat, Looks Left. Image size is 10" x 10" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Ea...

Audrey Hepburn Getting Shampooed and Reading, Wide, c7_14 – Photographed for Life in 1953, part of Audrey Hepburn's nightly ritual was a shampoo given at the studio. Image size is 13...

Caroline Feeds Flower to JBK, JFK looks on, nb_081a -- The Kennedys at Hyannis Beach. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in li...

Audrey Hepburn in Dressing Room, c16_22, 1953 -- Out take from the photo essay shot for the December 7, 1953 issue of LIFE. Image size is 10" x ...

Audrey Hepburn Getting Shampooed and Reading, Wide, c7_14 – Photographed for Life in 1953, part of Audrey Hepburn's nightly ritual was a shampoo given at the studio. Image size is 10...

Lorenzo Agius (b.1962) Jude 2006 digital C-Type print 60 x 48 in. / 40 x 30 in. / 24 x 20 in. signed and numbered printed later This work is available in the following sizes (paper size): 24 x 20 in., edition of 25 + 2 AP, £3,960 (inc. 20% UK VAT) 40 x 30 in., edition of 25 + 2 AP, £5,880 (inc. 20% UK VAT) 60 x 48 in., edition of 15 + 2 AP, £8,640 (inc. 20% UK VAT) Provenance: Direct from the artist's studio Notes: All photographs are signed and numbered and accompanied by a certificate of authenticity signed by the photographer Celebrity photographer, Lorenzo Agius, is renowned for his unique, intimate and often comical portraits of the 'stars'. The photographer shot to great prominence following his seminal images from the 1996 groundbreaking British film, Trainspotting. Agius has had a colourful affair with 'celebrity' over the past two decades. Expertly capturing the character and individuality of each of his sitters, Agius' images flaunt stylistic brilliance and bubble with personality. From Madonna to Margot Robbie, Agius' body of work portrays the varying and often polar characters of major icons. He tunes into the creativity of his subjects and successfully reflects the mood of the moment; the results are natural, accessible and in each case reflect the artist's eye for light, composition and a strong imagination for narrative. Whether it be celebrating British culture or capturing the sleek, Hollywood look, Agius' personality is intrinsic to his photographs; the mood is always light and refreshing and humour is ever present. Six of Agius' iconic works are part of the permanent collection at the National Portrait Gallery, London. The artist has been an Ambassador for Canon Cameras...

edition 2/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

16" x 20" Limited Edition Silver Gelatin Print of 250 Hand Signed by Bill Lemke

Lorenzo Agius (b.1962) Ewan with gun 2012 digital C-Type print 48 x 60 in. / 30 x 40 in. / 20 x 24 in. signed and numbered printed later This work is available in the following size...

Edition 1 of 3, 2 APs Large Size: 27.75 x 36 STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the hist...

"Louise Low" Archival Pigment photograph Edition of 10 Signed and Editioned by photographer

Jim’s of Lambertville is proud to offer this artwork by: Charles Searles (1937-2004) He was born in Philadelphia, PA and received his fine art education at the Pennsylvania Academy of Fine Art (PAFA) from 1969-72. He also attended the University of Pennsylvania for liberal arts studies, where he worked in the labs beside the scientists and engineers creating technical illustrations for text books. His early paintings embraced the tumultuous 60's and also reflected his own family life and surroundings. Before graduating the PAFA, Searles received the Cresson Memorial Traveling Scholarship, and the following year, the Ware Memorial Traveling Scholarship. He was the first student to use these funds to travel to Africa. His travels in Africa marked his life and work forever -- the life, the rhythms, the patterns, and the energy. Searles returned to Philadelphia and began teaching at the Ile Ife Cultural Center. It was then that he began his "Dancer" Series. This series marked a change in his life, celebrating his new sense of renewal and the African experience. He was awarded his first mural commission at the William G. Green Federal Building. This work, entitled "Celebration" is still on view today. At that time, he was also hired as a drawing teacher at the (then) Philadelphia College of Art, where he remained a professor for over twenty years. In 1978, Searles moved to New York City. He found a large, raw space -- an old sewing factory -- on Broadway and Bleeker where he would remain for the rest of his life. He continued to commute to Philadelphia teaching part time. He met Kathleen Spicer, an art student, in 1983. They married in 1985. Together, they shared a wonderful, open, artistic, social, and creative experience. Searles gradually moved away from painting and into sculpture. His sculptures maintained the vibrant color and patterns from his paintings, but seemed to dance in three dimensions. These new works embodied a live sense of rhythm and energy -- trademarks that he maintained throughout his career, whether in wood, bronze, or aluminum. In his lifetime, Charles Searles participated in over 60 group shows, and 25 solo exhibitions. He was represented by the Sande Webster Gallery in Philadelphia for over 20 years. His paintings and sculptures can be found in innumerable public and private collections. Public commissions include the Delaware River Port Authority, the NYC Mass Transit Authority, the First District Plaza in Philadelphia, and the Amtrak station in Newark, NJ. He was the recipient of many awards, including ones from the Pollock-Krasner Foundation, the Adolph and Esther Gottleib Foundation, the Creative Arts Project Fellowship, and the National Endowment for the Arts. His wife of 23 years, Kathleen Spicer adds: "Charles was his work, and his work was him. Inseparable. Our lives were all about art. We lived each day as if it was a gift. To me, he was enchanted. His vision was clear -- he could envision something and make it come to life as easy as breathing. Genius. Charles made the world a better place. Charles speaks loud and clear." Bio courtesy of Kathleen Spicer (Searles) Selected Periodical Citations: Newhall, Edith, "Dual Celebration of Self-expression", Philadelphia Enquirer, May 2013 Fabbri, Anne, "A Farewell to Charles Searles", Art Matters, January 2005 Cornell University Review, August 2000 O'Neill, Denise I., "Black Experience Puts Soul Into the Heart of Christmas", Chicago Sun-Times, December 1996 Gleuck, Grace, Review, The New York Times, December 1996 McBride, Octavia, "An Artist Acclaimed", Philadelphia Tribune, April 1993 Fox, Catherine, "National Black Arts Festival Program Guide", The Atlanta Journal, July 1990 Wilson, William, "Black Artists in Tune with Ancestors", Los Angeles Times, January 1990 Jamusch, Ann, "Special Show-Legacy of Black Art", Dallas Times Herald, January 1990 Binkley, Barbara, "Colors, Bright and Bold", The Daily News, April 1986 Grafly, Dorothy, "Charles Searles at Neumans", ART in Focus, Summer 1978 Crittendon, Denise, "Back Home from Nigeria", The Michigan Chronicle, December 1977 Garrett, Bob, Art Section Review. Boston Sunday Herald, November 1975 Patry, Louise, "A Jubilee of Afro-American Art in Boston", New England Journal, December 1975 Wright, Charles, "Paint Art Racist", The Village Voice, April 1971 Nelson, Nells, "Black Artists Rise Above the Tempest", Philadelphia Daily News, April 1971 Canaday, John, "Black Artist on View in Two Exhibitions", The New York Times, February 1970 Collections: - Philadelphia Museum of Art - The Woodmere Art Museum - Smithsonian Institute of American Art - Pennsylvania Academy of the Fine Arts - LaSalle University Art Museum - Howard University Gallery of Art - Dallas Museum of Art - Delaware Valley Arts Alliance - Montclair Museum of Art - Afro-American Historical & Cultural Museum - Museum of Afro-American History - 35 + corporate collections - National & international private collections 75+ Group Exhibitions, Including: - Woodmere Art Museum - Pennsylvania Academy of the Fine Arts - Whitney Museum of American Art - Museum of American Art - Boston Museum of Fine Arts - Brooklyn Museum - Art Alliance - National Afro-American Museum - Liberty Museum - National Blacks Fine Arts Show - Institute of Contemporary Art - Ackland Arts Museum - Arnot Art Museum 30+ Solo Exhibitions, Including: - Philadelphia Museum of Art, Philadelphia PA - The State Museum of Pennsylvania, Harrisburg, PA - LaSalle University, Philadelphia, PA - Temple University, Philadelphia, PA - Montclair Art Museum, Montclair, NJ - Noyes Museum, Oceanville, NJ - Delaware Valley Arts Alliance, Narrowsburg, NY - North Carolina State University - Winston Salem State University, Winston Salem, NC - G.R. N’Namdi Gallery, New York, NY - Sande Webster Gallery, Philadelphia, PA - June Kelly Gallery, New York, NY - Noel Gallery, Charlotte, NC - Malcolm Brown...

Fan Club by Patty Carroll is an archival pigment print, available in an edition of 15. This photograph features a mannequin reclining in a green chair, fanning herself while being su...

Edition of 50 Signed, titled, dated and numbered in pencil on print verso. Paper size: 20 x 16 in., Image size: 15 x 15 in. Keith Carter is an American photographer who is known for...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Autoportrait au canapé I, 2021 Archival pigment print on Hahnemühle Photo-rag paper 70 x 50 cm (27 1/2 x 19 3/4 in.) Edition of 2 plus ...

Jun AHN (*1981, South Korea) Self-Portrait (New York), 2013 Archival pigment print, , face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 101.6 x 152....

Mitchell Funk breaks with traditional black and white photography and shoots on the street with Kodachrome. His goal: make color photography full of color in what was then a nascent ...

Lorenzo Agius (b.1962) Jude 2006 digital C-Type print 60 x 48 in. / 40 x 30 in. / 24 x 20 in. signed and numbered printed later This work is available in the following sizes (paper size): 24 x 20 in., edition of 25 + 2 AP, £3,960 (inc. 20% UK VAT) 40 x 30 in., edition of 25 + 2 AP, £5,880 (inc. 20% UK VAT) 60 x 48 in., edition of 15 + 2 AP, £8,640 (inc. 20% UK VAT) Provenance: Direct from the artist's studio Notes: All photographs are signed and numbered and accompanied by a certificate of authenticity signed by the photographer Celebrity photographer, Lorenzo Agius, is renowned for his unique, intimate and often comical portraits of the 'stars'. The photographer shot to great prominence following his seminal images from the 1996 groundbreaking British film, Trainspotting. Agius has had a colourful affair with 'celebrity' over the past two decades. Expertly capturing the character and individuality of each of his sitters, Agius' images flaunt stylistic brilliance and bubble with personality. From Madonna to Margot Robbie, Agius' body of work portrays the varying and often polar characters of major icons. He tunes into the creativity of his subjects and successfully reflects the mood of the moment; the results are natural, accessible and in each case reflect the artist's eye for light, composition and a strong imagination for narrative. Whether it be celebrating British culture or capturing the sleek, Hollywood look, Agius' personality is intrinsic to his photographs; the mood is always light and refreshing and humour is ever present. Six of Agius' iconic works are part of the permanent collection at the National Portrait Gallery, London. The artist has been an Ambassador for Canon Cameras...

Lorenzo Agius (b.1962) Jude 2006 digital C-Type print 60 x 48 in. / 40 x 30 in. / 24 x 20 in. signed and numbered printed later This work is available in the following sizes (paper size): 24 x 20 in., edition of 25 + 2 AP, £3,960 (inc. 20% UK VAT) 40 x 30 in., edition of 25 + 2 AP, £5,880 (inc. 20% UK VAT) 60 x 48 in., edition of 15 + 2 AP, £8,640 (inc. 20% UK VAT) Provenance: Direct from the artist's studio Notes: All photographs are signed and numbered and accompanied by a certificate of authenticity signed by the photographer Celebrity photographer, Lorenzo Agius, is renowned for his unique, intimate and often comical portraits of the 'stars'. The photographer shot to great prominence following his seminal images from the 1996 groundbreaking British film, Trainspotting. Agius has had a colourful affair with 'celebrity' over the past two decades. Expertly capturing the character and individuality of each of his sitters, Agius' images flaunt stylistic brilliance and bubble with personality. From Madonna to Margot Robbie, Agius' body of work portrays the varying and often polar characters of major icons. He tunes into the creativity of his subjects and successfully reflects the mood of the moment; the results are natural, accessible and in each case reflect the artist's eye for light, composition and a strong imagination for narrative. Whether it be celebrating British culture or capturing the sleek, Hollywood look, Agius' personality is intrinsic to his photographs; the mood is always light and refreshing and humour is ever present. Six of Agius' iconic works are part of the permanent collection at the National Portrait Gallery, London. The artist has been an Ambassador for Canon Cameras since 2008 and has exhibited at The Getty Gallery, London alongside other notable exhibitions in Moscow, Paris, Cannes and the UAE. Categories: Lorenzo Agius, Jude, Jude Law...

Lorenzo Agius (b.1962) Ewan with gun 2012 digital C-Type print 48 x 60 in. / 30 x 40 in. / 20 x 24 in. signed and numbered printed later This work is available in the following size...

Omaha Sketchbook: Emilio, Omaha, NE - Contemporary Photography, American Signed on reverse Digital chromogenic print 22 x 18 inches From a limited edition of 7 prints For the last f...

Joan Collins in a turquoise dress, photographed by Ellen von Unwerth. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done ...

Archival Pigment Print Hand-signed by the artist, signed and numbered under the image on the front, featuring an official Timothy White embossed stamp under the signature. Includes ...