Sitting Photography

Gelatin silver print Signed, titled, dated, and numbered, verso 14 x 11 inches, sheet size (Edition of 5 + 2 APs) 20 x 16 inches, sheet size (Edition of 5 + 2 APs) From the series...

"Kate Moss. Boyfriends Underpants" Photography 50x40 in Ed. of 20 by Kate Garner Hahnemuhle fine art archival paper Not framed. Ships rolled in tube. Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtful selection of Kate Garner’s most pivotal work, showing the arc of identity, and her expression as one of the great masters of fine art photography today. In this collection of works, see rare and seldom viewed images of Kate Moss, Angelina Jolie, David Bowie, FKA Twigs, and more. Kate Garner evolved in the edgy pop-punk heyday of 1980’s London. By the time she was in her early 20s, she was well on her way to becoming one of the most enigmatic fine art photographers of our time. But it didn’t start that way. Until Kate was 19, she had spent most of her time in a tough mining town in the north of England. It was a practical place with practical people that studied practical vocations and couldn't afford to let themselves dream too much. Growing up, Kate had expected a similar existence, but it was never what she had envisioned. Like much of her class, she attended formal trade education at the local vocational college after graduating secondary school and spending a year hitch-hiking from England, through Europe, Afghanistan, Iran, Pakistan to India Garner came back from India and started to study commercial photography, and in Northern England, that meant--pots and pans. But, Kate knew she was different and would often take herself down into the thriving metropolis of London to see and experience the vibrant Mecca of arts and creatives. Her creative path took a pivotal point when her wanderings introduced her to the Blitz Kids. The art students and teenage squatters took her in, and It wasn’t long before she began shooting the streets with London’s party scene artisans and gender-bending pioneers. Working with John Galliano, Stephen Jones, Boy George, and later even David Bowie--Kate became fully immersed in the New Romantic...

'Dolores Guinness' 1965 Slim Aarons Limited Edition Estate Print - Oversize Dolores Guinness catches the sun’s last rays in Costa Smerelda, Sardinia. (Photo by Slim Aarons) C Pr...

A young boy employed to carry messages around the council house at New Delhi, seat of the Constituent Assembly, sitting in the sun. Original Publication: Picture Post – 4325 – India:...

Savannah Collectables by Alain Le Garsmeur An African American man pauses on a bench outside a shop in downtown Savannah, Georgia, USA, 1983. Paper siz...

Archival pigment print (Edition of 10 + 2 APs) Signed, titled, dated, and numbered, verso 17 x 22 inches, sheet size 12 x 18 inches, image size From the series "A Tale of Two Cities: Disco Era Bushwick" This artwork is offered by ClampArt, located in New York City. Meryl Meisler...

Archival pigment print Signed and numbered, verso 20 x 30 inches, image (Edition of 5 + 2 APs) 30 x 45 inches, image (Edition of 3 + 1 AP) This photograph is offered by ClampArt, ...

Archival pigment print Signed, titled, dated, and numbered, verso 30 x 40 inches, sheet (Edition of 5) 16 x 20 inches, sheet (Edition of 10) This photograph is offered by ClampArt...

Archival pigment print Signed and numbered, verso 20 x 30 inches, image (Edition of 5 + 2 APs) 30 x 45 inches, image (Edition of 3 + 1 AP) This photograph is offered by ClampArt, ...

Signed and numbered, verso Edition of 15 This work is offered by ClampArt in New York City.

'Lounging In Bermuda' 1969 Slim Aarons Limited Estate Edition Print Jill Council relaxes with a drink by a swimming pool in Bermuda, 1969. Produced from the original transparency...

Lord  Richard Butler  is a black and white vintage press print, realized in September 13th. 1963. The photo depicts the Deputy Prime Minister Richard B...

'Dolores Guinness' by Slim Aarons German-born socialite Dolores Guinness (1936 - 2012) in Porto Cervo on the Costa Smerelda, Sardinia, 1965 This pho...

August 1982: Art collector Sylvia Coca sits in front of one of Jean Cocteau's murals in Marbella. (Photo by Slim Aarons/Getty Images) Slim Aarons Estate Edition, Certificate of Auth...

Untitled TV I, 2012 by Rodrigo Etem From the series Ser Cosa Archival pigment print on fine art paper Size: 22 H x 40 W inches. Edition of 7 Unframed …this series of portraits that...

Archival pigment print (Edition of 5 + 2 APs) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Frances F. Denny writes: “During the research process for a prior series of photographs, I discovered two related facts about my family tree: a) Mary Bliss Parsons, my 8​th​ great-grandmother, was accused of witchcraft in 1674 in Northampton, Massachusetts, and b) less than two decades later in 1692, my 10t​h​ great-grandfather, Samuel Sewell, presided as a judge in the Salem Witch Trials. One body of work came and went, but this ancestral coincidence stayed with me. What is a witch? Who does that word belong to—now? “Major Arcana: Witches in America​ is a collection of portraits of women from across the United States who identify as witches. As early as 15th-century Europe, people condemned as witches faced a cruel fate: torture, and in many cases, death. Yet despite its history, recent decades have seen a reclaiming of the word ‘witch.’ In the mid-20th century, emerging pagan communities in the United States and Europe began embracing the term, and since then, ‘witch’ has been adopted by a diverse group of people. “Major Arcana​ explores the various ways the notion of witch-ness belongs to those who claim it, representing the witch as a self-sought identity that both empowers and politicizes its bearer. Each woman photographed for ​Major Arcana​ (including genderfluid and trans individuals) pursues a form of witchcraft, whether aligned with a religion (like Wicca or Voudou) or a self-defined practice. No two individuals inhabit the term ‘witch’ in quite the same way, but many consider themselves pagan, and engage in a diversity of traditions, including: mysticism, engagement with the occult, politically-oriented activism, polytheism, ritualized ‘spell-craft,’ and plant-based healing. Among those included in the series are self-proclaimed green witches, white witches, kitchen witches...

Slim Aarons Estate Print - Dolores Guinness - Oversize Dolores Guinness catches the sun’s last rays in Costa Smerelda, Sardinia. (Photo by Slim Aarons) Chromogenic print paper size 30 x 30" inches / 76 x 76 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. 1960s 60s fashion...

Archival pigment print Signed and numbered, verso 20 x 30 inches, image (Edition of 5 + 2 APs) 30 x 45 inches, image (Edition of 3 + 1 AP) This photograph is offered by ClampArt, ...

Pigment ink print Signed and numbered, verso (Edition of 7) This photograph is offered by ClampArt, located in New York City.

Archival pigment print Signed and numbered, verso 24 x 30 inches (Edition of 6) 30 x 40 inches (Edition of 6) This photograph is offered by ClampArt, located in New York City. Plea...

Slim Aarons - Barbados Bliss - Estate Stamped Ava Marshall relaxes with a book amongst the bougainvillea in Barbados, 1976. In his words, he loved to p...

Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice Gallery VISITOR inspires the imagination. About life, about being, eye and heart his great...

Anglo-American poet and playwright, TS Eliot (1888 - 1965) at Love Beach, New Providence Island while on his honeymoon in the Bahamas, 1957. Complimentary de...

Rachel Nichols Edition 1/10, 20x30cm, 2011, digital C-Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free. Signature label and Certificate. Published in Tao Ruspo...

Pink Accessory 1955 by Slim Aarons Slim Aarons Limited Estate Edition Film star Joan Collins in a pink and white bedroom with an accessory pink poodl...

Family Chair 1968 by Slim Aarons Slim Aarons Limited Estate Edition Elizabeth Matthews, descendant of H M Flagler co-founder of Palm Beach, sits in her...

Britt Ekland 1969 by Slim Aarons Slim Aarons Limited Estate Edition Film star Britt Ekland (Britt-Marie Eklund) in Porto Ercole, Italy. 1969 unframed c type print printed 2023 20...

Lounging In Bermuda 1969 by Slim Aarons Slim Aarons Limited Estate Edition A woman relaxes with a drink by a swimming pool in Bermuda, November 1969. unframed c type print printe...

Barbados Bliss 1976 by Slim Aarons Slim Aarons Limited Estate Edition Ava Marshall relaxes with a book amongst the bougainvillea in Barbados, 1976 u...

Cecily Godfrey 1979 by Slim Aarons Slim Aarons Limited Estate Edition Cecily Godfrey relaxes by the pool at her home in Hong Kong, 1979. Her husband Gerald is Vice-President of th...

Spring 2021 - 32x38cm, Edition of 10, plus 2 Artist Proofs. Archival Photograph printed in Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative (not mou...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She re...

A Glass of Whiskey (The Girl behind the White Picket Fence) 2013, 20x25cm, Edition 7/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory # 161...

Bluesette #23, 2009 [From the series Need to be] Digital archival pigment print on beautiful PHOTO RAG ® ULTRA SMOOTH paper 305gsm, 100% cotton by HAHNEMÜHLE - not mounted 25x25 c...

Jackie sits at JFK’s senate desk in 1959 nb_048. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited e...

Self Portrait from the Dwell Series 2019, Edition 1/10 plus 2 Artist Proof, 20x25cm. Digital Print based on a Polaroid photograph on Hahnemühle photo rag paper. Signature label and...

Designers' Homes Nico with Dachshunds -- Nico, (born Christa Paffgen) was a popular fashion model and later lead singer of the The Velvet Underground. She was photographed in 1960 fo...

Emile (2018)
 40x51 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film (not mounted) Signed on back with Certificate Ab...

My feet under Water, 2006 50 x 75 cm, Edition of 1/5 plus 2 Artist Proofs. Digital Photography printed on Canson Barita 310gr (not mounted) Signed on back with Certificate. About my...

An original photograph from the original negative, shot by Marc Lacroix in the 1980's. It depicts iconic surrealist artist, Salvador Dali, painting in his studio. There is a large r...

Steady My Steed, limited edition photograph, archival, signed and numbered I present unspoken stories that illustrate fleeting moments in time and which are intended to evoke a mood...

fashion, nude, female, portrait, woman, sepia, Brooklyn, New York, urban, city, figurative, timeless, brown tone, black & white, fashion, women, brooklyn, figurative, woman, portrait...

In SHE TELLS ALL, Kaur engages questions of identity performance by exploring an ever-present and wildly diverse American identity: the modern American witch. Witches are contemporar...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Yello From the "Iconic" Series Archival Pigment Print with a 1.57-inch white border. Image size: 41.33 in. H x 27.55 in. W Edition of 10 + 1AP Unframed The “Iconic” series was pres...

Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being 'pointed at' or rather as self-pointing. T...

Debra Keithly In Conversation Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a mini...

Premium Rates Apply. circa 1960: Tish Massie Widener (Mrs Peter Widener) artist and miniaturist in her Palm Beach studio. A Wonderful Time - Slim Aarons ...

Keith Haring, 1988 Archival pigment print image size: 36 x 36 inches Signed and numbered edition of 15 Renowned for his deeply expressive and captivating portraiture, William Coupon...

"William Burroughs" by Evening Standard 9th September 1966: American writer William S Burroughs (1914 - 1997) sitting in a wheelchair. Unframed Paper Size: 20"x 16'' (inches) Prin...

1965: Dolores Guinness catches the sun's last rays in Costa Smeralda, Sardinia. Slim Aarons Dolores Guinness Costa Smeralda, Sardinia Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer. 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Dolores Guinness (31 July 1936 – 20 January 2012), was a German born "Freiin" (Baroness), socialite, fashion icon and jet set member of the 1950s and 1960s. She has been a member of the International Best Dressed List since 1970. Her mother was the famous Mexican-born socialite Gloria Guinness. Dolores was often seen in Vogue, Harper's Bazaar, Town and Country and Life magazine dressed in designer clothes from Givenchy, Christian Dior, Yves Saint Laurent and Balenciaga during the 1950s and 1960s, photographed by Cecil Beaton, Bert Stern, Henry Clarke, Mark Shaw (photographer), Richard Avedon and William Klein. She often appeared on the International Best Dressed List during these years. The Costa Smeralda (lit. 'Emerald Coast...

Patty Carroll has been known for her use of highly intense, saturated color photographs since the 1970’s. Her most recent project, “Anonymous Women,” consists of a 3-part series of s...

Dangerous Perch (1940) - Silver Gelatin Fibre Print (Photo by Fox Photos/Hulton Archive/Getty Images Archive London) Evacuee Barrie Peacop enjoys an ice cream as he sits on a mine ...

Slim Aarons Barbados Bliss / Ava Marshall, 1976 Chromogenic Lambda print Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwi...

1969, Swedish actress Britt Ekland in Porto Ercole, Italy. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the ...

"Women of the IDF" Large Exhibition color Photograph 30 x 40 inches, mounted on masonite and laminated. Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue. Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude. Photographic Series In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting. In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”). For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash." Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...

1969, Swedish actress Britt Ekland in Porto Ercole, Italy. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the ...

From the Still Beating Series Narrative Art refers to visual imagery which tells stories, engages the imagination, and stirs the emotions. These stories transcend culture and are re...