Valley Photography

Black and white fine art landscape photography print. Madeira's mountain peaks in morning light, Fanal, Portugal. Archival pigment ink print, edition of 7. Signed, titled, dated and ...

Fifty Shades - 2017, Edition of 7 plus 2 Artist Proofs. Digital C-print, based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2017-333. Not...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Silver Gelatine Print by Erich Andres, ca 1960. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Arctic National Wildlife Refuge, Alaska, 2009 - Landscape Photography Sebastião Salgado International Shipping Available Stamped with photographer’s copyright blind stamp Signed, i...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Strata XI is a limited-edition photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 dimensions: *76.2 cm × 76.2 c...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Mountain valley is a color vintage photo, realized in the Mid-20th Century. Good conditions and aged. It belongs to a historical and nostalg...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibson ...

"Le Verdon à son entrée dans le lac de Sainte Croix – Coté Canyon", Provence, France “The Verdon at its entrance to Lake Sainte Croix - Coté Canyon”, Provence, France Oil on canvas s...

Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognit...

An epic desert landscape photograph of dramatic rock formations bathed in a glowing orange light in Southern Utah's Bryce Canyon National Park by David Benitez (Puerto Rico, Californ...

Strata VI is a limited-edition diptych photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 sizes: *76.2 cm × 152...

Jaquelin Carioscia Golden Maze III Archival Pigment Print Year: 2024 Visible Size: 11.5 x 17.5 inches Framed: 15 x 21 x 0.75 inches Signed: On Label COA provided *Ready to hang; fra...

This black-and-white photograph captures a stunning view from the Observation Point in Zion National Park, Utah, taken in 1968. The image showcases the d...

Gathering Clouds, Casoli, Abruzzo, Italy, 2016 - Michael Kenna (Black and White) Signed, dated and numbered on mount Signed, dated, inscribed with title and stamped with photographer...

edition 12/12

Listing includes free shipping for unframed prints and 14-day return policy. Ian Ruhter Tunnel View, Yosemite 30 x 40 inch archival pigment print Edition...

The black-and-white photograph titled *Canyonlands National Park, 1960s* offers a breathtaking view of the rugged, expansive desert landscape in southeastern Utah. The image captures...

Iconic desert landscape photograph of Canyon de Chelly National Monument by an unknown artist (American, 20th Century), 1984. Signed "CJB" in the lower right corner. Dated "April '84...

Using landscape photography to reflect on broader notions of culture, the passage of time, and the construction of perception, photographers Mark Klett and Byron Wolfe spent five years exploring the Grand Canyon for their most recent project, Reconstructing the View. The team's landscape photographs are based on the practice of rephotography, in which they identify sites of historic photographs and make new photographs of those precise locations. Klett and Wolfe referenced a wealth of images of the canyon, ranging from historical photographs and drawings by William Bell and William Henry Holmes...

John Stathatos "Homage to Heraclitus: Earth III" is a black - and white 50 x 40 inch photograph. It is printed on archival Hahnemuhle Barita paper. The photograph is part of a series...

Japan - Der Krater Des Fugjiama 18 August 1893 is a vintage black and white photograph. It is part of a journey to Asia performed by prince Franz Ferdinand von Osterreich Este (1863...

Black and white fine art panorama landscape photography print. Madeira's mountain peaks in the wonderful light at sunrise, Portugal. Archival pigment ink print, edition of 7. Signed,...

"Yeow! Pt, Death Valley", a black and white landscape photograph that borders on abstraction by Jeff Nixon (American, 20th century). Signed "Jeff Nixon" lower right. Titled "Yeow! Pt, Death Valley" on verso. Unframed. Photograph size: 8"H x 9.5"W. Mat,12"H x 15"W. Jeff Nixon began photographing in the late 1960's, and by the end of the millennium had acquired an impressive list of credentials; many years as a year round resident of Yosemite Valley, noted instructor in the techniques of black and white photography which he gleaned from his years of working with Ansel Adams, and learning the Zone System from the master himself. Jeff has been an instructor for two California Junior Colleges, Modesto and Columbia, has led extension courses for UC Santa Cruz and UC Berkeley, and taught and lectured in numerous seminars and classes. He has taught workshops and has had many showings nationwide, working with Morley Baer, Chris Rainier, Rod Dresser, and John Sexton...

Crater is a limited-edition photograph by contemporary artist Luca Marziale, from the Fracture series. This photograph is sold unframed as a print only. It is available in 2 dimens...

Yosemite #54 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH pape...

Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photographers, who used a Leica. His images today are d...

Grand Canyon #35 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH ...

Bryce Canyon #84 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH ...

Black and white fine art panorama landscape photography print. Madeira's mountain peaks in the wonderful light at sunrise, Portugal. Archival pigment ink print, edition of 5. Signed,...

Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores th...

For those of us who live in the West, mountains are more than just landmarks; they dene a sense of home. We have memories associated with our mountains; those we grew up surrounded by; remembering the rst time we saw one, and the people we visited them with. This gave us all a larger sense of where we locate home. During our recent pandemic, home shrunk to the walls that surrounded us. Real experiences became mediated through computers and the Internet – but something felt lost: a living connection with things bigger than ourselves. But we kept our memories – waiting to be triggered by a photograph or reminder of the mountains that could bring back that sense of the sublime. Mountains and nature have long been places of peace and refuge. There are few emotions about places for which adequate single words exist. At the beginning of the eighteenth century, the word sublime arose to describe the feelings that the natural world can evoke in us. At home, on my kitchen table, I have been trying to capture something of that sublime in bits of plastic. Using geographical data from the Internet, I used my 3D printer to make the memories of those mountains tangible. With a small fog machine, I create atmospheres and clouds. Sunlight through a window illuminates some, while others were lit with a variety of sources including ber optic lights used for microscopy. For me, these images evoke the place I call home; and remind me that it is our memories that make a place special. At Home in the West was created as a companion to Yosemite: Seeking Sublime, which premiered at photo-eye Gallery in November 2020. In December of that year, work from that series was invited to the Art of Staying at Home; Artists in the Time of Corona exhibition at the Bibliotheca Alexandrina in Egypt, where I was the only U.S. artist from eight countries included. Additional works from that series will soon be exhibited at the Krakow Triennial in Poland and at the Earth Photo...

Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas...

Monument Valley, limited edition photograph, signed, archival pigment ink. The 14x20 in. and 20x30 in. editions are one collective edition of 40. Dobrowner presents landscapes wi...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” David H. Gibson is a lifelong ph...

"Into the Gorge" Over many, many years, the waters of Oregon have delicately and precisely formed their own path as captured in this intimate vignette of the Columbia River Gorge. ...

Artist: Stuart Klipper (American, 1941-) Title: Betataken, Anasazi Places Year: 1980 Medium: C Print (Chromogenic print) Size: 12 x 38 inches image, 16 x 44 inches sheet, 18 x 45 inches matted, 20 x 45 framed Signature: Signed, titled, dated on the mat and on reverse Condition: Very good This photograph depicts the Anasazi settlement of Betataken in New Mexico. It is a chromogenic print, also called a C-print on Kodak paper. It is from Klipper’s series called Anasazi Places done in 1980 under the auspices of the National Endowment for the Humanities. The photograph is in very good condition. The mat is in very good condition. The bronze metal frame and Plexiglas are in fair to good condition with some small scratches. Stuart Klipper was born in the Bronx in 1941. He then lived in Stockholm, Sweden, moved to Minneapolis in 1970 and currently resides there. He has made six visits to Antarctica to photograph, and has also worked in Greenland, Iceland, Svalbard, Alaska and Lapland (in the area irradiated by the Chernobyl disaster). Other major forays have taken him across Northern Australia; the deserts of Israel and Sinai; the tropical rain forests of Costa Rica, Patagonia and Tierra del Fuego; and Sri Lanka and Pakistan. He has logged many thousands of miles at sea, photographing on all of the Earth's oceans... and seas. For over 30 years, he has made photographs in all 50 states, distilling and crystallizing the defining characteristics of American regions. Other undertakings include extensively photographing the First World War cemeteries and memorials of the Western Front, major physics and astronomy research installations throughout the U.S. and the Anasazi ruins of the Southwest. His photographs have been exhibited in, and collected by, major museums in the U.S. and overseas; foremost, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Minneapolis Institute of Arts, the Walker Art Center, The Jewish Museum, the Israel Museum, the Victoria and Albert Museum, the Kunsthalle Bonn and the Moderna Museet. He has been the recipient of several major grants, including two each from the Guggenheim Foundation and the Bush Foundation, and three each from the McKnight Foundation and the Minnesota State Arts Board. He is a recipient of the U.S. Navy's Antarctic Service Medal. He was also visiting professor, Art Department, Colorado College, 1978 to 2008. Solo exhibitions • Disparate Geographies, Schmidt Dean Gallery in Philadelphia, 1998. • Sixteen polar photographs, Arktis -Antarktis, the Kunsthalle des Deutschesrepublic, Bonn, Germany. 1998 • Cardinal Points, at the University of Iowa Museum of Art. (Photographs from polar regions: Antarctica and Greenland, the tropical rain forests, the desert regions of Israel and the Sinai, the agricultural Great Plains)-- an exhibition catalogue was published. 1998 • At Sea Near the Poles, at the Spencer Gallery, Wickford, R.I. 1999 • Antarctica 99/00, Yancey Richardson Gallery, NYC, 2000 • Selected Antarctic Work, Berler Gallery, Washington D.C., 2001 (Also shown in Denver and Christchurch, N.Z. • Selected American photographs, The Center for American Places, Harrisonburg, Va., 2001 • Photographs from the Arctic and Antarctica, Smith-Dean Gallery, Phila., PA, 2001 • Wyoming, Univ. of Wyoming Museum Art, Minneapolis Institute of Art, 2001/02 • In the Australian Outback, Gallery 360, Minneapolis, 2002 • The United States, Candace Perich Gallery, Katonah, NY, 2002 • Rock art, bush fire, termite mounds and other aspects of the outback of the Top End of Australia, Gallery 360, Mpls.,2002 • Portraits about Pakistan, 1987, Icebox Gallery, Mpls., 2002 • Antarctic 1: Views Along Antarctica’s First Highway, Center for Land Use Interpretation, Los Angeles, 2002 • The Louisiana Purchase, Groveland Gallery, Minneapolis & Olson-Larsen Gallery, Des Moines, 2003 • Selected photographs, Medtronics Corp. corporate headquarters, Minneapolis, 2006 • Antarctica, Electrolift Artworks, Minneapolis, Minn. 2006 (+ other venues) • 20 Years of photographing Louisiana, The Ogden Museum, New Orleans, 2008 • Antarctic Photographs, City Museum of Charleston, S.C., 2009 • Local Places – Remote Terrains, Olson Larsen Gallery, Des Moines, Iowa, 2009 • The Dead Sea Region, Israel, The Basilica of St. Mary, Minneapolis, 2010 Group exhibitions • Photography of New York City, Minneapolis Institute of Art. 1998 • Sea Change, The Center for Creative Photography, Univ. of Arizona, Tucson. (An eponymous book was published in conjunction with the exhibition and is in national distribution), 1998/99 • American farms and farming, Candace Perish Gallery, Katonah, NY. (Traveled to Washington D. C.), 1998/99 • Views from the Edge of the World, Marlborough Gallery, NYC. 1999 • Claiming Title: Australian Aboriginal Artists and the Land, St, Olaf & Carleton Colleges, Northfield, Minn., 1999 • The Infinite and the Intimate; Waterscapes of Stuart Klipper and Frank Gohlke, Dorsky Gallery, N.Y.C. 1999 • An Eclectic Focus: Photographs from the Vernon Collection ( + catalogue), Santa Barbara Museum of Art, 1999 • Aqua, Gallerie Thierry Marlat, Paris, France 1999 • Restructuring the Prairie, Grinnell College, 1999 • The Mural as Muse, Deutsches Bank Gallery, NYC, 2000 • earth sky, Jackson Fine Art, Atlanta, GA, 2000 • Western Panoramas, Huntington Museum, Sta. Barbara, CA, 2001 • I Love New York (W. T. C benefit), NYC, 2001 • Melodrama, inaugural show, ARTIUM, Vitoria, Spain, 2002 • Contemporary Desert Photography...

Beautiful desert landscape photograph of the Whitehouse Ruins at Canyon de Chelly National Monument by an unknown artist, 1984. Signed "CJB" in the lower right corner. Dated "April '...

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs) This work is offered by CLAMP in New York City.

Strata VII is a limited-edition diptych photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 sizes: *76.2 cm × 15...

An epic desert landscape photograph of Canyon de Chelly by Rick Canham (American, 20th Century). Titled "There is Purity and Strength Here" lower left. Numbered 54/250 limited edition print. Signed R. Canham lower right. Presented in a giltwood frame. Rick graduated from San Jose State University in 1973 with an BFA in ceramic art, and has been working exclusively with the camera for over forty years. His work has been shown throughout the United States, and much of Europe. His works are a result from a combination of technical competence, forty years of experience, and hard work. Rick has trained himself over the years to see well, and to get to extraordinary places at the right time of day, with the appropriate film for the effects he wants to create. Mr. Canham takes unusual measures to assure a sharp, properly exposed negative...

Keys View (29 Palms, CA) - 2008 40x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #25061....

Strata IV is a limited-edition diptych photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 sizes: *76.2 cm × 152...

Desert landscape photograph of Canyon de Chelly National Monument by an unknown artist (American, 20th Century). Signed "CJB" in the lower right corner. Dated "April '84" in the lowe...

Survival, 2017, Edition 1/7 plus 2 Artist Proof Based on an original Impossible film Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-32...

Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and spirituality. Appropriately, her subject matter is often in spiritual c...

Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas and the Four Corners region. Gibson's luminous black-and-white landscapes demonstrate a remarkable sensitivity to light and mood. Dramatic clouds, imminent storms and an occasional lighting strike...

For those of us who live in the West, mountains are more than just landmarks; they dene a sense of home. We have memories associated with our mountains; those we grew up surrounded b...

Using landscape photography to reflect on broader notions of culture, the passage of time, and the construction of perception, photographers Mark Klett and Byron Wolfe spent five years exploring the Grand Canyon for their most recent project, Reconstructing the View. The team's landscape photographs are based on the practice of rephotography, in which they identify sites of historic photographs and make new photographs of those precise locations. Klett and Wolfe referenced a wealth of images of the canyon, ranging from historical photographs and drawings by William Bell and William Henry Holmes...

Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting condi...

A former student of the American landscape photographer Ansel Adams, Neil Folberg is known for his color landscapes of the Middle East and black-and-white techniques that champion the wizardry of his master teacher. Born in San Francisco, Folberg became a pupil of Adams at age 17, followed by his education at the University of California at Berkeley and individualized study with landscape photographer William Garnett. By 1976, Folberg had relocated to Jerusalem, where he began producing color landscapes throughout the deserts of Israel, Egypt, and Jordan. Folberg was commissioned by Aperture to document synagogues across the world, followed by a return to black-and-white in a series of night skies among ancient ruins of the Middle East. He used that same lighting to evoke the colors and light of the French Impressionists in his innovative re-creation of their world (“Travels with Van Gogh and the Impressionists”, Abbeville Press). His current project places man on the stage of nature in brilliantly lit scenes. SELECTED SOLO EXHIBITIONS 2015 Celestial Nights, The Dryansky Gallery, San Francisco 2012 Topography/Time/Israel, Flomenhaft Gallery, New York 2008 Celestial Nights: An Aperture Traveling Exhibition, Yeshiva University Museum, New York 2007 Celestial Nights: An Aperture Traveling Exhibition, Hammond Art Gallery, Fitchburg, MA Celestial Nights: An Aperture Traveling Exhibition, Miller Jewish Museum, Tulsa, Oklahoma Celestial Nights: An Aperture Traveling Exhibition, Museum of the Southwest, Midland, TX 2006 The Impressionists' Salon, Holden Luntz Gallery...

** This print is a part of our exhibition, 'Micheal Kenna: A Retrospective', and if purchased will be delivered after the exhibition closes Sept 10th, 2016. Michael Kenna is mas...

Title: A Landscape Aglow Location: Bryce Canyon National Park, Utah Edition: 1 of 5, signed by artist Description: The Sun kisses the horizon, and then quickly departs that embrace to climb the sky. Shadows shorten, golden light fades, morning arrives. In that brief instant between...