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(after) Francis BaconFrancis Bacon Derrière le Miroir 1966 (cover)1966
1966
About the Item
1960s Francis Bacon lithographic cover from Derrière le miroir:
A highly decorative vintage 1960s Bacon frame-piece constructed under the supervision of the artist.
Medium: Lithographic cover in colors on wove paper. Dimensions: 15 x 11 inches.
Fair overall vintage condition. Moderate signs of handling; minor surface creases; small tears on edge left edge. Well suited for matting & framing.
Unsigned from an edition of unknown. From: Derrière le miroir. Printed in France 1966.
Stamped and dated on the verso.
Single sheet. Cover only.
Derrière le miroir:
In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of the Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg, and Antoni Tapies.
Related Categories
Contemporary Art. Abstract art. Mid Century Modern. 1960s. London. Post-War European Art. Mutated Bodies, Modern and Impressionist Art. Human Figure. Surrealist. Francis Bacon Derrière le Miroir No. 162.
- Creator:(after) Francis Bacon (1909 - 1992, British)
- Creation Year:1966
- Dimensions:Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354314615422
(after) Francis Bacon
Francis Bacon (1909 – 1992) was an Irish-born British figurative painter well known for his bold figurative paintings and portraiture. His style is distinctive for his use of thick paint, energetic wide brushstrokes with half unmixed colors, bulbous forms and contorted, abstracted and even cubist features, lending an emotionally and psychologically complex expression. Bacon took up painting in his late 30s, having drifted as an interior decorator, "bon vivant" and gambler. He said that his artistic career was delayed because he spent too long looking for subject matter that could sustain his interest. His breakthrough came with the 1944 triptych Three Studies for Figures at the Base of a Crucifixion, which sealed his reputation as a uniquely bleak chronicler of the human condition. Amongst his common subjects were close friends and drinking companions, as well as crucifixions and popes. After his first solo show at Hanover Gallery in 1949, prominent English writer, painter and critic Wyndham Lewis wrote: "The Hanover Show is of exceptional importance. Of the younger painters none actually paints so beautifully as Francis Bacon. Bacon is one of the most powerful artists in Europe today and he is perfectly in tune with his time".
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Derrière le miroir:
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