
Living Painting - Colour Pochoir
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(after) Sonia DelaunayLiving Painting - Colour Pochoir1969
1969
About the Item
- Creator:(after) Sonia Delaunay (1885, French)
- Creation Year:1969
- Dimensions:Height: 11.23 in (28.5 cm)Width: 7.68 in (19.5 cm)Depth: 0.04 in (1 mm)
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16121805853
(after) Sonia Delaunay
Sonia Delaunay was a 19th century French Ukrainian painter who was well known for her exploration with simultanism and her contributions to the Orphism movement. Simultanism that is, the simultaneous nature of the contrast of colors is a sub category of Orphism that Sonia and her husband, specialized in. Their abstract and Cubist art style often experimented with the perception of colors in different lightings, layerings, and mediums. Guillaume Appollinaire, a famous art critic, applauded Mrs Delaunay’s art for its, as he described, musical and poetic qualities - qualities that are by nature definitive of the Orphism movement. Delaunay decorated a home, designed furniture, and even had a boutique decorated in her fashions. She also created some once very popular textile patterns - her style heavily inspired by Ukrainian garments and culture was lauded by many. Indeed, she was so recognized that she was one of the first women to hold a ‘retrospective exhibit’ (Tate Modern, 2021) in the Louvre in 1964. Two of her more notable pieces are Electric Prisms from 1914 and Yellow Nude from 1908. Ignoring the need to please her audience with normative beauty aesthetics, Delaunay focuses on enrapturing her audience with her bold use of color and vivid contrasts.
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View AllLiving Painting - Colour Pochoir
By (after) Sonia Delaunay
Located in Collonge Bellerive, Geneve, CH
after Sonia Delaunay
Full-page, colour pochoir after costume designs by Sonia Delaunay
Edition 331/500 copies on Velin Aussedat
Dimensions: 28.5 x 19.5 cm.
From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars.
Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker.
Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921.
During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911.
Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...
Category
1960s Abstract Geometric Figurative Prints
Salvador Dali - Attack on the Windmils - Original Lithograph
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Attack on the Windmils - Original Lithograph
Joseph FORET, Paris, 1957
PRINTER : Atelier Mourlot.
SIGNATURE : printed in the image
LIMITED : 197 copies.
SIZE : 64.5...
Category
1950s Surrealist Figurative Prints
Materials
Lithograph
Salvador Dali - Don Quixote Reading in his Room - Original Lithograph
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Don Quixote Reading in his Room - Original Lithograph
Joseph FORET, Paris, 1957
PRINTER : Detruit.
SIGNATURE : plate signed by Dali.
LIMITED : 197 copies.
SIZE : 4...
Category
1950s Surrealist Figurative Prints
Materials
Lithograph
Pietro Consagra - Composition - Original Etching
By Pietro Consagra
Located in Collonge Bellerive, Geneve, CH
Pietro Consagra - Composition - Original Etching
1959
Dimensions: 32 x 24 cm
From the art review XXe siècle
Unsigned and unumbered as issued
Category
1950s Surrealist Abstract Prints
Materials
Etching
Zoran Music (after) - Composition - Pochoir
Located in Collonge Bellerive, Geneve, CH
Zoran Music (after)- Composition - Pochoir
1959
Dimensions: 32 x 24 cm
From the art review XXe siècle
Unsigned and unumbered as issued
Category
1950s Surrealist Abstract Prints
Materials
Etching
Jean Arp (after) - Composition - Pochoir
By Jean Arp
Located in Collonge Bellerive, Geneve, CH
Jean Arp (after) - Composition - Pochoir
1958
Dimensions: 32 x 24 cm
From the art revue XXe siècle
Unsigned and unumbered as issued
Category
1930s Surrealist Abstract Prints
Materials
Stencil
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