Alberto Magnelli

Untitled VII (San Lazzaro and Friends Series)

1975

Artist: Richter, Gerhard Title: Bagdad [10] Series: Facsimile Objects Date: 2014 Medium: Chromographic colour print, mounted on aluminium Unframed Dimensions: 19.625" x 14.5" F...

Artist: Brooks, James Title: Concord Date: 1976 Medium: Silkscreen Unframed Dimensions: 30 x 22 Framed Dimensions: 38" x 30" Signature: Pencil Sig...

Artist: Zox, Larry Title: Untitled III Medium: Pochoir Unframed Dimensions: 37.25" x 43" Signature: Pencil signed Edition: HC

Artist: Irvin, Albert Title: Untitled Date: 2012 Medium: Screenprint with Woodblock Monoprint Unframed Dimensions: 18.125" x 22.125" Signature: Signed Edition: Unique

Joan Miró Untitled from Je traville comme un jardinier 1963 Original lithograph in colors on Rives vellum paper 16 x 13 inches Hand signed in pencil From an edition of 5 H.C. copies...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...