Allan D'Arcangelo 1

Landscape I from 11 Pop Artists

1965

Artist: Allan D'Arcangelo (American, 1930-1998) Title: Untitled (Proposition) Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 30 in. x 26 in. (76....

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...

Miles James Rosenquist, American (1933–2017) Date: 1976 Screenprint with Air Brush, Signed and Numbered in Pencil Edition of 200 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm) Printer: G...

Artist: Peter Phillips, British (1939 - ) Title: Circles of Confusion from 11 Pop Artists Year: 1965 Medium: Silkscreen, signed and numbered in pencil Edition: 200, XXII/L Size: 24 ...

Artist: Robert Indiana, American (1928 - ) Title: One from the American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 14 x 14 i...

Artist: Arman, French (1929 - 2005) Title: Squeezed Blue Fiddle Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 150 Size: 30 in. x...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...

2018 The complete set of 9 screenprints in colors Sheet: 24 x 24 in., each Edition of 100 Each sheet signed, dated and numbered in pencil

1990 Lithograph, screenprint on paper and metalised PVC on paper S. 59 1/8 x 75 in. (150.2 x 190.5 cm) Edition of 68 Signed, dated and numbered in pencil, lower margin

2013 The complete set of 10 screenprints in colors Sheet: 35 x 23 inches, each Edition of 100 Each signed, dated and numbered in pencil Contained in original portfolio box

1988 Screenprint in colors, on wove paper, with full margins 12 x 15 in. (30.5 x 38.1 cm) Edition of 200, HC Signed, dated, and numbered in pencil, recto Framed

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color based on the Hebrew alphabet done in a calligraphy typeface. Jozsef Jakovits...